There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section. For us sinners, why not explore the process of cropping images in Lightroom and understand why it is done in the first place?
Have you ever wondered how to use the radial filter in Lightroom? Although we have covered it in depth in our Workflow and Post-Processing course, I thought it would be a good idea to share some detail about the specifics of the radial filter in a video. If you are just starting out in Lightroom, this will be a good introduction on how to use the radial filter, which keyboard shortcuts to use to access it and how to do basic customizations to make the tool fit your needs.
Have you ever wondered how to use the graduated filter in Lightroom? Although we have covered it in depth in our Workflow and Post-Processing course, I thought it would be a good idea to share some detail about the specifics of the graduated filter in a video. If you are just starting out in Lightroom, this will be a good introduction on how to use the graduated filter, which keyboard shortcuts to use to access it and how to do basic customizations to make the tool fit your needs.
Have you ever wondered how to use the adjustment brush in Lightroom? Although we have covered it in depth in our Workflow and Post-Processing course, I thought it would be a good idea to share some detail about the specifics of the adjustment brush in a video. If you are just starting out in Lightroom, this will be a good introduction on how to use the adjustment brush, which keyboard shortcuts to use to access it and how to do basic customizations to make the tool fit your needs.
One of the features of Lightroom that I use the most often and has probably saved me more time than any other step in my editing process is creating and using develop presets. A develop preset is simply a group of adjustments that all get applied to an image at the same time. By default, Lightroom includes a variety of presets, but you can also create your own if you want something more personalized. In this post I’ll show you the process of creating a Lightroom develop preset, as well as how to modify an existing develop preset.
One of the biggest frustrations with Lightroom’s built-in watermarking tool, is the fact that it often ends up making watermarks appear too soft / blurry, especially when extracting smaller JPEG images. This happens due to Lightroom’s rather poor implementation of watermarking on images. Not only does Lightroom seem to apply sharpening to images before adding a watermark, but also, the resizing algorithm used by the software appears to be pretty bad. No matter what image dimensions one chooses, Adobe has not provided a way to turn off scaling in Watermark Editor, even if one provides transparent PNG / GIF images with the correct dimensions. For this reason, many photographers end up using Photoshop for adding watermarks to images, which certainly does take more time and effort, but certainly delivers much sharper results in comparison. After seeing poor watermarking results, I decided to look into alternative methods to see if there is a way to make watermarks sharper using the same tools. After some experimentation, I came up with two methods that ended up working well and that’s what I am going to share with our readers in this article.
While it seems that adding watermarks to images does little nowadays to deter image theft, watermarks can still be very useful for photographers and business owners for promoting their work and their brands across websites and social media. Unfortunately, for those who are just starting out, adding a simple watermark to images can be a rather painful experience, especially if they are not already familiar with the process using such software tools as Photoshop. Thankfully, Adobe has made it easy to add watermarks to images in Lightroom, allowing one to not only add a watermark to a single image, but also to apply it to all images during the export process, which can save a lot of time and frustration when dealing with batches of images. In this article, I will show how to use the built-in watermark tool that is readily available in Lightroom in order to quickly add watermarks to images.
Although we have already published a detailed review of the JPEGmini Pro software a while ago, a number of readers have reached out to me, asking how to effectively use the software, specifically when extracting images for clients from Lightroom. I have now been using JPEGmini for over a year and both Lola and I have been extracting images from Lightroom in a specific way to get the highest quality JPEG images to our clients, while retaining the smallest file size possible. Previously, we would extract everything at particular resolutions (typically 2048 for smaller JPEGs and full size for print) using 100% JPEG compression for the full sized images for the best possible quality, but extracting hundreds and sometimes even thousands of images turned out to be a headache when it came to storage and file transmission. With JPEGmini, we were able to continue delivering the best images to our clients, with a much smaller footprint. This resulted in both time and cost savings in the long run for us, as we did not have to deal with time-consuming uploads and large USB drives. In this article, I will show how both Lola and I we have been utilizing JPEGmini as part of our Lightroom workflow.
As a photographer and a photography business owner, I go through a number of activities at the end of each year to close it out, just like many businesses do when performing year-end activities. These activities have become an essential part of my photography workflow, allowing me to continue using a very consistent and reliable method to not only store and archive my images, but also to be ready for future data growth and potential hardware changes. If you have not yet considered year-end activities for your photography, I would recommend to give the below article a read and see if it would suit your workflow. Basically, I have developed a set of procedures that I run on either December 31st, or the first few days of each new year to ensure that my data stays consistent, secure and fully backed up. Most of these procedures highlighted below are related to my current post-processing software of choice, Adobe Photoshop Lightroom, but if you run any other software, you should be able to run through similar steps to make sure that you are set for another year of successful shooting.
The Lightroom import dialog is one of the most essential components of the software, not just because that’s how one gets images into Lightroom, but also because with the proper use of the import dialog, it is possible to properly organize images and apply specific presets that can potentially save quite a bit of time when post-processing images. In this article, I will go over the import dialog and cover its settings to hopefully help our readers in understanding its use and advantages.