A couple of days ago Fujifilm finally announced its long-awaited flagship camera, the Fuji X-Pro2. I have been personally waiting for this to happen for a while, because the X-Pro1 has been out for way too long – 4 years, which is a huge stretch of time if you consider how quickly the mirrorless market has been moving in the past few years. I have just gotten back from my 3 week trip to Death Valley and while I have a lot of catching up to do, I did not want to miss on this important announcement. Being a proud owner of the superb Fuji X-T1, I have been wondering what Fuji would do with the X-Pro1 successor. The X-Pro2 is finally out and it looks like it was well worth the wait. While the overall design of the camera has not changed much, Fuji has made a lot of improvements to the interiors of the X-Pro2. With its brand new 24.3 MP X-Trans CMOS III sensor (highest resolution X-Trans sensor we have seen to date), pushing native ISO sensitivity by a full stop from ISO 200-6400 to 200-12800, an improved focal plane shutter capable of handling 1/8000 sec shutter speed (electronic shutter up to 1/32000 sec), 1/250 flash sync (finally!), a brand new Hybrid AF system with a whopping 273 focus points (77 phase detection points covering 40% of the frame) that promises to be Fuji’s fastest AF system to date, a fully weather-sealed camera construction, dual memory card slots (finally!) and an amazing hybrid viewfinder, the X-Pro2 looks like a very serious tool for professionals. Although its pricing of $1,699 might not sound particularly attractive, Fuji has never been a cheap brand in the first place and it has been known to make attractive, functional and enjoyable cameras that many photographers are willing to pay a premium price for.
Without a doubt, the Fuji X-T1 has been a huge success for Fujifilm, being one of the most rugged, versatile and very capable interchangeable-lens mirrorless cameras on the market. It did not take long for me to fall in love with it – after writing my in-depth review of the Fuji X-T1, I ended up buying one for myself. The X-T1 took the market by storm and many photographers ended up buying that camera either as a primary tool, or as a secondary camera to a full-frame DSLR. Despite the many offerings from Fuji, including the X-A2, X-E2, X-M1 and the X-Pro1, the X-T1 is the camera that made the most impact overall. The success of the X-T1 was the reason why Fuji decided to create a stripped down version of the same camera at a lower price point and that’s how the Fuji X-T10 was born.
Just after Fuji announced its first weather-sealed wide angle lens, the XF 16mm f/1.4 R WR last month, the company has announced yet another killer lens to its arsenal, the Fujinon 90mm f/2 R LM WR. With its 135mm equivalent field of view in 35mm and a wide aperture of f/2, the lens is aimed primarily at portrait photographers who love being able to keep their subjects isolated from the background without introducing any kind of distortion to subjects’ faces. Thanks to a pretty complex optical formula comprised of 11 elements (3 of which are of extra-low dispersion / ED type) in 8 groups, a sturdy weather-sealed construction and the new Quad Linear Motor for faster autofocus, the lens will, without a doubt, be a solid performer. And at its $950 MSRP price tag, it will be a great addition for photographers who are already in love with lenses like the XF 56mm f/1.2.
Without a doubt, Fuji’s X-T1 has been a huge success for the company and for a good reason – the camera is outstanding in many ways, as I have pointed out in my in-depth review of the camera. I have been a proud owner of the X-T1 for over a year and the camera continues to amaze me, especially after Fuji’s constant firmware refreshes, which make it better each time (and it is supposed to get even better with the upcoming 4.0 firmware). But at its current MSRP price of $1300, the X-T1 is not a cheap camera to own. Which is why Fuji decided to release a smaller brother of the X-T1, the Fuji X-T10. With the same superb 16 MP APS-C X-Trans sensor, 3″ tilting LCD, 8 fps continuous shooting, 2.36 Million dot OLED electronic viewfinder, advanced autofocus system, built-in flash and similarly beautiful design, the X-T10 offers quite a bit for its $800 price tag.
Since Fujifilm kicked off its X-series mirrorless cameras in 2012, it has been releasing a number of superb prime and zoom lenses to attract both enthusiasts and professionals to its camera system. Although until recently the Fuji lens line-up included a number of great zoom lenses, there was no professional-grade 24-70mm equivalent (in full-frame) choice available. Fuji changed that by introducing the Fujinon XF 16-55mm f/2.8 R LM WR in early 2015 – a high-quality, weather resistant lens with superb optical characteristics and tough construction for the most demanding photographers. Combined with a weather-sealed camera like the Fuji X-T1, the new generation Fujinon lenses like the 16-55mm f/2.8 are the top choices for landscape and architecture photographers who often face challenging weather conditions. I had the pleasure of using the XF 16-55mm f/2.8 lens for several months after it was launched and I was able to take it with me on several projects and assignments, so this review is primarily based on my field experience. Let’s take a look at the lens in more detail.
Today is a big day for Fuji, because the company has just announced its first wide angle weather resistant prime lens, the Fujinon XF 16mm f/1.4 R WR. This is a pretty significant milestone for Fuji, because the lens is equivalent to a 24mm lens in terms of field of view on full-frame, which is a very popular focal length for many different types of photography such as landscapes, architecture and environmental portraiture. Being a fast f/1.4 lens, it is also a great candidate for low-light photography. On top of that, Fuji made this lens weather resistant to withstand both dust and moisture, so it will couple greatly with the Fuji X-T1 and future weather-sealed cameras.
I will be traveling out of country in April and before I leave, I have a few days to try to work on some reviews. Whether I will manage to produce a lot of content before my departure or not, I am planning to finish up the task upon my return. Lots of gear came out during the last year and having started my Sony mirrorless camera reviews, I intend to complete a few of those as well. Below is the list of gear that I currently have, which I am planning to review as soon as possible:
I’m a European. Through and through. Even now I am sitting at a coffee house, tired from a sleepless night, my mind a little hazy. And yet, despite that, I am quietly remembering my favourite streets of my favourite city that I got to know with my favourite people, and that city, at least the loveliest part of it, is European down to last brick. It’s just outside that big window and it’s called Vilnius, capital of Lithuania. I love the narrow streets and tiny churches. I love how old, confusing and irrational the planning is, at least at first glance. I love its outright beauty and history, too, and how the only two means of transport that don’t seem out of place in those narrows streets are scooters and bicycles.
Imagine how strange it feels to also love what little of Manhattan I saw during my five day visit. For, in just about every single way, it’s the complete opposite of what I just described.
I’m Paolo and I have been a Fuji user for a little over a year now. Just like everyone else I was a DSLR shooter before but the weight got to me and I thought of trying unconventional brands. Started with the awesome but slow to “everything” X100 – that is before the firmware updates that made the X100 what it was supposed to be like, now. Anyway, that’s where my love and hate relationship with Fuji started. Well not really hate, it is such a strong word, more of frustrations which I have already gotten over with. I got my hands on a Fuji XF 18-135mm f/3.5-5.6 R LM OIS WR this February in time to shoot the famous Cebu City’s Sinulog Festival “Pit Senor!”. Thank you Marie Dela Cruz of Fuji Philippines for letting me try one!
The choice of the first camera system is an exciting one. Why would it not be? You get to pick the first camera to buy, the first lens, and you spend so much time reading reviews, forums and asking friends for advice. I know I did – some eight years ago, I was admiring such cameras as the Canon 30D and 40D, and was seriously eyeing the 400D which was then within the budget of a teenager me. Nikon D200 looked out of this world and the then-announced D300 was a camera of dreams. All of these models, now obsolete from a technological standpoint (much like the D700 I now own and love), were as desirable as any current equipment you can think of. Maybe even more so, since the refresh cycle was longer and digital photography in general not as widespread as it is today.
Yes, the choice of the first camera and lens is a very exciting one. But, inevitably and at some point, a different question arises for just about all of us, and one much less pleasant – should you stick with your first decision or is the grass truly greener somewhere else?