We are once again excited to announce our upcoming workshops later this year and this time we have a few surprises! In addition to the regularly conducted Colorado Fall Colors Workshops, we are adding two more workshops – Jordan Photography Workshop and Death Valley National Park Workshop! Please read below for the full schedule of these workshops and if you would like to participate, please sign up sooner than later, since they fill up pretty quickly.
Death Valley National Park is one of those rare places on this planet that does not cease to amaze every time you visit it. Thanks to its unusually dry weather conditions, cold winters and extremely hot summers, the park goes through a number of transformations throughout the year. And such changes can be observed in many of its rich and diverse landscapes, especially if you pay a visit at the right time of the year. I have visited Death Valley as early as January and as late as April (you certainly do not want to be there past May, as the temperatures in late spring and summer can soar as high as 130F!) and I have also been there once in the fall. Each time I visited, I saw something unique that I had previously never seen before, especially once I started exploring the park a bit more than just the main roads. In this article, I would like to hopefully show just some of the beauty of the stunning and the ever-surprising Death Valley National Park and show you some of my most favorite parts of the park I like to visit.
During my trip to Death Valley, I experimented a little with timelapse photography using the MIOPS device. One of the moments, particularly at Zabriskie Point, was the one I did not miss and capture it at its full glory, while the light was constantly changing. At first, I set up my Nikon D810 to take pictures every 2 seconds, then I left the camera to go shoot a panorama with another one, as described in this recent article. After I came back, I saw that my camera captured a total of 1675 images. I reviewed some of the photos and really liked the fact that I captured so many different images and the transitions in between – from colorful pink clouds, to sun hitting the Manly Beacon. Since light conditions were changing so fast, I decided to shoot in Aperture Priority mode (see our article on camera modes), with ISO set to 100 and Aperture fixed at f/8. For the Zabriskie Point timelapse in the video, I used the Nikkor 24-70mm f/2.8E VR lens (obviously, with VR turned off). Since I already had plenty of images for my upcoming review, I decided to use the Sigma 24-105mm f/4 DG OS HSM Art lens. Boy, what a mistake!
I love Death Valley. Despite its name, it is one of the most stunning places on this planet to visit, enjoy and photograph. While I have been to many areas of the park, every time I visit, I find something new to explore. Since my first visit to Death Valley back in 2009, one place that really got me hooked was Zabriskie Point. Thanks to its vivid colors, delicate shapes and beautiful contours, it is truly a magical place to be. However, in spite of my continuous attempts to capture the place in its grande beauty, I have been constantly treated with bland blue skies, overcast days and whenever I got even a hint of color, it would always seem to be taking place elsewhere – not in the direction where my camera was pointed at. By now, I lost count of how many times I have attempted to photograph Zabriskie Point at sunrise (my guess is over 20), it really has been a place of zero luck for me, my archenemy.
Now that I have my Nikon D800E converted to infrared (big thanks to Ilija at Kolari Vision for an amazing conversion job and Bob Vishneski for inspiration and tips), I am experimenting with some infrared photography when I have a chance. During my last trip to Death Valley, I armed my D800E with a couple of lenses like the Tokina 16-28 f/2.8 and the Nikkor 24-70mm f/2.8G and decided to give IR a try by shooting in various conditions. Along the way, I learned a lot of lessons, some of which were quite painful to deal with during the capture, while others were a shocker after I imported images into Lightroom and tried to post-process them with Photoshop.
A few days ago my buddies and I made it to the Death Valley National Park, after a long and uneventful drive from Colorado. I have previously been to the valley several times before, but neither my friends, nor I have ever had a chance to visit the magical Race Track playa. After deflating the tires of our SUVs, we headed out to the valley to camp overnight, shoot at sunset the same day and sunrise next day before heading back. We camped at the designated campground at the end of the road, which was about 10-15 minutes of drive time away from the playa. We spent a good part of the late afternoon scouting for some good rocks, realizing just how vast the territory of the playa really is – it is miles long!
As promised, this is Part 2 of the trip. The first part of the Death Valley trip is covered right here.
As I later found out, apparently, having water in Badwater Basin is a rare occasion. Although there were only a few spots with water in them, I still got off the car and took some pictures: