LED lights have been a big trend in the last few years in dance parties, Many of us have photographed events where harsh LED light was used on the dance floor, and these LED lights have flooded our images and prevented us from taking available-light photos without them looking over-saturated and alien. One obvious option is to use a flash, whether ON or OFF camera, but you may be losing those moments where the light is causing interesting shadow situations. A second option is to convert the images to black and white, which is also a good solution, however sometimes you want to show certain characteristics, for example showing a party full of people with red-hair :)
The majority of my videography and photography work is with industrial clients, and I almost always find myself shooting onsite in warehouses, factories, and other indoor venues. In many of the buildings in which I shoot, lighting can consist of a mix of technologies such as high intensity discharge (metal halide, high pressure sodium, mercury vapour, low pressure sodium), fluorescent, and LED. To further complicate things sometimes facilities have had physical expansions and specific parts of a building can be illuminated by a mix of lighting sources. Rather than pull out the few, remaining hairs I have left on my head when having to deal with all of these variables, I try to simplify my shooting by bringing my studio lights with me and creating as much wide angle, controlled light as possible.
Like many photographers and videographers, I’ve found that there have been times when I really could have used a small, highly portable, adjustable light source. This most often occurred when I shooting close-up still images or video clips of industrial machinery where I couldn’t get my regular studio lighting to fit into cramped quarters. I began looking for a solution and came upon the Genaray LED-7100T On-Camera Light.