Tomorrow is the 100th year anniversary of Nikon. While we have been patiently waiting for the company to announce something new for this big date, it looks like we will only be seeing a teaser in the form of the Nikon D850 “development announcement”. Unfortunately, aside from the teaser video (see below) that does not reveal much aside from the ability to shoot 4K video and 8K timelapses, no additional information is provided as part of this development announcement, which is quite unfortunate! Perhaps Nikon is still going through some changes to the camera features, or perhaps there are other reasons for not giving us any further details, but it will be a painful few months of waiting for additional details on this highly anticipated camera…
In this article, we will go over what exposure compensation is on a digital camera and how you can take advantage of it to make adjustments to your exposure when shooting in camera modes such as aperture priority, shutter priority, program mode and other scene modes of your camera. Every modern camera today has a built-in capability to adjust exposure settings in order to make it easier to properly expose images. In simple terms, the idea is to be able to control the brightness of an image, so that it does not end up looking too bright or too dark. To be able to do this, one has to use the Exposure Compensation feature, which is typically provided either as a dedicated button on a camera, or as a dial that one can move from positive exposure compensation to negative. Let’s take a look at how you can utilize this great feature on your camera and take a full control of your exposure.
While I wait until quarterly data is available from CIPA to do full camera market updates on my photography blog, I thought Photography Life readers may like to have a quick look at how 2017 is shaping up for the digital camera market. The charts in this short article are based on April YTD 2017 CIPA statistics. I’ve included YTD actuals for 2017 as well as my market estimates for 2017. These estimates were calculated after examining some basic trends that the camera market has been demonstrating for the past decade.
There have been some interesting shifts in the relative importance of various segments of the camera market over the past number of years. I thought readers may like to view a few charts based on CIPA data as they relate to the relative importance of various regional camera markets.
As a brief follow up to Nasim’s excellent post, Sony “Overtakes” Nikon in Full-Frame Sales, this brief article shares some recent CIPA statistics regarding the shipment of mirrorless interchangeable lens cameras. Depending on how a person interprets this data will determine whether the mirrorless interchangeable camera market is ‘growing’.
For the past few years now, the digital photography camera market has been on a steady decline. Some people blame it on smartphones taking over the big chunk of camera sales, while others have related other factors to the decreased camera sales. While we have written a number of articles on this topic, I personally don’t think that there is only one factor that can be singled out as the root cause – I believe there are a number of different factors contributing to the shrinking sales. One of such factors could be “Last Camera Syndrome”, which many photographers seem to be experiencing lately. With image sensors pretty much hitting the innovation wall, we have only seen camera manufacturers pushing more resolution and feature upgrades lately, which does not seem to sit well with potential buyers. And if we take a look at the entry-level cameras, they all seem to only contribute to the camera pollution, with nothing new and exciting, just refreshed model numbers for the sake of grabbing news headlines. We no longer see big leaps in image quality as we had previously seen in the past, with more photographers settling on one camera – their last camera.
In this article, we gathered and compiled the available information on buffer capacity of all current Nikon DSLRs. The below table outlines many of the current and discontinued Nikon DSLR models, along with such information as sensor resolution, continuous shooting speed (fps) and RAW / JPEG buffer capacities. While most of the RAW buffer information is included, we decided not to bother with smaller JPEG sizes, since most cameras presented below can accommodate 100 or more of smaller JPEG images in their buffers.
One of the key features that many high-end Nikon DSLRs hide in their menu system, is the ability to instantly zoom into an image at 100% zoom, or 1:1 magnification. This “one-click zoom feature” can be very useful when reviewing images on the rear LCD, as it saves you from having to press the zoom and the navigation buttons so many times in order to see whether the subject you are capturing is sharp or not – you simply press the center button (which is sometimes marked as “OK”) on the multi-selector and you instantly zoom to the area you focused at. Press it again and you go back to full view. If you shoot with a high resolution camera like the Nikon D810, it will save you a total of 9 zoom presses. Let’s take a look at how you can enable this awesome feature on your Nikon DSLR.
As smartphones are getting better at capturing images year after year, one might be wondering when, if at all, we will see smartphones directly competing with larger cameras. Are we at the point, or perhaps might be soon approaching one, where it won’t make any sense to buy a high-end DSLR or a mirrorless camera to capture professional-looking images? Now that smartphones like the iPhone 7 Plus are shipping with dual lenses (one standard wide-angle lens and one telephoto lens to capture portraits) and some manufacturers are even pushing larger sensors to specifically appeal the photography market, it is no wonder why some photographers might think that a smartphone is all they need to get professional results. During the past few years, I have been using a variety of different cameras with sensors ranging from tiny 1/3″ all the way to medium format, so I thought it would be a good idea to write an article about this particular topic, with some images to represent different cameras and sensor sizes.
Summer is usually the season for air shows and that means yet another reason and opportunity to go out shooting. I had intended to visit the Farnborough Air Show this year but unfortunately an exhaust muffler decided to divorce itself from the underside of my car and reconciling the two became my whole day instead. Undoubtedly there’ll be other air shows for me to visit this summer but for now these images here are from previous shows, including the one at Farnborough.