Working on your photos in Photoshop, you might have come across the situation where you begin to see weird lines appear in places where they shouldn’t be and weren’t before. This issue is especially common for very smooth gradients, such as skies, and can undoubtedly destroy even the most beautiful photo. And unlike other problems, this issue doesn’t seem to be triggered by anything particular; one moment it’s not there and the next time you look at the image – there it is. So, let’s figure out what this is, why it happens and how to fix it.
While part of the Photography Life team is on the road filming our next video course on landscape photography, we thought it would be a good idea to start a guest post month dedicated to posting content from our readers. Last year’s guest post month was amazing and we got so many great articles, which were both very educational and inspirational. Well, it is again time to give the chance for our readers to speak out and show off their work! Because many of our readers are as passionate as we are in sharing their knowledge, they often share articles with us in the form of Guest Posts, the best of which we often feature on the site. We would like to invite our dear readers again in participating in a knowledge sharing contest, in which we will reward every writer when their article is posted on the site. If your article is published, we will reward you with a $50 gift card from B&H, Adorama, Amazon or any other store of your choice as a token of appreciation, or if you prefer to be paid instead, we will transfer the sum to your PayPal account. This way, you are rewarded for your contribution even if you do not win the ultimate prize, which speaking of, is going to be amazing this time around! The person who submits the best guest post will be rewarded with the Fuji X-T10 mirrorless camera kit (see our detailed review of the Fuji X-T10), or the equivalent sum towards the purchase of any camera or lens valued at $900, in addition to a full year of SmugMug membership (see our review of SmugMug). We will not limit your contributions, so you could submit as many articles as you would like and get paid for the work. Sounds exciting? Then read on!
On May 15th I graduated from Carnegie Mellon University in Pittsburgh, PA. Pittsburgh is a vibrant city, known for its industrial heritage. Downtown is located at the convergence of the Allegheny and Monongahela Rivers into the Ohio River, called “The Point.” The hills surrounding the city offer excellent viewpoints for photos. I spent my last two semesters at CMU (August through May) creating images of Pittsburgh’s skyline and architecture during my free time. Twenty of my favorite images are shown below accompanied by a discussion of my creative process.
Yellowstone National Park. That is really all one needs to say to get the message across. What could very well be the most photographed National Park in the world needs no introductions. Yellowstone harbors all of the elements that make the “West” of the United States such a compelling area for photographers. It’s combination of landscapes, geothermal activity and wildlife is a photographers dream. And yet, for a place with so many splendors, you would think I would not get so many questions on how and when to photograph massive park.
Lens distortion is a common issue we photographers deal with on a daily basis. It can be split into two groups – distortion by perspective and distortion by optics. Be it one or the other, it often causes unnatural-looking deformation of photos we take. As a result, we end up searching for ways to address distortion issues in the field, or afterwards in post-production. Usually lenses with longer focal lengths produce less distorted results than wide-angle lenses. And as you might already know, distortion is much more noticeable closer to the edges of the frame than in the middle. If you shoot landscapes or cityscapes at wider focal lengths and you have straight vertical elements near the corners of the frame, distortion might significantly bend and skew those elements, making them look very strange. There are several ways you can address such problems, so let’s talk about those now.
Photographing the humpback whales of Tonga has been on my personal bucket list for a number of years and finally in 2015 I got to spend nearly three weeks in Neiafu, the main town in the Vavu’a island group in the north of the archipelago, where the majority of the whale watching takes place. The 170+ islands that make up the nation of Tonga are stretched out over a 800km long archipelago, located about 1600 km north-east of New Zealand in the western Pacific Ocean and are basically a long way from everywhere – even for Australians like me!
In today’s digital photography age, most novice bird photographers are happy just capturing a bird portrait with their cameras. After a while, the natural progression is to try and capture some action shots of birds in flight, but that is where most avian photographers struggle. Why? The answer is quite simple; they don’t have enough shutter speed!
We were in the Marina of Santa Barbara and I was looking for a cheap restaurant. Then I spotted On The Alley and rushed to the place. The song California Dreaming (a hit of The Mamas & The Papas) was playing and the attendants were dancing animatedly. When they saw me, they blushed. I just laughed and they immediately started serving me (and the service was excellent). I and my wife, Nina, enjoyed the food and left the place very happily after having a delicious raspberry pie with ice cream for dessert.
For those of us living in the US or Europe it can be a daunting challenge to search for a nearby destination in which we may truly immerse ourselves in nature, specifically without enduring months of near bankruptcy directly afterwards. There are still plenty of hotspots left, especially in Northern Europe, but the signs of civilization can leave one feeling placed in an artificial bubble, albeit a beautiful one. Like it or not, this often is translated into the images we take.
In the past, hardware calibration feature was limited to premium wide-gamut models from companies like NEC or Eizo. Those models offer wide gamut, great uniformity and advanced calibration features…but at a fairly high price. Affordable wide gamut solutions with hardware calibration started in 2013 with Dell and after that other companies like LG, BenQ and Samsung begun to offer “similar” products with more or less success. It is important to point out that LG and Samsung wide gamut models cannot be properly calibrated internally with the i1Display Pro colorimeter using their software and the same applies to some BenQ models like SW2700PT and its Palette Master Elements software. The main issue with those models is that they bundle an outdated X-Rite SDK (Software Development Kit) in their software without GB-LED support, which is the current main* (see the footnote at the end of the article below) LED wide gamut backlight technology. Hence, their software won’t get accurate readings, which in turn leads to inaccurate calibration. The BenQ PG2401PT and its Palette Master software, on the other hand, come with proper GB-LED support.