Last night Canon unveiled its much anticipated top-of-the-line DSLR, the Canon EOS 1D X Mark II. Packing very powerful features aimed at sports and wildlife photographers, the Canon 1D X Mark II is a direct competitor to the recently announced Nikon D5 DSLR. Canon developed a brand new 20.2 MP CMOS sensor with Dual Pixel AF technology for improved low-light performance and phase detection focusing in live view mode (via the rear LCD touchscreen), dual DIGIC 6+ processors to provide more throughput for both 4K video and the insane 16 fps continuous frame rate, a revamped 61-point AF system with 41 cross-type sensors, a brand new 360k-pixel RGB+IR metering system, built-in GPS capability and a rugged, fully weather-sealed magnesium alloy body. Without a doubt, this will be one powerful speed demon, the best of the breed in the Canon world. And with its MSRP of $5,999, it is $500 less than what Nikon is asking for its flagship D5. Let’s take a look at the Canon 1D X II in more detail.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
Today Canon announced the updated Canon EF 35mm f/1.4L II USM lens, which promises remarkable performance for a 35mm prime, thanks to its updated optical formula and the new “Blue Spectrum Refractive Optics”, which is designed to further reduce chromatic aberration to new levels. With a total of 14 elements (2 of which are aspherical), 9 diaphragm blades for beautiful bokeh, fluorine coating and a dust / water-resistant construction, the Canon EF 35mm f/1.4L II USM will surely be a popular choice among Canon enthusiasts and professionals. The only issue might be the added weight – at 760 grams, it is 180 grams heavier than its predecessor. It will retail for $1,799 in October of 2015.
Although discussing the topic of Nikon vs Canon can lead to unnecessarily long and emotional debates between photographers and I personally find such discussions silly, there are some distinct differences between the two systems that might be worth pointing out for those who consider investing into either system. Some of the differences are related to current technology and it might be a matter of time before either company catches up. For example, Nikon and Sony shooters often brag about the amazing dynamic range their cameras are capable of capturing, pointing out how bad Canon DSLRs look in comparison. And it is currently holds true – Canon has not done well in direct comparisons with other brands on the market, scoring consistently lower in dynamic range performance on each new iteration of its modern DSLRs. However, this is something that Canon could potentially address in the future with newer sensor technologies that provide greater dynamic range performance. On the other hand, other differences might not be possible to address. One such difference is the lens mount – both companies use mounts of different sizes. Which one is better and why? Let’s talk about the differences between the Nikon F and Canon EF mounts in detail.
I am back from the mountains, after spending a couple of days testing the new Canon 5DS DSLR (see all 5DS / 5DS R related articles here) and waiting for the 5DS R to arrive. Both cameras, without a doubt, are highly anticipated by Canon shooters (and not only) and for a reason – with their insane 50.6 MP of resolution, these cameras will definitely satisfy any DSLR shooter’s resolution lust. These are the cameras that many Canon landscape, architecture, fashion and macro photographers have been waiting for, in response to Nikon’s and Sony’s high resolution cameras. Armed with Canon’s highly acclaimed EF 24-70mm f/2.8L II and the new EF 11-24mm f/4L lenses, I wanted to capture a few scenic areas of the San Juan Mountains of Colorado and see how the 5DS would perform with these lenses.
Canon has announced an update to its 50mm f/1.8 lens, the Canon EF 50mm f/1.8 STM. Compared to its 50mm f/1.8 II predecessor, the new 50mm f/1.8 STM integrates a stepper motor for quieter autofocus operation, rounded 7-blade diaphragm, a minimum focus distance of 35cm and a metal mount. Best of all, these changes do not come with a significant price hike – the new 50mm f/1.8 STM is only $129, making it the most affordable Canon EF lens on the market. Due to the change in the mount, the 50mm f/1.8 STM gains 30 grams of weight. Performance-wise, it will be very similar to its predecessor.
The D7200 is currently Nikon’s best DX camera for shooting action, but how does it compare to Canon’s speed demon, the 7D Mark II in features and specifications? The Nikon D7200 comes with a 24.2 MP sensor, 6 fps continuous shooting speed, 51-point AF system, 2x SD card slots and built-in Wi-Fi, whereas the 7D Mark II has a slightly smaller sensor with 20.2 MP of resolution, impressive 10 fps continuous shooting speed, 65-point all cross-type AF system, 1x CF + 1x SD card slots and a pro-quality build / ergonomics. Both have their strengths and weaknesses, but which one of these would be more suitable for capturing fast action? In this comparison, we will go over both feature and specification differences between the two cameras. Please keep in mind that this comparison is purely based on preliminary data. Further details and comparisons will be provided in our upcoming Nikon D7200 review later this year.
Do you remember how it used to be with brand and third-party lens manufacturers? Brand lenses were always the high-performers, in all senses of the word. Well built, reliable and great from an optical standpoint. Third-party lenses lacked somewhat in those areas (unless you count such legendary manufacturers as Zeiss), but made up for it with very low price and niche lenses you could not find anywhere else. In recent years, however, the situation has been changing and quite drastically. Tamron 24-70mm f/2.8 VC came out. Sigma 85mm f/1.4 HSM did, too. And the 35mm f/1.4 HSM. And the 18-35mm f/1.8 HSM zoom for APS-C cameras. Need I go on? All of these lenses proved to be well built and very good optically. There is no exaggeration in saying they gave some brand lenses a good beating. So if third-party lenses started doing the “brand” thing, how should Canon, Nikon and the like answer? Well, witness this – Canon has just announced a new lens. It is an ultra wide-angle zoom with focal length range of 11-24mm and maximum aperture of f/4 throughout the range. It is designed for full-frame DSLR cameras and there is nothing else quite like it on the market.
It has been exactly three years since Nikon debuted its high resolution 36.3 MP D800 and D800E cameras in February of 2012. At the time of announcement, Nikon’s highest resolution camera was the super expensive D3X with a 24.5 MP sensor, while the similar class D700 only had a 12.1 MP sensor. So for many, going from either 12.1 MP or 24.5 MP to 36.3 MP on full frame represented a huge jump in resolution. The cameras were truly groundbreaking, thanks to their superb performance, low noise levels and stunning dynamic range. Although Nikon faced a number of issues with quality control in the beginning, particularly when it came to calibrating the autofocus system for the new high resolution cameras, the Nikon D800 / D800E took the market by storm and quickly became Nikon’s best selling professional cameras. For three long years Canon failed to offer a true high resolution competitor, while Nikon already went through another iteration of the 36 MP line with the Nikon D810 camera. This angered many Canon shooters who wanted to get a high resolution camera that offered similar performance benefits and a much wider dynamic range than what Canon had on its existing cameras. The wait is now over, because Canon has just announced record breaking super high resolution 50.6 MP Canon EOS 5DS and EOS 5DS R full-frame DSLR cameras. Canon decided not to just bring out a competitor, but hit Nikon hard with something better in terms of resolution.