36 megapixel Full Frame camera sounds great, doesn’t it? What you get in a D800 is, basically, exceptional high ISO performance, as demonstrated by Nasim in his review, and resolution that, heretics say, can rival some of Medium Format digital backs. One of the best cameras currently on offer, surely. One of the best for several years to come, it is almost a revolution, both in camera market as well as your pocket, as creatively described by Bob Vishneski. Extremely tempting, completely justified again and again in your mind. People would understand, wouldn’t they? Even your wife, with some persuasion, could see reason. And yet something is not quite right, not quite settled. Is it the old-ish D700 poking you at the shoulder? Never too far away, the brother. Always haunting, always showing off its huge sensor, its lower than ever price tag. The D800 shines above it day and night, yes, you see it in your dreams, you see it in the hands of other photographers – calling out to you, always bright, but the older brother is persistent. After all these years, after almost decades it seems now, D700 is still trying to drop a shadow on your face, still trying to be noticed and loved just as it was before the new kid came to town. A desperate pensioner.
I received an email today with the title “Canon is Winning the Camera War”. I opened the email immediately to see what it was about, because it had such a bold subject line. Canon winning the camera war… I have not seen any market share reports lately, so this was an interesting read. Apparently, a company called “Sortable” has recently conducted a massive survey with over 275,000 people over a period of 6 months, which showed that more than 33% of consumers favor Canon over other brands when making a camera purchase, including Nikon. Check out this interesting graph:
Being a photography website that frequently publishes gear reviews, we get asked a lot of questions on a daily basis from our visitors on all kinds of camera gear, from DSLRs and lenses to tripods and camera bags. To make it easier for our readers to see our recommendations, I have been actively working on the “Gear Guide” during the last two plus weeks. While the section is far from being complete, I wanted to share some news regarding the new “DSLR Camera Purchase Guide” that is now live in the Gear Guide section. It is an interactive camera purchase guide that displays a list of recommended cameras by Mansurovs based on what you like shooting, your budget and the brand of camera or lenses you might already own.
As expected, the Nikon D700 price went down $500 to $2,199 (from $2,699), after the Nikon D800 was announced. A lot of people have been sending me emails and leaving comments on our site about the Nikon D700 availability and if it will still be offered in the future. As of now, Nikon is planning to continue to manufacture the Nikon D700, because there is still demand for it. This is great news for many of us that cannot afford the new Nikon D800, want to upgrade from DX to FX, or simply do not feel the need for a high-resolution 36 MP camera.
While I am currently working on a couple of Sony camera and lens reviews, I decided to write a quick article on differences between in-camera and lens stabilization. As you may already know, Nikon and Canon are both big on lens stabilization, while other camera manufacturers like Sony and Pentax have been pushing for in-camera stabilization technology (also known as body stabilization). I have had a few people ask about differences between the two and I thought that a quick article explaining the pros and cons of each stabilization technology would be beneficial for our readers.
The Nikon D800E is generating a lot of interest among many landscape and macro photographers and one question that has been popping up a lot, is why the Nikon D800E is $300 more expensive than the Nikon D800? I received a number of comments like “why is Nikon charging extra for something the D800 does not have?” (meaning why Nikon charges extra money for a camera without an anti-aliasing / low-pass filter). In fact, both the Nikon D800 and the D800E have anti-aliasing filters (see the illustration below), it is just that the Nikon D800E has two of the filters reversed that cancel each other out. So some of the extra charge is coming from the required change in the manufacturing process. Additionally, according to DPReview’s “Nikon D800 Preview” they posted today, the Nikon D800E version will ship with the Nikon Capture NX 2 software, which costs around $129.95 retail.
Information is pouring in from everywhere now. Since the Nikon D800 is officially out now, Nikon.com and NikonUSA.com are getting updated with the product information, including the official Nikon D800 Brochure, Nikon D800 Detailed Product Information and Sample Images (to be posted shortly).
I previously posted on the Nikon D800 announcement that the D800 will be priced at $3,999. My source sent me the info in euro currency (€2,999), so I made a mistake by converting it to USD. The camera is now officially released by Nikon and its price is in fact $2,999 USD for the regular version of the D800. The Nikon D800E without the AA filter will be priced $300 USD more at $3,299.
Now that the Nikon D800 is officially out, I am sure many photographers will be interested in seeing feature differences between the now obsolete Nikon D700 and the new D800. Please keep in mind that this Nikon D800 vs D700 comparison is purely based on specifications. A detailed comparison with image samples and ISO comparisons is already provided in my Nikon D800 Review.
Another reader of ours, Frank Di Luzio, sent the below image that explains exactly why sensor dust is more visible at small apertures. While I have explained this phenomenon to some of our readers before (see the comment section), I have not had a chance to write a separate article with a proper illustration, demonstrating how aperture size affects the shape and size of dust particles. Thanks to our generous readers like Frank, I now do not have to do it, because the below illustration is perfect.