We had a lot of good guesses on our tenth “How Was This Picture Made” article, including a couple that were almost entirely spot-on. Congratulations to Photography Life reader Goh Wei Jun for his guess — he will receive a copy of our upcoming eBook, Creative Landscape Photography, as a prize. So, how was this photograph made? This article dives into the entire process.
Our landscape photography tutorial has taken us from Colorado to Wyoming to Montana, and we have filmed in some amazing locations along the way. Cell coverage is hard to find in this area of the country, but there is no shortage of beautiful landscapes to photograph. After packing up and heading out of Grand Teton National Park, we took a short detour through Yellowstone on the way to Montana. This was the first visit for both John and I, and it did not disappoint – I wish that we had more time to spend in such an amazing place! Still, with our filming schedule, we had to make the most of the couple of days that we had.
After almost a week of filming, we just packed up and left Grand Teton National Park. We were very lucky to capture some great light, and we had a few clear nights to take good Milky Way photos as well. We’re now heading to Yellowstone for some photos — hopefully avoiding the crazy tourists — and then going north to film some videos throughout Montana.
To be honest, it’s not a deal breaker for me. I’m perfectly happy wherever I sit on a plane, as long as it’s not in the cargo hold (although I imagine the luggage could be quite comfy to lie on). I don’t specifically request a window seat. More often than not I’m fast asleep before the plane takes off until after it lands. That usually helps me be rested enough to go out shooting as soon as I’ve checked in to my accommodation.
A couple of days ago, John Bosley and I flew out to Colorado to meet up with Nasim. We’re in the first stages of another exciting video for Photography Life: an advanced landscape photography tutorial. We’ve had this particular project in mind for a while, and it feels great to start putting our plans into action. After landing in Denver, the three of us stopped for some food and camping supplies, and then we hit the road to Grand Teton National Park. [Read more…]
After a week in Ireland, I have seen some incredible sights. This is a beautiful country, and the people are incredibly warm and welcoming. Although most days here have been rainy, I’ve tried to make the most of foggy landscapes and simply enjoy my time in such a unique place. However, the weather has made it difficult to take colorful sunrise and sunset photos, which is a bit unfortunate — it is no secret that golden hour is a wonderful time to take pictures. Still, there has been one incredible morning for photography so far. In just a few minutes, the sky turned from a dull sheet of gray into a magnificent show of color, and a rainbow appeared during the best light. In this article, I’ll cover the entire story and thought process behind my favorite photo from this beautiful sunrise.
I arrived in Ireland a couple days ago, and I have been taking plenty of photos along the way. I’ll post them in future articles, but there is something more important to discuss for now: the dangerous, idiotic behavior I saw at the Cliffs of Moher.
This is the tenth post in our “How Was This Picture Taken” series, and this one features a photograph I took at Great Sand Dunes National Park in Colorado. Since this is the tenth installment in our series, and because we have a number of exciting projects coming up, we’d like to do something a bit special this time:
The reader with the closest answer will receive a free copy of the eBook that Nasim and I are writing: “Creative Landscape Photography: Light, Vision, and Composition.”
I recently spent a couple of enjoyable hours at Ruthven Park in Cayuga, Ontario, and thought I would share a few images with readers. [Read more…]
The transition from film to digital was one of the most dramatic shifts in the history of photography, and countless new techniques arose along the way. Everything from exposing to the right to the ability to review photos on-the-fly dramatically changed the photographic world. Of all these changes, though, one has transformed landscape photography far more than any other: the advent of digital image blending.