This is an in-depth review of the Fujifilm X-E1 mirrorless interchangeable-lens camera, which was released on September 6, 2012 right before the Photokina event in Cologne, Germany. After the success of the X100 line and the release of the X-Pro1 (which initially received a rather mixed review from us due to its poor AF performance), Fuji introduced the X-E1 – basically a lower-end version of the X-Pro1. It was not an unexpected move, given how quickly Fuji was growing in popularity, thanks to its amazing retro design and excellent image quality. Despite its autofocus flaws and other quirks, both the X100 and the X-Pro1 created a huge fan base and a healthy community of supporters. The X-Pro1 was an expensive camera aimed at professionals and enthusiasts, so the X-E1 was naturally targeted as a more budget version with less features. In this Fuji X-E1 review (based on Firmware 2.00), I will provide detailed information about the camera, along with some image samples, and compare it to other cameras from Nikon, Canon and Olympus.
Fujifilm has recently announced a new addition to its X-series of interchangeable lens compact camera system. Fujifilm X-A1 positions itself right below the previous entry-level model in the range, X-M1. At the same time, it is a camera many Fujifilm fans will likely not appreciate all that much. A lot of the initial skepticism may be due to the fact it is not very different from the recently announced X-M1. But more importantly, a difference these two cameras have is also a major one. Because Fujifilm X-A1 has a traditional Bayer color filter array rather than the rightly praised X-Trans. A recipe for failure? Not quite. Before we dive into an overview, though, let’s take a quick look at the specs.
This is an in-depth review of the Fujifilm X-Pro1, a highly anticipated mirrorless interchangeable-lens camera by Fuji. Built on the success of the Fuji X100 and aimed at pros and photo enthusiasts that need a lightweight camera alternative to a DSLR with amazing image quality, the Fuji X-Pro1 is the first mirrorless interchangeable-lens camera from Fuji. Along with the X-Pro1, Fuji simultaneously introduced three prime lenses – Fujinon 18mm f/2.0 XF R, Fujinon 35mm f/1.4 XF R and Fujinon 60mm f/2.4 XF Macro, all specifically designed to be used for the new Fuji X mount. In this Fuji X-Pro1 review, I will not only provide detailed information about the camera, but will also try to answer the many questions that we have gotten so far on the camera from our readers, along with comparisons to Nikon and Canon DSLRs.
Fujifilm has announced one of the most anticipated lenses in their current line-up, the XF 23mm f/1.4. When mounted on one of Fujifilm’s X-mount cameras, this lens behaves much like a classic 35mm f/1.4 lens does on a full-frame camera in terms of light gathering capability and angle of view. In terms of depth of field, it is closer to a 35mm f/2 lens on full-frame, which is still very, very good – it is currently the fastest lens in its class for APS-C sensor cameras. To say the least, we are excited, but not at all surprised. Partly because of Fujifilm’s lens roadmap, of course. But partly because fast, high-quality lenses is what we have come to expect from Fujifilm. Let’s talk about this lens in a bit more detail.
I was sitting at home today, playing with the newly received Fuji gear, when my brother stormed into the house and told me to go outside and see the rainbow. I grabbed the Fuji X-E1, with the Zeiss 12mm mounted on it and ran towards my car. I drove about a mile north to an open area and took the below shot:
Our readers have been asking us about reviewing Fuji cameras and lenses. Since Fuji has been on the roll lately, releasing the X-E1, X-M1, X100s and a bunch of new lenses, we decided that it would be a good idea to review all of Fuji gear that is out there. Although I reviewed the Fuji X-Pro1 a while ago, I decided to update my review, because the new firmware addressed a lot of the issues that I talked about in the review, including some of the autofocus issues. Here is everything I received yesterday:
The amount of post-release support Fujifilm has been providing its X-series users is, quite frankly, staggering. Yet another major firmware update for the X-Pro1 (v3.01) and X-E1 (v2.00) cameras is now available for download. In a nutshell, the firmware further improves autofocus performance for both cameras with most Fujifilm X-mount lenses. In addition to that, a current must-have feature for all mirrorless cameras, focus peaking, has also been added.
Update: Fujifilm X-Pro1 has just received firmware update v3.01, which fixes movie mode bug present in the v3.00 version.
Previously, Fujifilm lens line-up wasn’t exactly very extensive, with a small number of well thought-out, high quality lenses. With the two latest additions, Fujifilm seeks to not only make the camera system more attractive, but also suitable for most needs. Along with the new Fuji X-M1 mirrorless camera, Fujifilm has also announced two new X-mount lenses – the Fujinon XF 27mm f/2.8 and the Fujinon 16-50mm f/3.5-5.6 OIS.
For quite some time now photography enthusiasts have been very eager to know what Carl Zeiss has in store for Sony E-mount and Fujifilm X-mount cameras. Ever since the legendary optics manufacturer announced that it will be making autofocus lenses for the two mirrorless camera systems, they’ve never stopped receiving requests for more details on their blog. What’s the big deal, you may ask? Well, the only photographers able to enjoy autofocus Carl Zeiss lenses were Sony Alpha and NEX users. The rest of the world had to make do with manual focus lens lineup. Carl Zeiss has been known for their extremely high quality optics for many decades, but avoided implementing AF motors, which many consider an essential in a modern lens. DSLR shooters are still left wanting, but Sony NEX and Fujifilm X series owners will now have a chance to enjoy possibly some of the sharpest optics around (assuming CZ lives up to its name).
I remember not that long ago there were two types of lenses. Brand lenses, those designed by known manufacturers for their own cameras, such as Canon, Nikon, Pentax and Olympus, and the cheapskate third party lenses you’d buy if you couldn’t afford the first type. Brand lenses were more expensive, but well worth the extra price. Better build quality, better optical capability, better dependability, better compatibility, better autofocus and fewer quality control and manufacturing issues were what you got for your hard-earned cash. Not to mention respectful nods from anyone spotting letters Nikkor or a red ring around the front of that lens barrel. A few years have gone by now and situation seems to be changing, however. Third party manufacturers have moved the game up and started producing some serious alternatives. Sigma is very keen to prove the point with the launch of its latest lens, the new 18-35mm f/1.8 DC HSM for APS-C DSLR cameras. In this article, I will introduce you to this new lens and give insight as to why it is such an important step forward in current smaller-format lens market.