A polarizing filter is one of the most essential tools in a landscape photographer’s bag. It is typically the first filter landscape photographers buy to instantly improve their pictures by adding vividness and contrast to them. In this article, we will go through detailed information on polarizing filters, what they do, why they are important and why you should consider using them for your landscape photography.
It is no secret that I love using ultra wide-angle lenses for my landscape photography. I was especially excited when I received the new Sigma 12-24mm f/4 DG HSM Art lens just before I departed for my winter Iceland workshop. It has an amazing 122-degree angle of view at 12mm. Many photographers have a difficult time using ultra wide-angle lenses correctly when composing a scene. Why? The simple answer is that they do not get close enough to their subject.
In the first of a series of follow-up articles to The Quality of Light, I have posted this article to share a series of photographs (along with the thought processes behind them) that I hope will accentuate the interplay of light, directionality, shadows, and mood in landscape photography. As previously discussed, the directionality of light is a powerful factor in defining the quality of shadows, the contrast, textures, and three-dimensionality of a scene, as well as the mood and emotion that the photograph will convey. In particular, unidirectional light qualities (e.g., side lighting and backlighting) serve this purpose well in landscape photography.
Telephoto lenses are wonderful tools for almost any genre of photography, but they aren’t necessarily easy to use. In particular, telephoto lenses will magnify any camera shake and provide a much thinner depth of field compared to wide angles. Don’t let that stop you, though. Telephotos have a unique way of showcasing the world — one which may be ideal for your photos. In this article, I’ll go in detail about how to use telephoto lenses, discuss some of their benefits and tips for dealing with their unique challenges. Although I personally tend to take landscape photos, the techniques in this article apply no matter what subjects you like to capture.
It has been a few years now that I’ve qualified for a senior’s discount at various retailers. Of course the rules for such discounts do vary by store. Some start offering them at 55. Others at 60. And, at many they don’t kick in until that magic age of 65.
For landscape photography, most of the time, you’ll end up using your camera’s base ISO. That’s the power of a tripod; it lets you set long enough shutter speeds to capture a bright photo, even in dark environments at low ISO values. However, settings like this do not work for all images. Sometimes, depending upon the landscape, you’ll need to raise your ISO in order to capture a successful photograph. This article dives into the most common of those situations.
In Part 1 of Best of 2016, I showed images from my trips to Death Valley NP, Joshua Tree NP and Saguaro NP, then finished up the post with two of my favorite images from Istanbul, Turkey. In this second part, we will be touring through the Rocky Mountain region of the USA, then explore some of the images from my recent trip to New Zealand. As before, I will be spending a considerable amount of time talking about each image, its compostional aspects and what it took to make it work. Please enjoy!
Another year is over and it is that time of the new year when many of us go back and assess our personal successes and failures of the past year. While 2016 was surely an eventful year, we should be grateful to be alive and well, as many were not as fortunate. We have seen a number of both positive and negative changes that affected the world we live in today and how we will be living it in the future. But let’s not focus on the bad – after-all, keeping positive attitude and encouraging healthy, proactive thinking always leads to more fruitful results, especially in the long run. 2016 was a very busy year in the world of photography as well – a lot of new cameras, lenses and gadgets were announced. Nikon finally revealed the long-awaited Nikon D500 and D5 DSLRs, while Canon updated two of its high-end DSLRs with the Canon 5D Mark IV and the 1 DX Mark II. Pentax finally brought us the amazing full-frame K-1. Fuji, Sony, Olympus, Panasonic and Sigma have all been keeping busy as well, but the two that definitely stole the show last year were Fuji and Hasselblad, releasing “budget” interchangeable lens medium format mirrorless cameras – the Hasselblad X1D-50c and the Fujifilm GFX 50S, both under the $10K price tag. And when it comes to lenses, we have seen a slew of different lenses for all kinds of needs from all manufacturers, with so many great third party options. I have been barely able to keep up with all these announcements and although I have done my best to produce as many reviews as I possibly can, all the travel and projects I have been involved with ate up the bulk of my time, shifting my priorities significantly. I am grateful for all these opportunities, but above all, I am incredibly thankful for the amazing and patient community of readers and followers of this very site, which has been steadily growing year after year. But enough of this mumbo jumbo, let’s take a look at some of my most favorite photos from 2016!
Nighttime photography is something that a lot of photographers enjoy; I certainly do, along with countless others. Modern cameras can capture more detail at night than we can see with our naked eyes, revealing entire worlds that couldn’t exist otherwise. However, more than almost any other genre, night photography also challenges your camera equipment to its most extreme. In this article, I will go through some of the top lenses for Nikon cameras if you want to take pictures at night, including information about their low-light performance and depth of field. I cover 20 lenses in this article, so it’s pretty extensive — hopefully, you’ll learn something new about the equipment you need in order to capture good star and nighttime landscape photos.
Everywhere in the world, across the course of a year, the sun will be below the horizon just about 50% of the time. Although it can take a while for sunset to fade away completely, it’s safe to say that we spend a huge portion of our lives under dark skies. Normally, nighttime isn’t something that people equate with being awake, of course, but landscape photographers are strange people. In fact, moonlight and the Milky Way can lead to some of the best photos you’ll take, and they are well worth exploring with your camera. In this article, I’ll go through the characteristics that make some lenses better than others for star and nighttime landscape photography.