I upgraded from an infrared-converted Nikon D7200/720nm to a Nikon D750/550nm combination this past spring. Although I suspected the D750/550nm filter would suffice for most of my infrared needs, I was hesitant to forego the bright whites produced by the 720nm filter. As such, I decided to test two of Kolari Vision’s external filters to determine how well they would perform on my D750/550nm configuration.
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Infrared Flash Photos on the New York High Line
Most photographers have heard of infrared photography and many have shot with infrared film or digital cameras converted to infrared. However, few have had the opportunity to experiment with infrared flash photography. For me, the cool thing about shooting with infrared flash is that you can shoot candid street photography, and also handheld architectural night shots.
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Infrared Photography: Getting More Color From Your 720nm Filter
I recently decided to upgrade from my current infrared-converted Nikon D7100 to a Nikon D7200, taking advantage of Kolari Vision‘s Anti-Reflective coated glass (article to follow). In the process, I once again considered my filter choices. Although I had some decent results from a 665nm filter from another infrared conversion house, I was not satisfied with the overall results and had Kolari Vision swap the 665nm out and install a 720nm filter. I always thought the 720nm filter provided the…
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How Was This Picture Made #12: The Answer
Last week, for our How Was This Picture Made? series, I had posted a landscape photograph to share and discuss. Thanks to our PL commentators, Gary Bunton, Brian Webster, and Shane, for their participation and sage commentary on the techniques employed and the overall considerations. Well done!
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How Was This Picture Made #06: The Answer
Due to overwhelming emails, comments and response we got on our “How Was This Picture Made #6” post, which went viral and got us over 25 million hits (funds from which we are planning to use for the next team retreat on the beaches of Mongolia), we decided to publish the answer to the last post today and not put our readers through the pain of having to wait.
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Death Valley in Infrared
Now that I have my Nikon D800E converted to infrared (big thanks to Ilija at Kolari Vision for an amazing conversion job and Bob Vishneski for inspiration and tips), I am experimenting with some infrared photography when I have a chance. During my last trip to Death Valley, I armed my D800E with a couple of lenses like the Tokina 16-28 f/2.8 and the Nikkor 24-70mm f/2.8G and decided to give IR a try by shooting in various conditions. Along…
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Infrared Lens Rating on Reviews
I have been a fan of infrared photography for a while now (largely thanks to Bob Vishneski’s amazing infrared work), but I have not had a chance to explore that side of photography yet. After I bought the D810 to replace the D800E, I first thought about selling the D800E. But seeing how much the D800E was going for on eBay and other sites, I decided to keep it and convert it to an infrared camera instead. After some research…
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Lifepixel Adds Anti-Alias Filter Removal Service
Lifepixel, perhaps best known for its high quality infrared digital camera conversions, recently added a new service to its list – removing your DSLR’s anti-aliasing filter. The price varies between $400-500 depending on your specific camera model. The notion of removing a DSLR’s anti-aliasing feature is not new. Maxmax.com has been doing this for years. Anti-alias filter removal, in the digital camera arena, has been thought of in a similar manner to overclocking your PC (before some manufacturers eliminated this…
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Introduction to Infrared Photography
Infrared, or “IR” photography, offers photographers of all abilities and budgets the opportunity to explore a new world – the world of the unseen. Why “unseen”? Because our eyes literally cannot see IR light, as it lies just beyond what is classified as the “visible” spectrum – that which human eyesight can detect. When we take photographs using infrared-equipped film or cameras, we are exposed to the world that can often look very different from that we are accustomed to…
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