Since Lightroom version 3, Adobe has been providing a Lens Corrections sub-module within the Develop Module to correct various optical issues commonly seen on all lenses. It is a very powerful and complex tool that can be applied to one or many photographs with a couple of quick steps, potentially saving many hours of post-processing time. In this article, I will explain what the Lens Corrections sub-module is, how it works and how you can effectively use it to correct optical issues in your photographs. I will also show you a method of adding a lens profile manually, if you have unsupported lenses in your arsenal.
In our previous Mastering Lightroom series articles we covered what Lightroom is and how it works. We also took a quick tour around Lightroom’s working environment. After highlighting the basic function and capability of each Module, it is now time to talk about them individually more in-depth, starting with Library Module. Before we can actually start using all Library tools, however, we need images to work with. That is why our first step is to learn how to import photographs in Lightroom. I will be using the latest (at the time of writing) version, Lightroom 5, to guide you through the process of Importing images. Virtually everything but Smart Previews is equally applicable to earlier releases.
Happy Sunday everyone! New week is about to start so I thought I’d run this Lightroom Question & Answer session. For the next few days (depending on how active you are) you are welcome to ask any question you like about Lightroom and I will do my best to answer them! Each time a question is posted by you in the comments section below, I will update the article as soon as I come up with the answer. If there are any questions very specific to a certain case, I may answer them in the comments section. Specific, to-the-point questions will be answered in this article, while questions requiring more extensive explanation will be covered in separate articles in the future. I know many of our readers know a lot about Lightroom and you are most welcome to participate. If you are new to Adobe’s Lightroom and find it difficult learning what’s what, this is the time and place to ask for help!
We are continuing our education series from some of the best photographers in Colorado and this time we are proud to feature Mario Masitti, who is without a doubt, one of the most successful high school senior photographers in the nation, not just Colorado. In this article, Mario will shed some light on high school senior photography and share his technique, style, gear and provide some sound advice for aspiring photographers. We hope you enjoy reading this article and learning from him.
Most of my previous Mastering Lightroom series articles were about specific techniques and features of Adobe’s popular post-processing tool for photographers. Of course, learning these techniques is very important, yet for someone who’s just started using Lightroom, other questions come to mind first. Where do you start? What do you do first? How to keep your catalogs uncluttered and organized? Answers to these questions can be extensive, but in this article, I will try to describe a very simple, basic workflow I often use myself. This workflow allows me to keep my catalogs tidy yet at the same time helps me get to actual post-processing very quickly and in just a few steps. Many of you already have your favorite workflows, I’m sure, and some will involve different or more steps than this one. With this article, my goal is to get those of you completely new to Lightroom up and running quickly so that, with practice, you can decide on your own approach.
In the world of photography, nothing happens without light. In most cases, there are two types of light that photographers work with: natural light and artificial light. Although I often find myself using artificial light sources, I prefer using natural light whenever possible and consider myself to be a natural light photographer. One of the tools that has made the biggest difference to my natural light photography (and, for that matter, studio photography) is a reflector. In this guide, I will show you how to use a reflector effectively to enhance your photographs by simply bouncing natural light.
Many of our previous Mastering Lightroom series articles focused on specific Lightroom 4 features and tools, as well as ways of using them in your everyday workflow. I’ve explained how to use the Basic Panel and talked about the Tone Curve in great detail. We’ve also learned how to use External Editors, Spot Removal Tool and Virtual Copies. However, simply learning what each feature does is not our goal with these articles. After all, theory makes sense only when put to practice. In the end, we want to teach you how to actually edit your images, start to finish, no matter the subject or scene or desired result. We want you to be able to use what Lightroom has to offer without thinking about it, just as we should use our cameras and lenses. Learning what each tool does individually is essential, but what matters in the end is how we make them work in conjunction with one another. Perhaps then it is time to shift away from features and theory for a while and move towards editing images to achieve desired look in practice? There are many aspects of Lightroom we haven’t covered so far. Many tools, options, modules and tabs yet await our attention. But this time, instead of explaining specific settings, we will do some simple portrait post-processing focusing most of all on color and tones.
Histograms can be found in almost any modern image editing software. It is my guess that most current digital cameras, including some compacts, can display histograms as well – some even live as you shoot using your LCD screen. Such a persistent inclusion would suggest that histograms are quite important. Even so, many beginner photographers don’t seem to understand what they show. There is nothing wrong or shameful with that, as histograms may appear to be rather complex at first. Truthfully, they aren’t. In this article for beginners, I will try to teach you how to understand histogram. Hopefully, by the end of this tutorial, you will learn to “read” them and see if they are useful to your photographic needs.
Winter can be a very beautiful time of the year, especially if you live in a region that gets plenty of snow. We all know how children love the snow – there are endless possibilities for having fun and cold weather is usually not enough to stop them from enjoying it. On one hand, winter poses a beautiful time of the year for photography, particularly landscapes and portraits, and can be equally refreshing for wildlife photographers. On the other hand, it creates certain problems that are hard to figure out for beginner photographers, let alone their cameras. In this article, I will give you tips on how to photograph in winter and end up with well exposed, beautiful color images. I will also provide you with suggestions on when to go out to photograph and how to use snow to your advantage.
In every Mastering Lightroom series article, I mention certain strengths of this, in my opinion, superb piece of software. Only every now and then do I find something small to complain about, as I have in my “How to Manage Presets” article. I strongly believe Lightroom offers more or less everything needed to process a well captured image and offers plenty of powerful yet simple photographic tools. However, as our readers have wisely noticed in the comments section of my “How to Use the Spot Removal Tool” article, on rare occasions these tools may not be powerful enough. Here comes another strength of my favorite photo processing application – flexibility. You can use other programs to do what Lightroom can’t, and then go back with the processed image to its familiar and simple environment. In this Mastering Lightroom series article, I will show you how to use external editors with examples provided using the most popular and capable you can buy – Adobe’s own Photoshop.