When testing cameras, it is not unusual to see a situation when one camera can produce results a bit darker or brighter than another. In some cases, lenses are to blame for this variance, since most lenses cannot ideally transmit all of the incoming light. What this means, is that a lens with a maximum aperture of f/2.8 could potentially transmit less light, which could be equivalent to say f/3.5 in terms of brightness. The latter number is what is often referred to as a “T-stop”, or Transmission-stop, which is basically an adjusted f-stop that takes into account this light loss. In other cases, the camera itself can be the source of brightness variance. Although manufacturers are supposed to adhere to an ISO standard that guides the process of determining the right brightness level for each ISO, there is usually still some variance between not only brands, but also between specific camera models. We won’t get into the question of why there are such variances. Instead, we will concentrate on implications of such variances to camera sensor comparisons and ratings. Particularly, we will be looking at exposure variances in Fuji cameras, such as the Fuji X-T1. Many photographers, including myself, have been fond of the way Fuji sensors render images, outputting very clean and pleasant-looking images, even at high ISOs. But are those ISOs real? And is Fuji doing something shady to make its images look better? Let’s take a closer look…
I’m Paolo and I have been a Fuji user for a little over a year now. Just like everyone else I was a DSLR shooter before but the weight got to me and I thought of trying unconventional brands. Started with the awesome but slow to “everything” X100 – that is before the firmware updates that made the X100 what it was supposed to be like, now. Anyway, that’s where my love and hate relationship with Fuji started. Well not really hate, it is such a strong word, more of frustrations which I have already gotten over with. I got my hands on a Fuji XF 18-135mm f/3.5-5.6 R LM OIS WR this February in time to shoot the famous Cebu City’s Sinulog Festival “Pit Senor!”. Thank you Marie Dela Cruz of Fuji Philippines for letting me try one!
The growing popularity of street photography is probably best explained with one word: accessibility. Street photography is accessible both because of location (big surprise – there are lots of streets in the world. Go outside. There’s a street. Right there…) – and because you don’t have to be a full-time “professional” photographer with thousands of dollars worth of equipment. Just go out and shoot. Heck, the genre of street photography doesn’t even require you to be on a street. Just go and shoot. Simple, right?
As promised, Fujifilm has made the new firmware versions for some of its mirrorless cameras available starting today. For those who missed our previous article, the following cameras are eligible for the new firmware: Fujifilm X-T1 (both black and silver edition), X-E2, X-Pro1 and X-E1. It is important to note that all cameras receive slightly different updates with the X-T1 gaining the largest number of improvements and new features.
Last month, Fujifilm announced firmware updates for several of its high-end X-mount compact system cameras. No less than four cameras will receive such attention from the famously generous (when it comes to updates) manufacturer come December the 18th – Fujifilm X-T1 (both black and silver versions, which should really not be treated as a separate release), Fujifilm X-E2 and even the now-already-quite-old X-Pro1 and X-E1. That said, it is not all good news, since the firmware updates are very different for X-T1 and the rest of the cameras.
Along with the new X100T and a couple of lenses, Fujifilm has also announced a “Graphite Silver” version of their well-received X-T1 mirrorless camera. Unlike other silver/black versions of mirrorless cameras that Fujifilm offers – X-E2 immediately springs to mind – X-T1 has a darker shade body. It is definitely more conspicuous than the black body of the original X-T1, but not as much as a regular silver camera would be. It is also more expensive. And don’t worry, there are indeed some better news that owners of black X-T1’s will find very welcome.
This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, 2014. Previously known for its popular X-Pro, X-E and X-M lines, the new “T” line is specifically made to be “tough”. With its all magnesium-alloy body, sealed buttons and compartments, the X-T1 is Fuji’s first attempt at a fully weather-sealed mirrorless camera. Although Fuji’s recent cameras have been quite popular, it had nothing to offer against the OM-D E-M1 and OM-D E-M5 Micro Four Thirds mirrorless cameras from Olympus. With the latter two offering weather sealing, in-body image stabilization (IBIS) and a whole slew of lenses to choose from, Fuji wanted the X-T1 to offer similar features at a competitive price. With a larger APS-C sensor and a huge, high-resolution electronic viewfinder (EVF), the X-T1 was also meant to appeal a bigger audience from professionals and enthusiasts that want a lighter and more compact setup than their DSLRs.
It has been a while since I had a chance to post on the website, so I wanted to provide a quick update and some news. First of all, I am currently in London with my family. We arrived here over a week ago and my first few days were quite rough, since I was pretty sick. When we landed in London, my splitting headache and the 8-hour long overnight flight, during which our little girl Jasmine had a hard time falling asleep, was just too much for me. As we were heading out, one of our readers approached me and said a few nice things about the site. I was so disoriented that I couldn’t talk and didn’t even get his name! So if you are that gentleman, please accept my apologies and do get in touch with me please!
I have just added another section to the Camera Comparisons page of the Olympus OM-D E-M1 review, where I provided RAW performance comparisons between the OM-D E-M1 and the Fuji X-T1. Some of our readers requested this comparison, so here it is for those that just want to see this particular section of the review. Although the X-T1 has a similar resolution of 16.3 MP, it is physically larger in size (APS-C vs Micro Four Thirds) and hence has larger pixels than the OM-D E-M1. Let’s take a look at ISO 200 (Left: Olympus OM-D E-M1, Right: Fuji X-T1):
I have been shooting with the Fuji X-T1 for the past several weeks and I must say, I am just blown away by what this little camera can do. While I will be working my way to a review fairly soon, I wanted to provide a quick summary of my thoughts so far on the X-T1, along with some sample images using the 35mm f/1.4 and 56mm f/1.2 lenses. Ever since I received the X-T1, I just cannot stop myself from taking it every time when I go outside. Pretty much everything about the camera feels right to me – from the amazing controls and dials on the top, to the fast and responsive autofocus and the huge electronic viewfinder (EVF), making the camera a pure joy to use.