During the past few months, both Spencer and I have pretty much switched from our old Lee filter system to a much better (in our opinion) filter system by NiSi. While I have been a fan of Lee filters, I have had a few problems with it in the field, whether it comes to how I use a polarizing filter, or the fact that I find myself having to re-purchase the resin filters, since they constantly get scratched. On one hand it is nice to have resin filters, since they are light and I can carry a single filter with me in a pouch and I am set. On the another hand, how good are these filters if they easily get scratched up and need to be periodically replaced? I have never tried glass filters, but after obtaining a pack of glass filters from NiSi, I might switch going forward. Well, I will save my thoughts to the upcoming NiSi filter system review, but for now, I would like to share the below interview with Macon Leiper of ikan Corporation, which distributes NiSi filters in the USA.
After we interviewed Fuji on the new GFX 50S medium format mirrorless camera, we also decided to interview folks at Hasselblad on their new X1D-50c. Since both cameras feature very similar sensors and are both mirrorless, they surely do compete head-to-head with each other. However, there are surely some interesting differences worth looking at – the X1D-50c does not have a shutter mechanism (it is integrated into lenses as a leaf shutter), it is a visibly smaller camera in comparison, its ergonomics are vastly different (less buttons and knobs to use) and it looks like it will be priced higher than the Fuji GFX 50S. In our interview with Ove Bengtson, Product Manager of Hasselblad, we take a quick look at what the X1D-50c has to offer:
At Photo Plus NY, we also had a brief conversation with Mr Makoto Oishi of Fujifilm Corporation, who has been involved in the design and planning of the new Fuji GFX 50S medium format mirrorless camera. As you may already know, Fuji was the second to introduce the medium format mirrorless camera, after Hasselblad made the headlines a few months ago by introducing the Hasselblad X1D-50c. Both feature similar 50 MP medium format CMOS sensors and compete directly with each other in this new market segment. Previously, Pentax was the only company to offer a medium format camera in a similar price range of under $10K (see our Pentax 645Z review), but it cannot be really considered a competitor, since it is a medium format DSLR, which differs vastly in terms of size, weight and ergonomics. The new Hasselblad and Fuji mirrorless cameras are certainly game-changers in that regard, being so compact and lightweight. While full-frame mirrorless cameras can be comparable in size and weight to smaller full-frame DSLRs, the same cannot be said about what Hasselblad and Fuji have done with their mirrorless offerings – the difference between them and something like the Pentax 645Z is just too drastic.
Sebastião Salgado is a world famous photographer, who needs no introduction. He is certainly the most illustrious photographer in Brazil and, perhaps, one of the most known in the world. Besides authoring more than 30 photo books and winning numerous international awards (World Press Photo, Photography of the Year by the American Society of Magazine, Photojournalist of the Year, Visa Dór, Photography Book of the Year), Salgado was president of the Magnum agency in Europe for several years. However, to enumerate his prizes is not the goal here.
Valerie Jardin is not only an accomplished street photographer, but also a podcaster, teacher, speaker and writer. Originally from France, Valerie currently lives in the United States. Valerie’s international workshops and speaking engagements often sell out over a year in advance. This is why I feel so lucky to have been able to attend one of her workshops this August in Vancouver, Canada.
During our trip to Turkey, Lola and I had a chance to briefly meet with my Turkish friends from MIOPS.com, the talent behind MIOPS Smart Trigger and Nero Trigger (see our detailed review of Nero Trigger). MIOPS is a small business that operates out of Turkey, with an exceptionally knowledgeable team of software and hardware engineers. I first met the MIOPS team at the Photo Plus Expo in New York back in 2013 and since then we have become good friends. So when they found out that Lola and I were flying out to Istanbul, they invited both of us to their corporate office for a tour of their production facilities. Since I had a couple of cameras with me during the trip, I requested to record an interview with the team in order to introduce both the product and the talented team behind the product to our readers. In this article, I would like to share the recorded interview with our readers and provide some information on the MIOPS Smart Trigger. If you have never heard of this little device, I would definitely encourage you to read on, since this little gadget might get your creative juices flowing with all kinds of new photography ideas.
Jack Dykinga can punch you in the gut with a photo, like he did with his 1971 Pulitzer-winning portfolio, or he can seduce you with his understated yet thoroughly evocative landscape images. He’s one of the rare photographers who has excelled in multiple genres, has adjusted to multiple technological revolutions, and has successfully weathered the ups and downs of the photo industry. After over five decades in the business, Jack Dykinga’s photos remain relevant. Jack Dykinga’s photos endure.
Talking to Tadas Kazakevičius (in case you are having a hard time spelling that, he’s just as well known as Ted Kozak), a young Lithuanian portraitist, was precisely one of those times when you think you have a million questions to ask. But then you meet him at a restaurant for a glass of cold bread kvass and a pizza only to realize you’ve suddenly forgotten all of them. What do you ask a person who’s work you admire so much, you think he’s one of the future classics of his generation? Where do you start? “Don’t be nervous”, he told me. “Why should you be?” True. Why should I be? But then, whilst talking about his street portraits, he answered his own question: “Even after all the portraits that I took of strangers, each time I attempt to approach a person on the street, I need to bring myself to do it. It’s scary.”
Today we are bringing you a whimsical world of Oleg Oprisco‘s fine art photography. The depth of Oleg’s work and the idea behind each, thoughtful shot prompted me to share his creations with you. I reached out to him with multiple questions and he gladly agreed to share his knowledge with the readers of Photography Life. Oleg teaches multiple workshops every year and is a great educator. He promised to appear in Photography Life more to share tips about his line of photography and if you have any questions for Oleg, leave them in the comment section below.
Today I want to present to your attention a person who is not just a great photographer but also an amazing humanitarian who has an “eye” for that perfect detail and a helping hand to those in need. I am often drawn to people who I think have a soul; photographers who have set a greater mission in front of them than just clicking the shutter away. I think such quality helps people to be more grounded and in touch with the reality.