The transition from film to digital was one of the most dramatic shifts in the history of photography, and countless new techniques arose along the way. Everything from exposing to the right to the ability to review photos on-the-fly dramatically changed the photographic world. Of all these changes, though, one has transformed landscape photography far more than any other: the advent of digital image blending.
We were in the Marina of Santa Barbara and I was looking for a cheap restaurant. Then I spotted On The Alley and rushed to the place. The song California Dreaming (a hit of The Mamas & The Papas) was playing and the attendants were dancing animatedly. When they saw me, they blushed. I just laughed and they immediately started serving me (and the service was excellent). I and my wife, Nina, enjoyed the food and left the place very happily after having a delicious raspberry pie with ice cream for dessert.
For those of us living in the US or Europe it can be a daunting challenge to search for a nearby destination in which we may truly immerse ourselves in nature, specifically without enduring months of near bankruptcy directly afterwards. There are still plenty of hotspots left, especially in Northern Europe, but the signs of civilization can leave one feeling placed in an artificial bubble, albeit a beautiful one. Like it or not, this often is translated into the images we take.
In the previous two parts (I & II), I describe the careful planning involved in creating those images. Sometimes, however, with some luck, elements and light come together in several ways, (often unexpectedly), and create lasting, memorable moments. During those moments, it helps to stick to the basics, follow the light, and let your heart do the work. This third installment describes the amazing two hours I had at Sandy Stream Pond in Baxter State Park. I created 3 of my favorite images from last year in that short duration- it was like being a kid in a candy store. Please read on for the description.
More than any other fundamental aspect of photography, light is at the heart of every image you take. Without light, photography cannot exist; it is the foundation of every image, giving shape and meaning to each scene in your viewfinder. Personally, as a landscape photographer, my photographic decisions are shaped more than anything else by the lighting conditions that I encounter. From a soft mist to a dramatic sunset, whether at a mountain or a desert valley, my preferred approach to photography is simple: chase the light.
This is the second part of a series in which I share my favorite photos from 2015 with the Photography Life community. These articles include the preparation that went behind creating each image, the thought process that led to the final composition, post processing technique, etc. Continued from Part I.
Every January, I spend couple of days reviewing the photos I made the past year. My first step is to narrow those down to about 45 – 50 favorite images and then eventually to top 12 (the latter reduction often aided by a Facebook poll). I find this exercise rewarding and a very effective way of improving my photography skills. I thought of sharing these final 10 – 12 photos from 2015 with the Photography Life community including the preparation that went behind creating each image, the thought process that led to the final composition, post processing technique etc. After a quick email back and forth with Nasim, I decided to take a stab at it and here is my first write up of this 12 part series.
Have you heard of the Orton Effect? This post-processing technique has been around since the 1980s, if not earlier, but the trend has exploded tremendously in the past few years. If you haven’t heard of it, you aren’t alone – it only recently began to gain mainstream popularity. And yet, in some ways, the Orton Effect is swallowing the modern world of landscape photography. This is barely an exaggeration; after seeing the Orton Effect in practice, you should be able to spot it in at least a third of the trending 500px landscape photos, as well as many winning photo contest entries. This article covers all the basics of the Orton Effect, including a tutorial on how to implement it in your own images – and a discussion on why you may not want to do so.
At the heart of photography is the idea that you are conveying a message to your viewers. Perhaps you want to show the beauty of a waterfall or the drama of an incredible sunrise. Or, you may hope to depict the dark intensity of a jagged mountain peak. A photograph with a clear message can be as effective as possible; its composition, colors, subject matter, and lighting all add to the impression that you are trying to convey. And, more than any other element of composition, the concept of simplicity helps you achieve this goal. In this article, I will cover the ways in which simplicity plays a role in successful photography, including how to implement it to improve your own photographs.
This article is adapted from the upcoming eBook that Nasim and I are writing: “Creative Landscape Photography: Light, Vision, and Composition.”
You know the drill. You pick up a magazine or browse a website and flip through the photos. Most you look at for less than a second, but a select few grab your attention and demand a longer look. What’s different about these select photos? What makes some photos great and others mediocre?