Aviation photography is definitely more challenging and creative than one might think at first glance. But it’s one of the most rewarding and simply fun type of shooting I do. Basically, there are two kinds of airplane photographers: those with airfield/aircraft access (airport workers, pilots, commercial photographers etc) and those without (all the rest of us). This is for all of us peering through a fence or piece of dingy airport glass at those exciting flying machines and trying to photograph them. And while I could write on and on about technical requirements, this article focuses more on the inspiration and photographic possibilities with airplanes and airports. But feel free to leave your questions or comments below and I will do my best to answer them!
This essay is for amateurs who have been shooting a while and feel the desire to push the envelope by going to manual mode. For those who are dedicated auto shooters and never want to change, I respect and endorse your choice, and wish you all the good shooting in the world. But this essay is not for you, so you need not read any further. Why go manual mode? Well, there are some very good reasons to do so. I believe that all the fun is in manual shooting, and I also believe that you can unleash your creativity by shooting manual.
With the total lunar eclipse taking place on January 31 of 2018, you might want to experience watching and potentially photographing this rare and stunningly beautiful phenomenon. I previously had a chance to photograph both partial and total lunar eclipses, so I was able to document my experience and provide information on what challenges I had during the process. In this article, I will do my best to explain how to photograph a lunar eclipse in detail.
Histograms are the solution to a fundamental problem in photography: Our eyes don’t always tell the truth. Have you ever been in a dark room, turned on your phone, and felt it blind you like nobody’s business? The same thing can happen in photography. Several times, I’ve taken pictures at night, and they look great on my camera’s LCD — until I open them the next day on my computer and realize they’re all hopelessly underexposed. Enter the histogram. This is one of the best ways to know exactly, mathematically, the brightness of your pixels. So, let’s dive in.
In this series of articles, I would like to give a few concrete tips on when, where and how to photograph in the Canary Islands. The Canary Islands belong to Spain and hence to Europe, geographically however this archipelago is adjacent to Africa (west of Morocco). It offers a great diversity of different types of landscapes. You can find all sorts of beaches, volcanoes, sand dunes, interesting cities and villages, deep valleys, rugged coast line and much more. Within one day, you can photograph desert-like dry plains as well as lush green forests in the mountains. There are seven main islands – each of them is very different and worthwhile exploring. I had visited five of them and in this series I will show you my photos along with tips on how to plan your trip. In this first part, I am going to give you overall information and some hints why Islas Canarias should go onto your bucket list of photo destinations.
We are continuing our series on how to choose and buy computer hardware for photography needs and today we will be providing suggestions on what Apple laptops are worth looking into. First, we will do a quick overview of the Apple line of MacBooks, then we will provide our top recommendations for doing post-processing work. This article has been written in collaboration with our team members who use Apple’s MacBook products exclusively and extensively for their photography work.
In this article, I want to focus on purchasing an iMac for photography needs and what types of considerations one has to keep in mind when selecting one. I have had quite a few requests from our readers on this topic and many wonder what type of an iMac would suffice for photography work without breaking the bank. After doing quite a bit of research before purchasing my iMac and consulting with other Mac experts, I believe I found a couple of configuration options that are optimal for photography work for the next few years.
Practically every day, one can see threads on photographic forums where members discuss the various different modes of automatic exposure, trying to find the right one. As a rule, these discussions result in the same question – what compensation to automatic metering ought one set to get consistently good exposure? It turns out that no autoexposure mode universally guarantees good out-of-box results.
Have you ever wanted to learn everything about aperture? Not just the basics — every single effect aperture has on your photos? Although you can find that sort of information scattered across a handful of sources online, I don’t know of any resource that combines everything into one single place. That can make things difficult if you’re trying to get the big picture of how aperture works. So, here, we’ll explain everything aperture does to your photos, from sharpness to sunstars, and tell you exactly why each effect matters.
When photographing a solar eclipse, there are a few very important considerations you have to keep in mind to avoid damage to your camera equipment or to your eyes. In this article, we will take a closer look at where you should physically be at the time of totality, what equipment you should have on hand, what safety precautions to take before, during and after the solar eclipse, and what framing and composition aspects to consider. Keep in mind that totality might only last a couple of minutes, so if you are not fully prepared, you might miss the opportunity to photograph this rare phenomenon.