Loupedeck is a photo editing console for Adobe Lightroom. It is a keyboard-sized device that allows you to adjust most image settings in the develop module with a simple turn of a knob, scroll of a wheel, or push of a button. If you’ve ever wanted to ditch your mouse while editing photos and have direct access to each individual field in Lightroom, this might be a step in the right direction. In this review, I’ll give an overview of the Loupedeck Lightroom editing console, describe my experience with it and make some recommendations as to who might find it useful.
For a number of years now, I have been a big fan of network attached storage (NAS) in order to keep all of my data in one place and simplify my photography workflow. Having access to the same fast storage from multiple machines, as well as the Internet, is important for my needs, so I have been utilizing NAS heavily at my home office. Ever since I got a hold of the Synology DS1815+, I have been a big fan of Synology products. However, there has been one main limitation that I have been struggling with when processing large files or accessing storage from multiple computers, and that is network throughput limitations. With the DS1815+ model only featuring 1 Gbit Ethernet ports, I have been limited to a maximum total of 100-120 MB/sec transfers, which is simply insufficient in today’s high-resolution photo and video environments. So as soon as Synology announced its DS1817+ unit with the capability to add a 10 Gbit network card, I knew I had to move up to it. In this review, I will provide detailed information on the Synology DS1817+ NAS and provide detailed information on what one can expect from it in terms of performance and network throughput.
Following Adobe’s announcement of two new versions of Lightroom, there has been some confusion about the exact purpose of each one. Many photographers on Adobe’s subscription plan are looking forward to using the new version of Lightroom and gaining the most recent feature set. But, which one is the new version? The two new options are called “Lightroom Classic” and “Lightroom CC,” and they’re quite different from one another. In fact, I suspect that many photographers won’t even use Lightroom CC at all, and they’ll stick entirely to Lightroom Classic. Below, I’ll outline the differences between the two.
Four years is a long time in the digital realm. In the past four years, new products, services, and software have uprooted many parts of the old world and put something new in its place. It also is enough time — as many people suspected, but wasn’t confirmed until today — for a company to break a promise. I’m talking about Adobe, with their new release of two separate versions of Lightroom: a split “Lightroom CC” and “Lightroom Classic CC.” Both of them are subscription only, which runs counter to Adobe’s own words during the release of Lightroom 5: “Future versions of Lightroom will be made available via traditional perpetual licenses indefinitely” (source). Although it helps to define indefinitely just to be sure — dictionary.com says “ Below, I’ll dive into some new features in these Lightroom releases. I’ll also provide some suggestions if, like me, you are against the idea of monthly payments in order to access a catalog-based editing software (which makes you keep paying if you want the ability to re-edit your old photos).
A friend of mine texted me with a question on how he can upgrade from his Lightroom 5 copy to Lightroom 6 this weekend. He told me that he was frustrated with his online Adobe experience, since he could not find the standalone version – every search lead him to the Creative Cloud (CC) subscription model, which he did not want to buy. I immediately thought that he was simply overlooking something, so I decided to give it a quick go on my mobile phone. I typed “Adobe Lightroom 6 Upgrade” in Google, which took me to all kinds of places, none of which offered an upgrade option to Lightroom 6, only CC offers.
One of the most frequently asked questions I often get at Photography Life, is related to post-processing images. Specifically, our readers want to find out how they can make their images look good without spending too much time post-processing them. After-all, not everyone has the skills or the patience to learn how to use the many different tools in different software packages like Lightroom and Photoshop. I thought of things that I normally do to my images when I want to make quick edits and came up with a few steps that I consistently apply to all of my images. In this article, I will provide these steps, so that you can quickly make changes to your images and make them look good without having to go through a lot of learning. I will highlight the steps using Lightroom and Photoshop, but you should be able to imitate similar steps using other post-processing software as well.
When editing a photograph in Lightroom, it is often useful to compare what the image looked like when you started out (the “Before”), to the changes you have made so far (the “After”). This way, you can keep track of your edits and understand how the different sliders and check marks within Lightroom affect your image. Thankfully, Adobe made it easy to switch between the Before and After screens and provided a number of different ways to view both vertical and horizontal images in a single window. Let’s take a look at this great feature in detail.
Have you ever wondered what the difference is between a snapshot and a virtual copy in Lightroom? They are both options that you can use to preserve image settings, but they work in very different ways. A while back I posted an article and video titled how to create a Lightroom snapshot that briefly explained what a snapshot is. We’ve also posted an article about virtual copies before. In this article, I want to explain the differences between a virtual copy and a snapshot in Lightroom, the benefits of each one, and when you might want to use one instead of the other.
Without a doubt, Lightroom is a powerful software package for editing images. But did you know that it is also one of the most preferred tools to stitch panoramic images? Ever since Adobe released Lightroom 6 and CC, the capability to stitch images into DNG files has been integrated right into the product core. If in the past one would have to either use Adobe Photoshop or third party software such as PTGui to stitch panoramas, with the latest versions of Lightroom, one can easily stitch single row and even multi-row panoramas directly from Lightroom. In this article, we will demonstrate how one can successfully stitch panoramas in Lightroom and explain why the use of Lightroom specifically might be a preferred method when compared to other third party tools on the market.
With so many new cameras being released each year that allow capturing images in RAW format using different compression levels, bit-rates and other proprietary data, it is becoming increasingly difficult for post-processing software to keep up with all the changes and provide full support for RAW formats. Although camera manufacturers have been bundling their own image converters, such tools are often underdeveloped, buggy and lack the necessary features to be able to rely on them for post-processing images. Despite the fact that some post-processing software tools as Adobe Lightroom and Capture One provide frequent updates to support new cameras, it is getting practically impossible to provide full support for every new camera and RAW format features. It is time for camera manufacturers to come up with a single universal RAW format that can be easily supported by all post-processing software and we as consumers need to push camera manufacturers to adopt this format.