Many photographers enjoy exploring the world around them with macro and close-up photography. The basic difference between these similar genres of photography is the amount of magnification achieved, with a 1:1 magnification generally accepted as an example of macro photography. Images at this level of magnification also have more details than are achieved with close-up photography. The camera gear used for macro photography can be quite specialized and costly which can be a barrier for many photographers. This article features a small selection of close-up photography images all of which were shot hand-held in available light using a set-up that cost about $875 CDN including camera body, lens and extension tubes.
I am an amateur photographer and have had a DSLR for approximately 10 years. It is only in the last 2 years that I have started to get seriously interested in wildlife photography. I feel like I am in the early days of building a portfolio of images. Living in the middle of a small UK town, like most urban locations, there is a surprising amount of wildlife around. Unfortunately, with a full time job and a small baby I found I had limited time to get to know the animals in my neighbourhood let alone the local nature spots. So when we moved house 3 years ago and were discussing what to do with the derelict patch of land out front and the idea of turning it into a wild flower garden was discussed, I thought it might be a great way to learn some macro techniques.
I know flower posts have been submitted here before and I surely have nothing original to offer but they do make a versatile subject, allowing an appreciation of colour, texture, form and placement. These were all taken inside the Walled Garden at the stunning Wimpole Estate in Cambridgeshire just before my Eastern/Central/Somewhere In Europe trip. The vivid specimens are a fitting testament to the diligence and vision of the team of gardeners there who braved the heat to maintain the beautiful flowerbeds.
One of my favourite times to photograph garden plants and flowers is first thing in the morning after a fresh rain. All of the colours and textures seem richer after the rain dapples them with water droplets.
My wife wanted to go out today to buy a few annuals for some of the flower gardens around the house. Naturally I thought this would be a great opportunity to capture some quick images of flowers and I volunteered to go with her. I know…I know…typical husband with an ulterior motive! I grabbed one of my Nikon 1 J5’s, popped on a 21mm MOVO extension tube and the 1 Nikon 30-110mm f/3.8-5.6 lens, and we headed out to a few of the area nurseries. [Read more…]
I am a self-proclaimed people photographer. Whenever anyone asks what I photograph, I say “anything involving people”. If that’s the case, you might be wondering why I’m posting about photographing flowers and plants. To be honest, I sometimes like to head out on my own and experiment with different types of photography. Doing that, I have found a type of flower photography that I absolutely love. Today I want to share it with you.
I recently purchased a set of Movo Extension Tubes for Nikon 1 as I had been experiencing some quality issues with my Vello tubes (plastic flanges cracking and breaking). I’ve been out the past week or so capturing a range of images with these new tubes and I thought I’d share some images with you. If you are wondering about what extension tubes are and what they are used for, check out this detailed article about extension tubes and how they work.
When I wrote my Macro Photography Lighting Tutorial, I had the opportunity to test a fairly popular product for my section on ring lights: the Bolt VM-110. I was happy with the quality of light from the VM-110 ring light, but I was unimpressed with its low strength. Since ring lights are so commonly-used for macro photography, I decided that it would be worthwhile to review the VM-110 and share some of my thoughts about how well it works for macro photography.
For our readers in the Northern Hemisphere, it’s that time of year again — days are hotter, nights are shorter, and the air is stuffier. With the changes in weather, two different creatures are beginning to emerge from their deep winter slumbers: the insect and the macro photographer. As macro photography grows more popular, a key question arises: what is the best way to light a bug’s picture?
I’ll admit it — I was a bit late to the party. While everyone else has been enjoying the brand new D750 and D810, I have been happily stuck with my aging D7000.
Being a student, I am on a student budget. This means that I buy used technology, and I buy old technology. I have nothing against this, though, since older DSLRs are truly dependable machines, and they still are capable of producing wonderful images. Over the course of two years, I have taken 50,000 photos with my D7000, and it doesn’t look a click over 10,000.