Many beginner photographers often wonder what camera settings they should use to get the best possible results with their current camera gear. While there is no set rule for camera settings that work well in every shooting environment, I noticed that there are some settings that I personally set on every camera I use, which are universal across all brands of cameras on the market. These are the “base” settings I set initially – once they are done, I rarely ever revisit them. In addition, there are particular camera modes that make the process of capturing images easier or quicker, especially for someone who is just starting out. Let’s go through these common camera settings in more detail!
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that specifically addresses how one can reduce camera shake when shooting on a tripod.
One of the biggest challenges that many photographers face is yielding sharp photos when hand-holding a camera. Many end up with blurry images without understanding the source of the problem, which is usually camera shake. Unfortunately, camera shake can come from a variety of different sources – from basic improper hand-holding techniques to mirror and shutter-induced vibrations that can be truly challenging and sometimes even impossible to deal with. While I will go over the latter topics in a separate article, I would like to talk about the most common cause of camera shake: lower-than-acceptable shutter speed when hand-holding the camera. I will introduce and explain the reciprocal rule, which can help in greatly increasing the chances of getting sharp photos when you do not have a tripod around.
I had a number of discussions with other fellow photographers and our readers about Vibration Reduction (also known as Image Stabilization, Vibration Compensation and Optical Stabilization), its behavior and how to best use it. While I will provide detailed information on how to properly utilize Vibration Reduction on Nikon’s lenses in a separate article, for a while I wanted to prove that letting VR stabilize first yields sharper images. There are a number of folks out there, who seem to think that just firing the shutter button is sufficient and that VR will stabilize those images as good as if one were to half-press the shutter button, wait a few seconds and then take an image. From my experience, letting VR stabilize first for a few seconds always yielded better shots, but I just could never actually prove it. Until today.
While I am currently working on a couple of Sony camera and lens reviews, I decided to write a quick article on differences between in-camera and lens stabilization. As you may already know, Nikon and Canon are both big on lens stabilization, while other camera manufacturers like Sony and Pentax have been pushing for in-camera stabilization technology (also known as body stabilization). I have had a few people ask about differences between the two and I thought that a quick article explaining the pros and cons of each stabilization technology would be beneficial for our readers.