I’ve always wanted a small camera backpack that gave me easy, quick access to my camera gear. I’ve owned camera backpacks in the past, but they were bigger (and heavier) and I had to take them off of my back in order to get my gear out. When I got a chance to review the Ruggard Triumph 45 Sling Bag, I took it, hoping I could find a nice bag that I could carry around town with me for more casual photography.
Let’s face it. Flashes are expensive. Wouldn’t it be great if you could purchase a new flash and only spend half of what a new flash typically costs? I’m a Nikon shooter and already have two SB-800s, but another flash can sure come in handy when shooting with off-camera flash at a wedding reception. When I got the Bolt VX-710N, that’s exactly what I had in mind for it, but I decided to go ahead and try it as an on-camera flash as well.
About a year ago, I reviewed an Impact background (Impact reversible muslin background). Out of curiosity, I decided to grab another one. This time instead of one that was reversible, I chose the Impact Crushed Muslin Background in Grey Mist. What’s the difference you might ask? Let’s just see…
Sometimes when I travel or just have a portrait session in town, I don’t want to bring all of my camera gear with me. At times like this, I’ve always thought it would be really nice to have a smaller bag I could bring along and leave my big bag at home. Enter this shoulder bag from Ruggard… big enough to hold a body and a few lenses but not so big that it becomes just as heavy as my normal camera bag.
Many years ago I bought a Nikon 55mm macro lens. This was an older, manual focus lens. It came with an older extension tube that did not communicate with the camera, meaning that any lens that was attached to it lost all communication with the camera, meaning it also became a manual focus lens. Worse yet, newer Nikon AF-S lenses that do not have an aperture ring weren’t usable at any aperture besides completely stopped down.
If you do photography in a studio, you probably have a few shot bags laying around. This very small shot bag has a variety of uses.
This is a review of the Impact Light Kit Bag. For my studio lighting, I use a set of four Alien Bees heads along with a variety of light stands and modifiers. When I’m shooting on location, I prefer to make as few trips to and from my car as possible, so the fewer bags I have to carry, the better. For the past few years the bag I’ve been using for my lights has served me well, but I wanted to try something a little bigger and see if I could fit even more into it. Let’s see if this bag from Impact is going to work for my needs.
We recently reviewed the Sport Strap from BlackRapid which we really liked, but for some people straps are still too bothersome. There are alternatives that allow the photographer to clip their cameras to a belt and avoid the strap altogether if they so desire. The Capture Clip Pro from Peak Design and the SpiderPro Camera Holster from Shai Gear are both strapless camera carrying systems that give you the feeling of stepping back in time to the days of the wild west but instead of gunslinging, you’re a camera toting cowboy. In this head-to-head review, we will examine the Capture Clip Pro vs the SpiderPro Camera Holster and try to help you know which system might be best for you.
During the last few weeks, I have been trying to come up with a good solution for testing lenses that did not require constant movement when dealing with slightly de-centered lenses. The idea was to build a setup similar to macro rails, but one that is bigger in size and very stable at the same time. Stability is extremely important, because even a slight vibration can negatively affect lab results. Using an Arca-Swiss quick release setup was a no-brainer, because it allows moving the setup without having to deal with mounting and dismounting anything, while being rock solid when tightly secured. While my BH-55 Pro tripod head from Really Right Stuff has been serving me well for a while now, it was hard to use for minute adjustments that are often necessary when testing lenses. Therefore, I decided to replace it with a geared head that would allow very precise vertical and horizontal tilt adjustments, along with the ability to pan, when needed. My quick search revealed that unlike the army of pan/tilt heads and ballheads, which are made by a myriad of companies, there are only a few options available for geared heads today. One of them is the Manfrotto 405 Pro Geared head, which I am reviewing today.