Thanks to the recent Fujifilm rebates, I have been able to expand my lens line-up for the Fuji GFX 50S that I have had the pleasure of shooting with ever since it came out. I am very impressed by the Fuji medium format system, especially its lens line-up, and I consider it to be ahead of its competition in a number of ways, as highlighted in my review. However, having gone through multiple lens samples of different lenses (which I will be reviewing in the next few weeks), I wanted to warn our readers of potential issues they should watch out for. While I am generally happy about lens variation of GF lenses and I am especially happy with their excellent performance, I am not a big fan of Fujifilm’s QA processes. It seems to me that Fuji is almost rushing with the GF lenses, trying to deliver as many units as possible to try to match the demand, while paying less attention to its manufacturing processes. I have already gone through multiple samples of a number of lenses, including the Fuji GF 63mm f/2.8 and Fuji GF 110mm f/2 and I have found debris between lens elements that is impossible to shake off or remove without having to send the lens to a Fuji service center.
Both Hasselblad and Fuji got quite a bit of buzz in 2016 when they introduced the first mirrorless medium format cameras. The Hasselblad X1D-50c stole the show with its beautiful design, compact build and leaf shutter lenses, whereas the GFX 50S got Fuji fans excited with its functional camera body, modular EVF, tiltable LCD screen and a lower price point. Both cameras compete head to head when it comes to image quality, since they feature a very similar 44x33mm sensor, which is why I will be bringing them up quite a bit for side-by-side comparisons in this Fuji GFX 50S review. I have now been shooting with the GFX 50S for approximately six months, so the experience that I am sharing with our readers is based on quite a bit of field work, including international travel.
It is a well-known fact that there are some rather serious diseases that plague photographers out there. While we have all heard of the Gear Acquisition Syndrome and other photography addictions, it is time to expand the photography jargon to include the many types of photographers we deal with today. Some of these have been around for years, while others have been recently bred in the darkest corners of the Internet. Without further ado, let’s get down to it!
Most camera manufacturers are currently offering a number of deals and rebates this summer to promote their products. Nikon has already been promoting its DSLRs with instant rebates and free camera grips and now new lens-only rebates are added to the list. Fuji has also extended a number of instant rebates for its APS-C cameras like Fuji X-T2 with a free grip option, in addition to other cash rebates. Other manufacturers like Sony and Sigma are also offering great rebates for their camera gear. To sweeten up the deals, B&H is also pitching in their part by giving 2% back in rewards. Below you will find the best deals we could find for our readers from these manufacturers.
It has been a while since we have given away a camera and we are excited once again to host another giveaway for our readers! This time, we are partnering up with our friends at MIOPS to give away a brand spanking new Fuji X-T20! The giveaway rules are going to be quite simple as usual – all you have to do is follow us and MIOPS on Instagram and you will be automatically entered into the drawing. We will announce one lucky random winner at the end of May.
This is a quick review of the FotodioX Nikon F to Fujifilm G-mount adapter, which allows mounting Nikon G-type lenses on the new Fuji GFX 50S camera. While it is always ideal to use native lenses on any camera system, the idea of using a lens from a different camera system on a mirrorless camera can be appealing for a number of reasons. Aside from potential savings, one can take advantage of the mirrorless technology (see mirrorless vs DSLR for details) and use the ability to zoom in on a subject while framing to potentially yield a higher number of in-focus shots compared to a DSLR. In addition, lens adapters also open up opportunities to use specialty lenses that are not yet available for the system, which in the case of the new Fuji GFX 50S, is certainly worth looking into, since the system is very new and only three native mount lenses are available at the moment. While shooting with the Fuji GFX 50S, I wondered how well my Nikon lenses would do on the medium format camera, so I decided to give the FotodioX Nikon F to Fuji G-mount adapter a try.
Fujifilm has just announced yet another set of “Kaizen” firmware updates that will soon be available for the Fuji X-T2 and Fuji X-Pro2 cameras. This is a major firmware upgrade release consisting of a total of 33 (!) updates and new features, which is very exciting. It is nice to be able to go back to a camera and discover new things you can do with it – almost creates a feeling of owning something entirely new. After seeing the announcement (the details of which are provided at the end of the article), I thought about other camera manufacturers and what they could learn from Fuji.
This is an in-depth review of the Fuji X-Pro2 mirrorless camera, an upgrade to the top-of-the-line X-Pro1 of the X-series cameras that was announced in January of 2016. It is hard to believe that it has been five years since Fuji first announced its mirrorless X system with the launch of the Fuji X-Pro1, along with the first three lenses. It was a pretty rough ride for Fuji, since the system looked very appealing and yet the initial feedback and reviews indicated that the camera was full of bugs and autofocus issues. But despite the negative reactions, Fuji did not give up, since it wanted to make the X system successful at all costs. Within a year, the X-Pro1 was transformed into a whole different camera – major firmware issues were taken care of and the AF system became much more polished and reliable. Fuji decided not to leave its original customers behind, letting them get the latest and greatest through “Kaizen” firmware upgrades. And although Fuji released a bunch of new X-series cameras, the X-Pro1 continued to receive firmware feature upgrades for another 4 years, something no other manufacturer has done in the past. That level of commitment did not go unnoticed by the photography community, creating a large and loyal Fuji fan base. After a long wait, Fuji finally revealed the much anticipated X-Pro2 that many photo enthusiasts and professionals have been waiting for. Last Christmas, an amazing gift from FujiFilm Italia gave me the opportunity to experience the Fuji X-Pro2. Since Nasim also had some thoughts to share with PL readers after using the camera for a few months, we decided to combine our efforts into a single review.
Without a doubt, the release of medium format cameras by both Fujifilm and Hasselblad have shaken up the photography industry and have sparked interest from many enthusiast and professional photographers, who are interested in moving up to medium format. While Hasselblad delivered the smallest and the lightest medium format camera ever made in the shape of the X1D-50c, Fuji definitely surprised many of us with the low (for medium format) price of the GFX 50S. With both cameras featuring similar Sony-made sensors with the same size and resolution, one might think that the two cameras compete directly with each other. However, once we look at some details and understand the real differences between the GFX 50S and X1D-50c, it becomes more apparent that the two cameras might have been created for completely different purposes and uses. I have been fortunate to have had my hands on these two cameras for the past few weeks and although I am planning to put the two cameras to real use very soon, I have already gathered some thoughts that I would like to share with our readers. Let’s take a look at the two medium format cameras in more detail and compare them side by side.