One of the biggest advantages Lightroom offers over some other RAW converters, such as Camera RAW found in Adobe Photoshop environment, is speed and flexibility while working with tens, hundreds and even thousands of photographs at a time. However, it wouldn’t be quite as fast if we didn’t have a way of applying a set of our own settings to any amount of images we choose with a single click. For this, Photoshop offers us Actions and Batch processing. Lightroom, in turn, gives us Presets.
The more time I spend in my photography pursuits, the more I appreciate cameras that capture and photos that exploit their maximum dynamic range potential. Digital cameras have undergone dramatic improvements over the last 12+ years, but they still don’t come close to the human eye’s dynamic range capabilities. By some estimates, the human eye can distinguish up to 24 f-stops of dynamic range. Higher end DSLRs such as the Nikon D800 by comparison, can capture up to a theoretical max of 14.4 f-stops of dynamic range. The usable dynamic range of most DSLRs, however, is closer to 5-9 f-stops, considering the impact of noise, which can render some of the DSLRs’ f-stop range impractical to exploit. Thus your eyes – at least for now – are still far more capable than the best DSLR relative to recognizing various tonal gradations. As I will demonstrate via my new model, “Doris” (shown below) of the Pittsburgh Zoo, even photos taken with high quality DSLRs sometimes need a bit of extra processing to match what your eyes can see. The photo below is the result of a processing technique I often employ to boost dynamic range when it is apparent that my camera’s sensor failed to capture what I remember seeing.
In this short tutorial I will show you how to use one of the easiest and most powerful tools found in Lightroom – the Tone Curve. In my previous tutorial about black & white conversions, I briefly showed you how to use the HSL Panel’s Luminance section to control the lightness of separate colors of the image. Using the Tone Curve Panel is very similar as it also allows you to control the lightness and darkness of various parts of a given photograph, however, rather than altering separate colors, the Tone Curve tool controls certain ranges of actual tones in the image.
Lightroom is an amazing program with a myriad of great features to improve the look of your photographs. In addition to all the image editing and cataloging tools, Lightroom also has some cool built-in features to make it a little more personal. In this short tutorial, I will show you how to brand and customize your favorite RAW converter. A little :)
Lightroom has many features that can easily confuse those who are new to it. While the program offers plenty of different editing opportunities, in order to achieve the best results and user experience, it is important to understand the very basics of Lightroom. In the series of upcoming short articles, I will try to explain each of the most important Panels in Lightroom, so that in the end, you will find it to be a simple, quick and easy to use software for your post-processing needs. Lets start with the Basic Panel.
Adobe has finally released the latest and greatest Lightroom 4, which packs plenty of new features. What are those new features and how does Lightroom 4 stack up against the older version? If you are wondering whether it is worth upgrading or not, then this Ligthroom 4 vs Lightroom 3 Review is for you. I will go over the new features of Lightroom 4, their practical use and the potential advantages of using those tools for your personal work or business.
I have seen great specials from Adobe on Lightroom before (Christmas sale was $149) but this post-Valentine’s Day special blows anything I have seen away! Just today, you can get Adobe Photoshop Lightroom 3 for just $69.95 from B&H. An incredible deal, considering the regular retail price tag of $269.95. Can’t complain about the price anymore!
Adobe has just released final versions of Lightroom 3.6 and Camera RAW 6.6 that have been in “release candidate” state for over a month (download link for Windows and Macintosh). As shown on Adobe’s blog, the update fixes a number of serious bugs, in addition to providing full support for the new Nikon 1 V1 / Nikon 1 J1 cameras and a bunch of new lenses from various manufacturers.
In this article, I will show you how to watermark a photo in Lightroom 3 using the standard, available tools. Adding copyright watermarks to photographs in Photoshop can be a very time consuming task. Although you can create a batch job for watermarking multiple images in Photoshop, it is a rather slow and cumbersome process that involves recording actions for different layouts. Embedding watermarks in Lightroom 2 was also painful, because you had to use a separate plugin that had to be installed and configured. Gladly, Lightroom 3 now has an integrated functionality to embed watermarks that you can use in batch action while exporting your images. Let’s go over the new method of embedding watermarks and how you can use Lightroom 3 to watermark all of your vertical or horizontal images during the file export process.
In this article, I will show you an example of how I process portraits (before and after) and what my portrait editing workflow is like. Many of our readers ask how I post-process my images for my wedding blog and I decided to put together a quick example. Obviously, every image is different, so while some photos take very little of my time in Lightroom, others might take a while to process in Lightroom and Photoshop. This image in particular is from our recent “Bridesmaids Photoshoot“, a collaborative effort by many talented individuals in Colorado.