As I’ve said time and time again, Lightroom is all about speed. And that’s the beauty of it. You can do so many things without actually needing to save the images as JPEG files on your computer, you hardly ever need to Export them at all. In this article, I will show you how to use Lightroom’s Email Photo function so that you can send any image in your Library by email without ever leaving Lightroom environment. It is quick, simple and very easy to set up, so if you’ve never used the feature but tend to send image files by email frequently, you should definitely try it out.
On our way to mastering Lightroom, we have already learned how to successfully Import images into your Catalog, work with Filename Template Editor and even understand how Lens Corrections work, among other things. Yet someone new to Lightroom will notice that we’ve missed several vital steps in our attempts to explain the software from start to finish, and so it is time to get back to those steps. In this article we will talk about one of the two most used Modules in Lightroom – Library. More specifically, we will overview the functionality of the left-side panel, the rest of the Module will be covered in two upcoming articles shortly afterwards.
This is a follow-up article to the tutorial I published a few days ago on how to create a panorama image in Lightroom. In the article, I used a very simple and straightforward panorama image which could be merged without any errors virtually on first try. The image did not have a main object of interest and only a few points that needed critical precision during stitching process. I chose this image for the sake of convenience – I didn’t want it to cause any apparent problems while I tried to explain how to seamlessly include Photoshop or any other panorama merging software in your Lightroom workflow. However, we all understand that, more often than not and especially with Brenizer method panoramas that I love so much, the stitching process is far from being perfectly accurate every time. More complex panoramas require several tries before the stitching is done properly, or manual correction. But how do you manually correct a panorama that you are trying to merge through Lightroom? It is actually easier than you may think and is unlikely to upset your workflow in any way.
A while ago, I wrote an article explaining how to use Lightroom with external editors. Since then, I’ve been asked specifically about merging panorama images. In this article, I will show you all the steps you need to take to successfully merge a panorama and have it back in your Library with minimal fuss. I will be using Lightroom 5.2 and Photoshop CS5, but the process is virtually identical with (reasonably) older versions of both software tools. This tutorial will focus on the process of stitching a panorama image while using Adobe Photoshop Lightroom as the heart of your post-processing and image management workflow.
As any reader of our previous Mastering Lightroom series articles will know, one of the biggest strengths Adobe’s popular RAW converter has is presets and templates. With its emphasis on speed, Lightroom allows you to create a preset or template for more or less anything, from Metadata, to slideshows or book design. I have already talked about the super-useful Develop Presets. In this article, I will show you how to use Filename Template Editor so that you learn how to name your images as quickly and efficiently as possible.
In our previous Mastering Lightroom series articles we covered what Lightroom is and how it works. We also took a quick tour around Lightroom’s working environment. After highlighting the basic function and capability of each Module, it is now time to talk about them individually more in-depth, starting with Library Module. Before we can actually start using all Library tools, however, we need images to work with. That is why our first step is to learn how to import photographs in Lightroom. I will be using the latest (at the time of writing) version, Lightroom 5, to guide you through the process of Importing images. Virtually everything but Smart Previews is equally applicable to earlier releases.
In our two previous Lightroom articles, I explained what Adobe Photoshop Lightroom is and how its catalog-based file management and post-processing system works. Now that we are done with the basics, it is time we move to something a bit more practical. In this article, I will introduce you to the Lightroom environment. You will learn to understand the most notable elements of its user interface – Lightroom Modules. I will explain what the seven Modules are used for and how to switch between them. This article will also outline some of the basic tools within each Module. Hopefully, this article will help you see Lightroom’s full potential and understand that it might be more than enough of a post-processing and image management software for most of your digital photography needs.
You may have heard about Catalogs before as there are two main opinions among photographers. Some think Catalogs are the best way to work with images. Others remain skeptical and prefer to access and manage their image files directly without a catalog-based management tool. But what exactly are Catalogs? What are the strengths of database driven catalog systems and are there any downsides to this approach? In this article I will talk about Catalogs and explain the benefits and downsides of such post-processing and image management systems. I will also show you how to create and efficiently manage new Lightroom Catalogs.
Post-processing is an unavoidable, inseparable part of professional photography today, be it photojournalism or fashion photography. Because of that, choosing the right software tool for post-processing your work efficiently is as important as having the right camera and lens combination for the job. It is no surprise that demand for such flexible and powerful software is met with some serious contenders. One of such contenders comes courtesy of Adobe, a software development company best known for its powerful graphics tool Photoshop. Nowadays Photoshop is widely used by photographers (hence the term “to photoshop” applied to almost any sort of image editing), but it is not intended strictly for photographers – it has a much broader user appeal. For photographers, Adobe has developed a somewhat different piece of software called Adobe Photoshop Lightroom. As the name suggests, Photoshop blood runs in the family, but Lightroom is vastly different from its bigger brother. In this article, I will explain what Adobe Photoshop Lightroom is and why it’s such a great choice for aspiring photographers.
Due to popular demand, we are starting our new series of articles on commercial wedding photography. Since I have been helping out my wife with her wedding business, being a second shooter during weddings and engagement sessions, I have been writing down some helpful tips, which I am planning to provide on Photography Life. These tips range from very basic things like preparing for the wedding day, to complex setups involving specific situations, like setting up flashes indoors. Our first wedding photography tip is about properly synchronizing time on cameras when working with second shooters and assistants. If you have been commercially photographing weddings, you might have already been frustrated to see photographs from multiple cameras get mixed up when you import them to an Aperture or Lightroom catalog. It is not pleasant to see ceremony images mixed with images from the dance floor and it is certainly not fun to try to go through hundreds, if not thousands of photos and sort through them one by one. Gladly, there are workarounds to situations where it had already happened, which I will share with you in this article. First things first, let’s talk about the proper way to synchronize time between multiple cameras.