One of the easiest ways to substantially improve the image quality of your daytime cityscapes is to use a circular polarizing filter. Putting a polarizing filter on your lens is like wearing a pair of polarized sunglasses over your eyes; the polarized glass blocks random light waves from passing through, creating a clearer image. Randomized light tends to be lower quality than direct light. As such, a polarizing filter will help ensure that only the sharpest, most colorful light hits your image sensor.
Without a doubt, Lightroom is a powerful software package for editing images. But did you know that it is also one of the most preferred tools to stitch panoramic images? Ever since Adobe released Lightroom 6 and CC, the capability to stitch images into DNG files has been integrated right into the product core. If in the past one would have to either use Adobe Photoshop or third party software such as PTGui to stitch panoramas, with the latest versions of Lightroom, one can easily stitch single row and even multi-row panoramas directly from Lightroom. In this article, we will demonstrate how one can successfully stitch panoramas in Lightroom and explain why the use of Lightroom specifically might be a preferred method when compared to other third party tools on the market.
In this article, I will show you how you can remove unused modules and sub-modules in Lightroom. Although Adobe Photoshop Lightroom comes with a lot of features, many photographers including myself, have particular modules and sub-modules that never get utilized. Instead of having such modules take up the precious space and clutter up the user interface, it might be a good idea to hide them from your view completely.
In this article, I would like to give you some tips on photographing dragonflies with minimal gear. I’m an amateur landscape and wildlife photographer from France. I graduated in ecology (biodiversity management and biology of conservation) last year before I decided to leave to New Zealand for a one-year trip. I discovered landscape and astrophotography in this beautiful country, but I feel like I sometimes need to get back to wildlife photography which is what I was first interested in. Because of my studies, I spent a lot of time in the field working on insects and especially dragonflies, learning how they live, observing their behavior and understanding the importance of their preservation.
This post is the second in a three-part series dedicated to teaching sports photography at all levels of competency. In part one I covered the basics for photographers who are just getting started. This article will focus on intermediate amateurs who have mastered the basics, and want to gain additional competency to bring their images to the next level. The final part will be geared towards advanced amateurs looking to build a portfolio.
Did you know that most modern digital cameras have the ability to set ISO automatically? Back in the film days, you would drop a roll of film into your camera and your ISO, or ASA as it was known back then, would be fixed for the entire roll. With digital, not only can you change your ISO on the fly, but you can also set your camera to adjust it automatically. In this article, we will explore Auto ISO in detail and learn how to you use it with different shooting modes of your camera. In addition, we will discuss scenarios where it is advantageous and situations when setting ISO manually is more appropriate.
Love it or hate it, Adobe Lightroom has become one of the most popular post-processing and image management tools on the market. With its simple and intuitive interface, it is easy to learn and our team at Photography Life has provided many in-depth articles on using specific Lightroom features over the years. However, one of the biggest frustrations with Lightroom can be its poor performance, which can be especially disappointing when using the software on an older computer. In this article, we will go over a number of different techniques and settings in order to optimize Lightroom’s overall performance.
In my last article on photographing winter landscapes article, I tried to list a few useful tips for capturing the beauty of a winter landscape. Since I promised to elaborate more on my post-processing technique later on, I would like to do that in this article. To get the unique look of some photos, I use a “negative clarity” method that emulates the very well-known Orton effect. For the classical Orton effect, Adobe Photoshop or any other software with layer functionality is needed. How can we achieve something similar in Lightroom that does not require working with layers? Please keep in mind that what I will describe here is not a complete post-processing workflow. The negative clarity method that I developed for myself is rather the finishing step in the editing process, which can give a distinctive atmosphere to your image. So how does it work?
With each new release, Lightroom requires specific changes to the database, also known as a “catalog”, that must be carried out in an upgrade process before the newer version of the software can be used. While the process of upgrading the actual software is pretty straightforward, there are some important steps one needs to take to make sure that the Lightroom catalogs are upgraded successfully. If you are scared about upgrading and have not done it in the past, this guide might assist you in this process. The good news is, Adobe allows keeping both the newer and the older versions of Lightroom on the same machine, which means that you can continue to use your old Lightroom catalog if anything goes wrong. Once you are fully satisfied with the upgrade, you can then remove the old version of Lightroom, along with the old versions of catalogs. In this article, I will guide you through the process of upgrading Lightroom to the latest version.
Fundamentally, landscape photography is about the landscape that you capture. Although your subject isn’t the only important part of a photo — light and composition are also crucial — it is the cornerstone of a successful image. Even the best photographers in the world need to capture interesting subjects, or their work won’t have any appeal. In the article below, I’ll cover some of the top tips to finding great subjects for landscape photography, from in-depth planning to scouting for locations.