A while ago, Adobe finally added Graphics Processing Unit (GPU) Acceleration to its Lightroom post-processing software. It was exciting news, as many photographers could not wait to take advantage of their fast GPU cards in order to speed up Lightroom, which was getting painfully slower with each new release. Unfortunately, GPU acceleration turned out to be a painful feature for many Lightroom users overtime, because they either saw no benefit at all, or saw very few improvements of it in their post-processing work. In this article, we will explore GPU acceleration in more detail and explain what it is used for and when it is of no use.
It seems only a short while ago when I was undecided on the RAW processing software that would replace Lightroom. I shortlisted several potential alternatives – Capture One Pro, RawTherapee, DxO Optics and Darktable among others – but was able to try out only Capture One Pro properly. A demo version 10 of Capture One gave me 30 days to test it, after which I was able to continue evaluation by signing up for a beta copy of version 11. After using Capture One for several weeks, I made a decision to stick with it despite its hefty price tag. Now seems to be the right time to publish this, with the last standalone version of Lightroom 6.14, having just been released. Needless to say, my attempts at using other software I listed earlier were quite lukewarm. So to the reader who is here expecting a comparison between different alternatives to Lightroom, this post is unfortunately not it. Instead this post documents my migration from Lightroom to Capture One.
Many photographers, including our team at PL, have been frustrated with Adobe’s latest move to discontinue the standalone version of Lightroom, something Adobe said it would not do in the past. As a result, a number of us (including myself) have been looking for alternative post-processing tools that can replace Lightroom completely. For the past few years, I have owned Phase One’s Capture One Pro software, which I found to be very capable when it comes to post-processing images. Some of Capture One Pro’s capabilities (such as color adjustments, adjustment layers, etc) are light years ahead of Lightroom, and performance-wise, Lightroom has only been getting worse year after year, with things like adjustment brush slowing down even some of the most powerful desktop computers, whereas you can stack layers and layers of adjustments on images in Capture One without slowing anything down. Because of this, I have been running Capture One for some time now, hoping that I can fully transition to it at some point in the future. However, the biggest reason why I have not been able to fully transition, is the lack of Fuji GFX 50S camera support, something I was hoping I would see in the new version of Capture One 11 that was just announced today. After looking at the release notes of Capture One Pro 11, I came to conclusion that Phase One has no plans to support the GFX 50S or any other medium format camera on the market to protect its own medium format system. For this reason alone, Capture One could never replace Lightroom as post-processing software for many photographers out there.
Loupedeck is a photo editing console for Adobe Lightroom. It is a keyboard-sized device that allows you to adjust most image settings in the develop module with a simple turn of a knob, scroll of a wheel, or push of a button. If you’ve ever wanted to ditch your mouse while editing photos and have direct access to each individual field in Lightroom, this might be a step in the right direction. In this review, I’ll give an overview of the Loupedeck Lightroom editing console, describe my experience with it and make some recommendations as to who might find it useful.
For a number of years now, I have been a big fan of network attached storage (NAS) in order to keep all of my data in one place and simplify my photography workflow. Having access to the same fast storage from multiple machines, as well as the Internet, is important for my needs, so I have been utilizing NAS heavily at my home office. Ever since I got a hold of the Synology DS1815+, I have been a big fan of Synology products. However, there has been one main limitation that I have been struggling with when processing large files or accessing storage from multiple computers, and that is network throughput limitations. With the DS1815+ model only featuring 1 Gbit Ethernet ports, I have been limited to a maximum total of 100-120 MB/sec transfers, which is simply insufficient in today’s high-resolution photo and video environments. So as soon as Synology announced its DS1817+ unit with the capability to add a 10 Gbit network card, I knew I had to move up to it. In this review, I will provide detailed information on the Synology DS1817+ NAS and provide detailed information on what one can expect from it in terms of performance and network throughput.
Following Adobe’s announcement of two new versions of Lightroom, there has been some confusion about the exact purpose of each one. Many photographers on Adobe’s subscription plan are looking forward to using the new version of Lightroom and gaining the most recent feature set. But, which one is the new version? The two new options are called “Lightroom Classic” and “Lightroom CC,” and they’re quite different from one another. In fact, I suspect that many photographers won’t even use Lightroom CC at all, and they’ll stick entirely to Lightroom Classic. Below, I’ll outline the differences between the two.
Four years is a long time in the digital realm. In the past four years, new products, services, and software have uprooted many parts of the old world and put something new in its place. It also is enough time — as many people suspected, but wasn’t confirmed until today — for a company to break a promise. I’m talking about Adobe, with their new release of two separate versions of Lightroom: a split “Lightroom CC” and “Lightroom Classic CC.” Both of them are subscription only, which runs counter to Adobe’s own words during the release of Lightroom 5: “Future versions of Lightroom will be made available via traditional perpetual licenses indefinitely” (source). Although it helps to define indefinitely just to be sure — dictionary.com says “ Below, I’ll dive into some new features in these Lightroom releases. I’ll also provide some suggestions if, like me, you are against the idea of monthly payments in order to access a catalog-based editing software (which makes you keep paying if you want the ability to re-edit your old photos).
A friend of mine texted me with a question on how he can upgrade from his Lightroom 5 copy to Lightroom 6 this weekend. He told me that he was frustrated with his online Adobe experience, since he could not find the standalone version – every search lead him to the Creative Cloud (CC) subscription model, which he did not want to buy. I immediately thought that he was simply overlooking something, so I decided to give it a quick go on my mobile phone. I typed “Adobe Lightroom 6 Upgrade” in Google, which took me to all kinds of places, none of which offered an upgrade option to Lightroom 6, only CC offers.
One of the most frequently asked questions I often get at Photography Life, is related to post-processing images. Specifically, our readers want to find out how they can make their images look good without spending too much time post-processing them. After-all, not everyone has the skills or the patience to learn how to use the many different tools in different software packages like Lightroom and Photoshop. I thought of things that I normally do to my images when I want to make quick edits and came up with a few steps that I consistently apply to all of my images. In this article, I will provide these steps, so that you can quickly make changes to your images and make them look good without having to go through a lot of learning. I will highlight the steps using Lightroom and Photoshop, but you should be able to imitate similar steps using other post-processing software as well.
When editing a photograph in Lightroom, it is often useful to compare what the image looked like when you started out (the “Before”), to the changes you have made so far (the “After”). This way, you can keep track of your edits and understand how the different sliders and check marks within Lightroom affect your image. Thankfully, Adobe made it easy to switch between the Before and After screens and provided a number of different ways to view both vertical and horizontal images in a single window. Let’s take a look at this great feature in detail.