Today at Photoshop World conference in Las Vegas, Adobe announced a new packaged bundle tailored specifically for Photographers. It consists of the Photoshop CC, Lightroom 5, Behance ProSite and 20 GB of cloud storage – all for $9.99 per month. There are two conditions with this deal: you have to sign up before December 31, 2013 and you must currently own CS3 or a newer version of Photoshop. Many photographers complained about Adobe’s decision to move the Creative Suite platform to the cloud and their new subscription-based pricing model. We wrote a number of articles criticizing Adobe’s decision and talked about the pitfalls of going to the cloud, including the high monthly costs.
Rather than taking a deeper look at an image, those of us who are just getting into photography might get carried away with thoughts of major post-processing. If given enough consideration, most photos do not need major editing or hardly need any editing at all. Before venturing into piling on every single editing trick you’ve learned on the photo of your choice, I call you to consider these basic tips to make your workflow faster and hopefully easier.
Today Adobe announced the availability of Lightroom 5.2 and Camera RAW 8.2 release candidates. A number of bugs that were present in Lightroom 5 were fixed, and new camera and lens profiles have been added. In addition, some new features features have been added to Lightroom, including a smoothness adjustment slider, refinements to the spot healing tool and local adjustment brush. Preliminary RAW support for the recently announced Canon EOS 70D and Sony RX100 II is also provided. The Adobe team skipped Lightroom 5.1 version and jumped directly to 5.2, to keep up with the Camera RAW naming convention.
Adobe’s recent change of license strategy for most of its Photoshop family software tools has introduced a lot of doubt among the previously happy customers. Because of Photoshop CC, many owners of Lightroom 3 and 4 have started looking for alternatives, fearing that despite Adobe’s claims, there is a possibility that Lightroom will also be moved to a subscription-based license in the future. Such fears are further complimented by the fact that the older versions of Lightroom will never gain support for the newest mirrorless and DSLR cameras, or new lens profiles. For this reason, Adobe had to make sure Lightroom 5 was so good, it would keep its customer base happy and tempted by the new features despite the recent changes in license strategy of its other products. The pressure is made worse by rivals always breathing down Lightroom’s neck.
Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
One of the key areas that we will be focusing during our upcoming post-processing workshops, is image management and its effect on your workflow process. Unfortunately, many of us end up using Lightroom just for editing images and might not be aware of the powerful filtering and image management tools built right into the software. Before I started using Lightroom, I used to have a very messy folder structure in my computer, with images residing in multiple folders and several drives. I never really bothered to organize images in my file system, because there was no good way to do it – most operating systems cannot even properly read image EXIF data and lack built-in functionality to effectively sort through thousands of images. After discovering Lightroom, I was able to finally organize all of my images in my computer and once I developed a good methodology, I have been using the same process successfully for many years now. I wrote a detailed guide on this a while ago in my “how to organize images in Lightroom” article, where I go into more details on the import process. In short, if you have a messy folder structure today, I highly recommend that you organize it as soon as possible. Not only will it save you from a lot of headaches when searching for a particular image, but it will also standardize your workflow process and make your backup process simple.
Happy Sunday everyone! New week is about to start so I thought I’d run this Lightroom Question & Answer session. For the next few days (depending on how active you are) you are welcome to ask any question you like about Lightroom and I will do my best to answer them! Each time a question is posted by you in the comments section below, I will update the article as soon as I come up with the answer. If there are any questions very specific to a certain case, I may answer them in the comments section. Specific, to-the-point questions will be answered in this article, while questions requiring more extensive explanation will be covered in separate articles in the future. I know many of our readers know a lot about Lightroom and you are most welcome to participate. If you are new to Adobe’s Lightroom and find it difficult learning what’s what, this is the time and place to ask for help!
If you took workshops and coursework on photography, chances are you’ve heard every mentor talk about understanding composition and learning to crop within the camera. Doing so will yield greatly composed photos and will limit your time in post production. But from time to time, you will come back with badly cropped photos which might have distracting elements in the background and the composition may not look spot on. If you are photographing portraits, even the slightest distraction may draw the viewer’s attention to something else than what you originally intended the viewer to concentrate on. At times like these, instead of deleting the photo, I want to give it another chance. Memories are precious and I do not mind cropping the photo to preserve what is important. Cropping images in post production will give you another chance to re-frame your shots and there are a number of different ways you can do this to achieve desirable results.
Almost every function in Lightroom has a specified keyboard shortcut for quicker access. Using keyboard shortcuts is a great way to speed up your post-processing significantly, but memorizing all of them can be quite tough. You can view these Module-specific keyboard shortcuts by selecting “<…> Module Shortcuts…” from the Help menu at any time, or by hitting Ctrl + / on your keyboard. Mind you, as many as there are of the shortcuts listed in this table (shown for the Develop Module below), there’s actually more of them. You can find all the Lightroom 4 shortcuts in Adobe’s Help page for both Mac and Windows, while Lightroom 5 shortcut list should be available shortly.
After my “Photoshop vs Photoshop Elements” article, many of our readers suggested a comparison between Photoshop Elements (PSE) and Lightroom would be more useful. I must admit, I found such requests to be a little strange, because I believe both of these programs to be very different. The difference lies in both targeted user base as well as complexity and overall functionality. On the other hand, some features are shared between Lightroom and Photoshop, as well as between Lightroom and PSE. In this article, I will describe similarities and differences between these two popular post-processing applications by Adobe to see whether one can serve as a replacement or an alternative for the other.