Now that it is officially announced, I am sure some of our readers would be interested in seeing how the new Nikon D7100 compares to its predecessor, the D7000. With an improved sensor, high-end autofocus system and other great features, looks like the D7100 will be one heck of a high-end DX camera. The D7000 is no slouch either, with an excellent sensor and great all around performance. Now it is even better. In this Nikon D7100 vs D7000 comparison, I will first go into specifications, then talk about specific features that differentiate the two cameras. Please keep in mind that this comparison is purely based on specifications. Further details, my impressions, ISO comparisons and other useful information will be provided in my upcoming Nikon D7100 Review later this year.
These are the same Nikon D7100 image samples as the ones presented at Nikon.com. I am providing these images here in case Nikon websites go down (as they usually do), being too busy serving millions of requests. All EXIF data is attached to the original images.
Nikon has just announced the Nikon D7100, an update to the existing Nikon D7000 camera that was released back in September of 2010. After more than two years of waiting, many DX shooters are quite anxious to see what features Nikon added to the already excellent DSLR. Many Nikon fans and existing D300/D300s owners are also probably wondering if they will soon see an update to the high-end DX line in the form of a D400 that has remained nothing more than another rumor. With today’s Nikon D7100 announcement, we can mark the death of the high-end DX line – read below on the reasons why I think we might never see a D400.
Having been launched in Europe countries a while earlier, the new Nikon D5200 has just become available in USA, too. The 24 megapixel camera slots nicely between Nikon D3200 and D7000, gaining the latter’s great 39-point AF system. Articulated screen, 1080p/60 video, Expeed 3 image processor ad 100-6400 ISO range completes the attractive package for beginner photographers and those wanting a small, lightweight DSLR.
One of the best last generation full-frame cameras, the Canon 5D Mark II, has been officially discontinued. At its time the successor to the original 5D was only rivaled in its popularity by Nikon D700 in the full-frame market. Also, along with Sony A900 and A850, it was the cheapest high resolution full-frame camera (at a time when Nikon D3x would set you back a preposterous $8000) and the first to do Full HD video good enough for Hollywood.
One of the requests we have been getting lately from some of our readers has been to provide more simple and easy to understand photography techniques. So far this year we have covered a lot of complex topics that are for more advanced users, thanks to such new fine tools as the Nikon D800. So for the remainder of the year, we decided to focus on photography basics again, covering simple and basic techniques and tips for beginners. In this article, I will go over the focus and recompose technique, which can be quite useful when photographing in various environments – whether shooting in low-light situations, or composing your shots with the subject in the corner of the frame. I personally use this technique quite a bit in event photography and it saved me a number of times when the light conditions were extremely poor and my camera could not properly focus.
In this article, I will show feature differences between the new Nikon D5200 the previous generation D5100 (see our Nikon D5100 Review). What does the updated D5200 bring to the table and what are the key differences? Let’s take a look! Please keep in mind that this Nikon D5200 vs D5100 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons will be provided in the upcoming Nikon D5200 review.
Nikon has just announced the D5200 DSLR, an update to the Nikon D5100 that we reviewed last year. The Nikon D5200 is an upper entry-level DSLR that comes with a similar 24MP CMOS sensor as on the D3200, but with a more improved Multi-CAM 4800DX AF system and metering system from the D7000. This is a surprising move by Nikon, since it seems like it is pushing more advanced features to basic DSLRs. This could also mean that the upcoming Nikon D7100 might have a better AF system, perhaps the same 51-point AF system used on the D800/D4 cameas (or somewhere in between). The feature gap between different DSLRs seems to be shrinking, probably due to the pressure from the mirrorless market. Next year will be interesting – will we see a D7100, a D400, or both?
If you are wondering about how to calibrate lenses, this article has detailed explanations and different methods of AF fine tuning. Due to the nature of the phase detect autofocus system that is present on all SLR cameras, both cameras and lenses must be properly calibrated by manufacturers in order to yield sharp images. Various factors such as manufacturer defects, sample variation, insufficient quality assurance testing/tuning and improper shipping and handling can all negatively impact autofocus precision. A lot of photographers get frustrated after spending thousands of dollars on camera equipment and not being able to get anything in focus. After receiving a number of emails from our readers requesting help on how to calibrate lenses, I decided to write this tutorial on ways to properly fine tune focus on cameras and lenses. Lens calibration is a complex topic for many, so my goal is to make this guide as simple as possible, so that you could manage the process by yourself, while fully understanding the entire process. In addition, I strongly recommend to follow these tips every time you purchase a camera or a lens in order to identify and address any potential focusing issues. But I have to warn you – this article is NOT for beginners. If you just got your first DSLR, you might get very quickly frustrated with the calibration process.
While a DSLR camera uses a mirror mechanism to either reflect light into an optical viewfinder, or pass it through directly to the camera sensor, a mirrorless camera completely lacks such mirror mechanism (hence the name), which means that the light passing through the lens always ends up on the imaging sensor. Since light is no longer reflected on an optical viewfinder (OVF), mirrorless cameras typically rely on electronic viewfinders (EVF) and LCDs that basically project what the imaging sensor sees. Because of lack of a mirror mechanism and an optical viewfinder, mirrorless cameras can be made simpler, lighter and less bulky when compared to DSLR cameras.