In the first of a series of follow-up articles to The Quality of Light, I have posted this article to share a series of photographs (along with the thought processes behind them) that I hope will accentuate the interplay of light, directionality, shadows, and mood in landscape photography. As previously discussed, the directionality of light is a powerful factor in defining the quality of shadows, the contrast, textures, and three-dimensionality of a scene, as well as the mood and emotion that the photograph will convey. In particular, unidirectional light qualities (e.g., side lighting and backlighting) serve this purpose well in landscape photography.
Telephoto lenses are wonderful tools for almost any genre of photography, but they aren’t necessarily easy to use. In particular, telephoto lenses will magnify any camera shake and provide a much thinner depth of field compared to wide angles. Don’t let that stop you, though. Telephotos have a unique way of showcasing the world — one which may be ideal for your photos. In this article, I’ll go in detail about how to use telephoto lenses, discuss some of their benefits and tips for dealing with their unique challenges. Although I personally tend to take landscape photos, the techniques in this article apply no matter what subjects you like to capture.
It has been a few years now that I’ve qualified for a senior’s discount at various retailers. Of course the rules for such discounts do vary by store. Some start offering them at 55. Others at 60. And, at many they don’t kick in until that magic age of 65.
For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
In Part 1 of Best of 2016, I showed images from my trips to Death Valley NP, Joshua Tree NP and Saguaro NP, then finished up the post with two of my favorite images from Istanbul, Turkey. In this second part, we will be touring through the Rocky Mountain region of the USA, then explore some of the images from my recent trip to New Zealand. As before, I will be spending a considerable amount of time talking about each image, its compostional aspects and what it took to make it work. Please enjoy!
I’ve heard a lot of “hidden tips” for landscape photography over the years. Most of them weren’t helpful at all. But, along the way, I have collected a handful that really are useful — nuggets of wisdom that I still use today, and that I recommend to other photographers as often as possible. I’ve included the five most valuable hidden tips below. Perhaps you’ve heard some of these before, but I hope that at least a few of them will be completely new.
It’s something we all care about, right? Sharpness. As a landscape photographer, with very few exceptions, taking sharp photos will be an important part of your work. That’s why you’ve spent so much time learning about the technical side of photography — and so much money buying high-quality camera equipment. This article covers everything that matters if you want your landscape photos to have as much sharpness and detail as possible.
Most of the time, landscape photography tips are intended for beginners rather than advanced photographers. That’s a problem — it says to advanced photographers that there is nothing new to discover. But landscape photography is incredibly complex, and there are still techniques out there for everyone. This article goes through some of the most important. If you’re an advanced photographer, and you’re not sure what else there is to improve, my hope is that this will be a good start.
The way I see it, sand dunes are among the most wonderful places in the world. They’re the very definition of a windswept landscape — the product of our planet’s most fundamental forces. They also exist all over the world, from coastal regions to deserts that span entire continents. It’s no wonder that photographers love the dunes so much. Below, I’ll offer some of my top tips for photographing sand dunes and getting incredible images.
There’s a reason why landscape photographers like waking up at 4AM and hiking out to the middle of nowhere. (Or, at the very least, there’s a reason why we tolerate it.) Are you a morning person? I’m not. But — countless times — I’ve stood by my tripod as the sun rises, watching the morning light illuminate a beautiful landscape. And that’s the reason. It’s all about the light. If you can get this one right, your photos will be spectacular. So, what are some of the things you can do to find good light?