Canon has just announced its long-awaited update for the existing EOS 70D, the Canon EOS 80D. With a brand new 24.2 MP APS-C sensor, 45-point AF system, built-in Wi-Fi, updated Dual Pixel AF for live view shooting and improved HD video recording features, the 80D seems like a fairly solid incremental update to the popular camera line. While it is not by any means a significant upgrade, there are some important updates that might be worth moving up to, especially for sports and wildlife photographers. The new 45-point AF system with all cross-type focus points is a huge upgrade from the previous-generation AF system on the 70D (which only had 19 AF points), not only because of the bigger number of focus points, but also because of the much larger spread of those focus points in the viewfinder. Additionally, the center focus point on the 80D is now of dual cross-type and sensitive down to -3 EV, which should allow the camera to focus in very low-light environments. The camera will be available sometime in March for an MSRP of $1,199 for the body-only version.
Now that both the Nikon D5 and the Canon 1D X Mark II flagship DSLRs have been announced, we can compare the specifications of the two and see how they stack up against each other. While both cameras are very capable flagship DSLRs from top camera brands, there are notable differences worth pointing out just by looking at the specifications. Please keep in mind that in this post I won’t be comparing image quality, AF performance, and other performance characteristics between these cameras, since both cameras have not yet been released to the public yet – I will only compare already known specifications from the official press releases and technical information shared by Nikon and Canon.
Below are full resolution image samples from the newly-announced Canon 1D X Mark II DSLR for those who want to pixel-peep at how the camera renders images at various ISOs. Although most sample images were captured at low ISOs, there are a few images that were shot at high ISOs like 3200, 6400 and even ISO 25600. As expected, images from the 1D X Mark II look phenomenal. I have also provided full resolution sample images from the Nikon D5 right here, if you would like to compare the two. While it is too early to evaluate which one does better in terms of image quality and we are planning to provide a full comparison in our upcoming reviews, since both cameras have practically the same resolution, they are probably going to look very similar at pixel level overall.
Last night Canon unveiled its much anticipated top-of-the-line DSLR, the Canon EOS 1D X Mark II. Packing very powerful features aimed at sports and wildlife photographers, the Canon 1D X Mark II is a direct competitor to the recently announced Nikon D5 DSLR. Canon developed a brand new 20.2 MP CMOS sensor with Dual Pixel AF technology for improved low-light performance and phase detection focusing in live view mode (via the rear LCD touchscreen), dual DIGIC 6+ processors to provide more throughput for both 4K video and the insane 16 fps continuous frame rate, a revamped 61-point AF system with 41 cross-type sensors, a brand new 360k-pixel RGB+IR metering system, built-in GPS capability and a rugged, fully weather-sealed magnesium alloy body. Without a doubt, this will be one powerful speed demon, the best of the breed in the Canon world. And with its MSRP of $5,999, it is $500 less than what Nikon is asking for its flagship D5. Let’s take a look at the Canon 1D X II in more detail.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
Today Canon announced the updated Canon EF 35mm f/1.4L II USM lens, which promises remarkable performance for a 35mm prime, thanks to its updated optical formula and the new “Blue Spectrum Refractive Optics”, which is designed to further reduce chromatic aberration to new levels. With a total of 14 elements (2 of which are aspherical), 9 diaphragm blades for beautiful bokeh, fluorine coating and a dust / water-resistant construction, the Canon EF 35mm f/1.4L II USM will surely be a popular choice among Canon enthusiasts and professionals. The only issue might be the added weight – at 760 grams, it is 180 grams heavier than its predecessor. It will retail for $1,799 in October of 2015.
Although discussing the topic of Nikon vs Canon can lead to unnecessarily long and emotional debates between photographers and I personally find such discussions silly, there are some distinct differences between the two systems that might be worth pointing out for those who consider investing into either system. Some of the differences are related to current technology and it might be a matter of time before either company catches up. For example, Nikon and Sony shooters often brag about the amazing dynamic range their cameras are capable of capturing, pointing out how bad Canon DSLRs look in comparison. And it is currently holds true – Canon has not done well in direct comparisons with other brands on the market, scoring consistently lower in dynamic range performance on each new iteration of its modern DSLRs. However, this is something that Canon could potentially address in the future with newer sensor technologies that provide greater dynamic range performance. On the other hand, other differences might not be possible to address. One such difference is the lens mount – both companies use mounts of different sizes. Which one is better and why? Let’s talk about the differences between the Nikon F and Canon EF mounts in detail.
I am back from the mountains, after spending a couple of days testing the new Canon 5DS DSLR (see all 5DS / 5DS R related articles here) and waiting for the 5DS R to arrive. Both cameras, without a doubt, are highly anticipated by Canon shooters (and not only) and for a reason – with their insane 50.6 MP of resolution, these cameras will definitely satisfy any DSLR shooter’s resolution lust. These are the cameras that many Canon landscape, architecture, fashion and macro photographers have been waiting for, in response to Nikon’s and Sony’s high resolution cameras. Armed with Canon’s highly acclaimed EF 24-70mm f/2.8L II and the new EF 11-24mm f/4L lenses, I wanted to capture a few scenic areas of the San Juan Mountains of Colorado and see how the 5DS would perform with these lenses.
Canon has announced an update to its 50mm f/1.8 lens, the Canon EF 50mm f/1.8 STM. Compared to its 50mm f/1.8 II predecessor, the new 50mm f/1.8 STM integrates a stepper motor for quieter autofocus operation, rounded 7-blade diaphragm, a minimum focus distance of 35cm and a metal mount. Best of all, these changes do not come with a significant price hike – the new 50mm f/1.8 STM is only $129, making it the most affordable Canon EF lens on the market. Due to the change in the mount, the 50mm f/1.8 STM gains 30 grams of weight. Performance-wise, it will be very similar to its predecessor.