Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about getting accurate colors from a Canon DSLR in Lightroom.
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Unfortunately, as you might have noticed when importing files, Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD when an image is captured. In this article, I will talk about matching colors from a Nikon DSLR in Lightroom.
Pretty much the whole Photography Life team uses Lightroom (Tom, hint hint) and we all love it. Without a doubt, Lightroom is an integral part of many photographers’ workflows. It is easy to learn and use, comes with a boatload of great tools and makes the process of managing and organizing images a breeze. However, it seems like Lightroom is often plagued by various bugs and annoyances, some of which have been there for a very long time. One of those nasty old timers, is the Lightroom Exit Bug (I came up with this title, since I have no idea how else to call it), which has been plaguing Lightroom for a very long time, I believe since version 2 or 3. It also occurs in the latest release of Lightroom 5.2 RC. Basically, at some point of time, Lightroom’s shortcuts and menu windows just stop working and random presets get applied to your photos. The bug also prevents you from being able to exit out of Lightroom. The only cure is to exit out of Lightroom by clicking the “X” on the top right corner of the Lightroom window.
Today at Photoshop World conference in Las Vegas, Adobe announced a new packaged bundle tailored specifically for Photographers. It consists of the Photoshop CC, Lightroom 5, Behance ProSite and 20 GB of cloud storage – all for $9.99 per month. There are two conditions with this deal: you have to sign up before December 31, 2013 and you must currently own CS3 or a newer version of Photoshop. Many photographers complained about Adobe’s decision to move the Creative Suite platform to the cloud and their new subscription-based pricing model. We wrote a number of articles criticizing Adobe’s decision and talked about the pitfalls of going to the cloud, including the high monthly costs.
Rather than taking a deeper look at an image, those of us who are just getting into photography might get carried away with thoughts of major post-processing. If given enough consideration, most photos do not need major editing or hardly need any editing at all. Before venturing into piling on every single editing trick you’ve learned on the photo of your choice, I call you to consider these basic tips to make your workflow faster and hopefully easier.
Today Adobe announced the availability of Lightroom 5.2 and Camera RAW 8.2 release candidates. A number of bugs that were present in Lightroom 5 were fixed, and new camera and lens profiles have been added. In addition, some new features features have been added to Lightroom, including a smoothness adjustment slider, refinements to the spot healing tool and local adjustment brush. Preliminary RAW support for the recently announced Canon EOS 70D and Sony RX100 II is also provided. The Adobe team skipped Lightroom 5.1 version and jumped directly to 5.2, to keep up with the Camera RAW naming convention.
Adobe’s recent change of license strategy for most of its Photoshop family software tools has introduced a lot of doubt among the previously happy customers. Because of Photoshop CC, many owners of Lightroom 3 and 4 have started looking for alternatives, fearing that despite Adobe’s claims, there is a possibility that Lightroom will also be moved to a subscription-based license in the future. Such fears are further complimented by the fact that the older versions of Lightroom will never gain support for the newest mirrorless and DSLR cameras, or new lens profiles. For this reason, Adobe had to make sure Lightroom 5 was so good, it would keep its customer base happy and tempted by the new features despite the recent changes in license strategy of its other products. The pressure is made worse by rivals always breathing down Lightroom’s neck.
Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
One of the key areas that we will be focusing during our upcoming post-processing workshops, is image management and its effect on your workflow process. Unfortunately, many of us end up using Lightroom just for editing images and might not be aware of the powerful filtering and image management tools built right into the software. Before I started using Lightroom, I used to have a very messy folder structure in my computer, with images residing in multiple folders and several drives. I never really bothered to organize images in my file system, because there was no good way to do it – most operating systems cannot even properly read image EXIF data and lack built-in functionality to effectively sort through thousands of images. After discovering Lightroom, I was able to finally organize all of my images in my computer and once I developed a good methodology, I have been using the same process successfully for many years now. I wrote a detailed guide on this a while ago in my “how to organize images in Lightroom” article, where I go into more details on the import process. In short, if you have a messy folder structure today, I highly recommend that you organize it as soon as possible. Not only will it save you from a lot of headaches when searching for a particular image, but it will also standardize your workflow process and make your backup process simple.
Happy Sunday everyone! New week is about to start so I thought I’d run this Lightroom Question & Answer session. For the next few days (depending on how active you are) you are welcome to ask any question you like about Lightroom and I will do my best to answer them! Each time a question is posted by you in the comments section below, I will update the article as soon as I come up with the answer. If there are any questions very specific to a certain case, I may answer them in the comments section. Specific, to-the-point questions will be answered in this article, while questions requiring more extensive explanation will be covered in separate articles in the future. I know many of our readers know a lot about Lightroom and you are most welcome to participate. If you are new to Adobe’s Lightroom and find it difficult learning what’s what, this is the time and place to ask for help!