Just after Fuji announced its first weather-sealed wide angle lens, the XF 16mm f/1.4 R WR last month, the company has announced yet another killer lens to its arsenal, the Fujinon 90mm f/2 R LM WR. With its 135mm equivalent field of view in 35mm and a wide aperture of f/2, the lens is aimed primarily at portrait photographers who love being able to keep their subjects isolated from the background without introducing any kind of distortion to subjects’ faces. Thanks to a pretty complex optical formula comprised of 11 elements (3 of which are of extra-low dispersion / ED type) in 8 groups, a sturdy weather-sealed construction and the new Quad Linear Motor for faster autofocus, the lens will, without a doubt, be a solid performer. And at its $950 MSRP price tag, it will be a great addition for photographers who are already in love with lenses like the XF 56mm f/1.2.
Since Fujifilm kicked off its X-series mirrorless cameras in 2012, it has been releasing a number of superb prime and zoom lenses to attract both enthusiasts and professionals to its camera system. Although until recently the Fuji lens line-up included a number of great zoom lenses, there was no professional-grade 24-70mm equivalent (in full-frame) choice available. Fuji changed that by introducing the Fujinon XF 16-55mm f/2.8 R LM WR in early 2015 – a high-quality, weather resistant lens with superb optical characteristics and tough construction for the most demanding photographers. Combined with a weather-sealed camera like the Fuji X-T1, the new generation Fujinon lenses like the 16-55mm f/2.8 are the top choices for landscape and architecture photographers who often face challenging weather conditions. I had the pleasure of using the XF 16-55mm f/2.8 lens for several months after it was launched and I was able to take it with me on several projects and assignments, so this review is primarily based on my field experience. Let’s take a look at the lens in more detail.
I’m a European. Through and through. Even now I am sitting at a coffee house, tired from a sleepless night, my mind a little hazy. And yet, despite that, I am quietly remembering my favourite streets of my favourite city that I got to know with my favourite people, and that city, at least the loveliest part of it, is European down to last brick. It’s just outside that big window and it’s called Vilnius, capital of Lithuania. I love the narrow streets and tiny churches. I love how old, confusing and irrational the planning is, at least at first glance. I love its outright beauty and history, too, and how the only two means of transport that don’t seem out of place in those narrows streets are scooters and bicycles.
Imagine how strange it feels to also love what little of Manhattan I saw during my five day visit. For, in just about every single way, it’s the complete opposite of what I just described.
We’ve known for a while that this lens was coming thanks to Fujifilm’s most recent lens roadmap. Some details were still under a question mark, though, and with the official announcement we finally know everything about the most recent – and one of the most expensive – Fujinon lens for X-mount mirrorless cameras, the XF 16-55mm f/2.8 R LM WR.
Just as Fujifilm promised in their latest roadmap, the last quarter of 2014 sees the announcement of their first professional-grade telephoto zoom lens, the XF 50-140mm f/2.8 R LM OIS WR. The surprise release, however, is the revised version of the already-very-popular XF 56mm f/1.2 lens that features an apodization filter. Let’s take a closer look at the specifications of both lenses.
It would seem releasing great and very desirable optics has now become Fujifilm’s habit. Several months ago, we were very excited about Fujifilm’s updated lens roadmap – it promised we’d see some truly spectacular lenses. No myriad of only slightly different super-zooms, no tenth kit zoom to be seen. Whoever is responsible for planning future lens releases at Fujifilm, they are doing a mighty good job. And here’s some good news – the official lens roadmap has just received an update to shed some more information on what awaits Fujifilm X-mount system users.
Our readers often ask us if it is possible to get Lightroom to provide the same colors as one would see from camera-rendered JPEG files when shooting in RAW format. Many photographers often choose specific color profiles in their cameras and they get surprised when images are imported into Lightroom and all those changes are lost. You might have noticed when importing files that Lightroom changes the colors immediately after import, when the embedded JPEG files are re-rendered using Adobe’s standard color profiles and settings. As a result, images might appear dull, lack contrast and have completely different colors. I have heard plenty of complaints on this issue for a while now, so I decided to post series of articles for each major manufacturer on how to obtain more accurate colors in Lightroom that resemble the image preview seen on the camera LCD and in camera-rendered JPEG images. In this article, I will talk about getting accurate colors from Fuji mirrorless cameras in Lightroom. Please see our previous articles on getting accurate colors for Nikon, Canon and Sony cameras.
The rate at which Fujifilm X-mount compact camera system is growing is simply remarkable. I admit, I am very drawn to the system and really like what Fujifilm is doing (thus pardon any subjectivity that might creep in at times). To think that it was launched such a little while ago and yet already has such a versatile selection of cameras and lenses, it is beyond what we’re used to seeing in modern digital camera market. The two most recent Fujinon lenses – the XF 10-24mm f/4 R OIS and XF 56mm f/1.2 R – filled in what was arguably the biggest gaps in the system. The first one addressed the wide-angle issue in what we think is a very well-sorted package, while the second finally offers both the aperture and focal length suitable for close-up shallow depth-of-field portraiture. We are excited about both these new lenses along with the XF 23mm f/1.4 R and those soon to come.
It seems like ever since the first Fujifilm X-mount camera was launched, the X-Pro1, we can’t help but admire the progress Japanese manufacturer has been making. And it is not just the release of well thought-through line-up of cameras Fujifilm’s relentless attempts to improve models with firmware updates. Not just the pleasing design or quality of lenses. It is also what they have in store for us in the upcoming year. Fujifilm has just updated its X-mount lens roadmap for 2014 (and the start of 2015). And it looks bloody brilliant.
The holidays are over, as sad as it may be. And that means it is time to get back to work! We start with some great news. Fujifilm has just announced (or, rather, confirmed, since we knew this lens was coming) the very hot Fujinon XF 56mm f/1.2 R lens for its popular and desirable X-series compact camera system. For those who wonder, this is a proper, 85mm full-frame equivalent (84mm if you’re being pedantic) portrait lens with correspondingly fast aperture of f/1.2.