During my trip to Death Valley, I experimented a little with timelapse photography. One of the moments, particularly at Zabriskie Point, was the one I did not miss and capture it at its full glory, while the light was constantly changing. At first, I set up “Interval Timer Shooting” on my Nikon D810 to take pictures every 2 seconds, then I left the camera to go shoot a panorama with another one, as described in this recent article. After I came back, I saw that my camera captured a total of 1675 images. I reviewed some of the photos and really liked the fact that I captured so many different images and the transitions in between – from colorful pink clouds, to sun hitting the Manly Beacon. Since light conditions were changing so fast, I decided to shoot in Aperture Priority mode (see our article on camera modes), with ISO set to 100 and Aperture fixed at f/8. For the Zabriskie Point timelapse in the video, I used the Nikkor 24-70mm f/2.8E VR lens (obviously, with VR turned off). Since I already had plenty of images for my upcoming review, I decided to use the Sigma 24-105mm f/4 DG OS HSM Art lens. Boy, what a mistake!
Nowadays, it is not unusual to hear about photographers being asked by their clients to do video work for them. For many photographers adding video to their list of services can be a bit intimidating, especially when it could entail making some investments in video-related gear. While it is certainly possible to spend many thousands of dollars on additional gear, most people wouldn’t want to put that much money at risk when first venturing into this area. If you choose gear wisely you can keep your investment at a modest level while adding a significant amount of production value for your clients.
Although the Nikon D4s has already appeared at CES and other events earlier this year, Nikon did not provide official information, pictures, specifications or pricing for the camera until now. Today, the top-of-the-line Nikon D4s is finally released and we have the full details on the camera that we are happily sharing with our readers. Similar to the Nikon D3s, the D4s is an incremental update to the D4 with better low-light performance, bigger buffer, faster frames per second and other improvements highlighted below.
If you are like many professional photographers, you may be finding that more and more clients are asking if you can also do video for them when you’re on-site doing a photo shoot. Video can be a “strange new world” and you may be passing up some good opportunities. Most modern DSLRs are quite competent in shooting video, and you can use them to create industrial and commercial productions that are ideally suited for use at corporate functions, in sales presentations, as training aids, and as promotional spots on YouTube…so there is a great opportunity to expand your service offering by including video.
Today Nikon announced the new Nikon D3300 DSLR camera – an update to the existing Nikon D3200 that was released in the spring of 2012. The D3300 is not a huge upgrade over its predecessor. Judging from its specifications, it is mostly a cosmetic release without major innovations, meant to keep Nikon’s entry-level line fresh. The image sensor is supposedly new that increases the native max ISO from 6400 to 12800, although its resolution stayed the same at 24.2 megapixels. The main difference in sensors is the removal of the optical low-pass / anti-aliasing filter, which has now become a trend even on entry-level DSLRs (the Nikon D5300 was also released without a low-pass filter). The D3300 comes with the new EXPEED 4 processor that we have seen earlier on the D5300, which allows the camera to record/process images and video at higher rates. For example, video recording at full 1080p is now possible at 60 frames per second. Continuous shooting frame rate has been increased from 4 to 5 fps and the viewfinder got a slight magnification boost from 0.78x to 0.85x.
In this article, I will show feature differences between the new full-frame Nikon D600 (FX) and the older cropped sensor Nikon D7000 (DX). I have received a number of requests from our readers asking me to provide this comparison, since many photographers are considering to move to the Nikon D600 from their D7000 cameras. Please keep in mind that this Nikon D600 vs D7000 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is provided in the Nikon D600 Review.
Here is another quick specifications comparison between the new Nikon D600 and the D800 that was announced earlier in 2012. I am sure many photographers will be interested in seeing feature differences between the resolution king, the D800, and the $900 cheaper D600. Looks like both cameras are quickly becoming popular among many amateur and professional photographers, so what feature advantages does the former offer over the latter? Let’s take a look in this Nikon D600 vs D800 comparison. Please keep in mind that this comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is provided in the Nikon D600 Review right here.
Now that the Nikon D600 is officially out, I am sure many photographers will be interested in seeing feature differences between the old and discontinued Nikon D700 and the new D600. Please keep in mind that this Nikon D600 vs D700 comparison is purely based on specifications. Note: a detailed comparison with image samples and ISO comparisons is provided in the D600 Review.
Forget megapixels of the Nikon D3x or Canon 1Ds Mark III, video is the new super-expensive choice. DSLR videography is changing fast, and Canon is now pushing the limits with its promised EOS-1D C videography-centered camera. Offering Hollywood-ambitious 4k video at 4096×2160 pixel resolution, it also shares most of its specifications with the mainstream flagship Canon 1D X, such as 18 megapixel Full Frame sensor and 12 frames per second still shooting. With the latter costing about $6800, we can, at this time, only guess how expensive this new camera is going to be (guesses are around 10 thousand euro), but one thing is sure – 8 megapixel resolution video is sure to make its way down to lower-end cameras sometime soon and affect photojournalism greatly. I can already hear aspiring videographers rejoice!