When I decided to sell my professional Nikon cameras and glass and make the switch to Fujifilm, the question I had was “will I still be able to photograph birds?” During spring migration last year, I was fortunate enough to be able to get a hold of the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR lens. In this article, I will let you know how the X-T2 and XF 100-400mm combo stacked up for bird photography.
Thanks to the recent Fujifilm rebates, I have been able to expand my lens line-up for the Fuji GFX 50S that I have had the pleasure of shooting with ever since it came out. I am very impressed by the Fuji medium format system, especially its lens line-up, and I consider it to be ahead of its competition in a number of ways, as highlighted in my review. However, having gone through multiple lens samples of different lenses (which I will be reviewing in the next few weeks), I wanted to warn our readers of potential issues they should watch out for. While I am generally happy about lens variation of GF lenses and I am especially happy with their excellent performance, I am not a big fan of Fujifilm’s QA processes. It seems to me that Fuji is almost rushing with the GF lenses, trying to deliver as many units as possible to try to match the demand, while paying less attention to its manufacturing processes. I have already gone through multiple samples of a number of lenses, including the Fuji GF 63mm f/2.8 and Fuji GF 110mm f/2 and I have found debris between lens elements that is impossible to shake off or remove without having to send the lens to a Fuji service center.
This is a quick review of the FotodioX Nikon F to Fujifilm G-mount adapter, which allows mounting Nikon G-type lenses on the new Fuji GFX 50S camera. While it is always ideal to use native lenses on any camera system, the idea of using a lens from a different camera system on a mirrorless camera can be appealing for a number of reasons. Aside from potential savings, one can take advantage of the mirrorless technology (see mirrorless vs DSLR for details) and use the ability to zoom in on a subject while framing to potentially yield a higher number of in-focus shots compared to a DSLR. In addition, lens adapters also open up opportunities to use specialty lenses that are not yet available for the system, which in the case of the new Fuji GFX 50S, is certainly worth looking into, since the system is very new and only three native mount lenses are available at the moment. While shooting with the Fuji GFX 50S, I wondered how well my Nikon lenses would do on the medium format camera, so I decided to give the FotodioX Nikon F to Fuji G-mount adapter a try.
This is an in-depth review of the Fuji X-T2, a second generation mirrorless camera in its class that was announced in July of 2016 as a replacement of the X-T1. It has been a few years since the Fujifilm X-T1 shook the photography world when it was announced, thanks to its amazing ergonomics, superb autofocus system, great image quality and a strong line of lenses, making the X-T1 one of the most desirable mirrorless cameras on the market. It took two years for Fuji to bring out the much anticipated update in the form of the Fuji X-T2 and given the status of its predecessor, the expectations were very high, making it tough for Fuji to deliver something truly outstanding. With the X-Pro2 already out, many of us thought that there would be very few differences between the two. However, Fuji engineers did manage to pack many more features into the X-T2 to make it stand out from the X-Pro2, with 4K video, faster EVF, faster continuous shooting rate with a grip, dual UHS-II memory card slots and a slightly lower price, making it a truly appealing camera on its own. In this review of the Fuji X-T2, I will be taking a closer look at the camera, which I have been heavily using for the past 4 months. The X-T2 was not an easy camera to obtain and Fuji is still struggling with meeting the heavy demand, which speaks volumes about the positive perception of the camera by the photography community.
A number of our readers have been asking our team about our recommendations on different mirrorless cameras. With so many different options on the market today, choosing a mirrorless system can get very confusing. In this particular article, I would like to start off by comparing mirrorless camera systems that are available today from different manufacturers. This below charts will be updated periodically with new / updated information. Please note that the below comparisons are only for mirrorless interchangeable lens cameras. Discontinued systems such as Pentax K-01, Ricoh GXR, Pentax Q and Samsung NX have been removed. The list is sorted alphabetically and had to be split into two parts to fit. Also, please keep in mind that some of the benchmarks presented in this article are very subjective, based on our and our readers’ prior experience using the cameras. I have also published an article comparing mirrorless systems, where I go into a lot more detail about lenses and other important considerations.
Some of you may remember how pleased I was with how my little Fujifilm X100T performed on my trip to France last June (My Self-Imposed 23mm Challenge with a Fuji X100T). As an experiment, I limited myself to just this camera and its fixed 23mm focal length (35mm equivalent) lens. At that time I was feeling like my creativity was waning. However, after limiting myself to this small, light-weight camera, I began to have fun with my photography again. I also began to realize that lugging my heavy pro-Nikon camera and glass around with me was becoming less and less enjoyable! Since writing that article, I have found myself using my DSLR less and less. My go-to camera is my X100T. This Christmas though, I found a new toy under the tree. A Fuji X-T2! The X-T2 is one of Fuji’s new flagship mirrorless cameras. It has the same 24MP APS-C X-Trans sensor that the X-Pro2 has. It has a huge and bright electronic viewfinder, and a 3-inch tilt screen. It is weather-proof, has two SD card slots, and its autofocus speed has been significantly improved over the older X-T1.
Istanbul is one of the most magical cities of the world. Divided between Europe and Asia, Istanbul straddles the Bosphorus strait between the Black Sea and the Sea of Marmara. With its rich history and diversity, it is without a doubt one of the most popular cities of the world to visit. Although I had previously been to Turkey once in my teenage years (which included a sightseeing tour of Istanbul), coming here feels like home. Perhaps because I used to be fluent in Turkish and hearing the language reminds me of my childhood, or perhaps it has to do with my memories of attending a Turkish high school in Uzbekistan. Whatever the case, I love the beautiful country of Turkey and I absolutely adore the magnificent Istanbul. Last night Lola and I celebrated our 10 year anniversary at one of the rooftops close to the Sultanahmet Mosque, also known as the “Blue Mosque” and as we were dining, I noticed the moon rise from the left side. I grabbed the Fuji X-Pro2 with the 56mm f/1.2 lens and took the below photo of the mosque.
A couple of days ago Fujifilm finally announced its long-awaited flagship camera, the Fuji X-Pro2. I have been personally waiting for this to happen for a while, because the X-Pro1 has been out for way too long – 4 years, which is a huge stretch of time if you consider how quickly the mirrorless market has been moving in the past few years. I have just gotten back from my 3 week trip to Death Valley and while I have a lot of catching up to do, I did not want to miss on this important announcement. Being a proud owner of the superb Fuji X-T1, I have been wondering what Fuji would do with the X-Pro1 successor. The X-Pro2 is finally out and it looks like it was well worth the wait. While the overall design of the camera has not changed much, Fuji has made a lot of improvements to the interiors of the X-Pro2. With its brand new 24.3 MP X-Trans CMOS III sensor (highest resolution X-Trans sensor we have seen to date), pushing native ISO sensitivity by a full stop from ISO 200-6400 to 200-12800, an improved focal plane shutter capable of handling 1/8000 sec shutter speed (electronic shutter up to 1/32000 sec), 1/250 flash sync (finally!), a brand new Hybrid AF system with a whopping 273 focus points (77 phase detection points covering 40% of the frame) that promises to be Fuji’s fastest AF system to date, a fully weather-sealed camera construction, dual memory card slots (finally!) and an amazing hybrid viewfinder, the X-Pro2 looks like a very serious tool for professionals. Although its pricing of $1,699 might not sound particularly attractive, Fuji has never been a cheap brand in the first place and it has been known to make attractive, functional and enjoyable cameras that many photographers are willing to pay a premium price for.
Without a doubt, the Fuji X-T1 has been a huge success for Fujifilm, being one of the most rugged, versatile and very capable interchangeable-lens mirrorless cameras on the market. It did not take long for me to fall in love with it – after writing my in-depth review of the Fuji X-T1, I ended up buying one for myself. The X-T1 took the market by storm and many photographers ended up buying that camera either as a primary tool, or as a secondary camera to a full-frame DSLR. Despite the many offerings from Fuji, including the X-A2, X-E2, X-M1 and the X-Pro1, the X-T1 is the camera that made the most impact overall. The success of the X-T1 was the reason why Fuji decided to create a stripped down version of the same camera at a lower price point and that’s how the Fuji X-T10 was born.
Just after Fuji announced its first weather-sealed wide angle lens, the XF 16mm f/1.4 R WR last month, the company has announced yet another killer lens to its arsenal, the Fujinon 90mm f/2 R LM WR. With its 135mm equivalent field of view in 35mm and a wide aperture of f/2, the lens is aimed primarily at portrait photographers who love being able to keep their subjects isolated from the background without introducing any kind of distortion to subjects’ faces. Thanks to a pretty complex optical formula comprised of 11 elements (3 of which are of extra-low dispersion / ED type) in 8 groups, a sturdy weather-sealed construction and the new Quad Linear Motor for faster autofocus, the lens will, without a doubt, be a solid performer. And at its $950 MSRP price tag, it will be a great addition for photographers who are already in love with lenses like the XF 56mm f/1.2.