This is an in-depth review of the Canon EF 200-400mm f/4L IS USM with a built-in 1.4x extender, a telephoto zoom lens targeted at enthusiast and professional action photographers. For many years, Canon users shooting serious wildlife and sports photography had come to accept that the only telephoto lenses on offer by Canon that achieved top of the line performance were their prime lenses. At the time, the only Canon zoom lens in the telephoto range was the Canon EF 100-400 f/4.5-5.6L IS, a solid, if unspectacular lens with an outdated design. On the other hand, and much to Canon users’ envy, Nikon had given its customers something wholly different in 2003 when they released the Nikon 200-400mm f/4G VR, a professional-quality constant aperture super telephoto zoom lens. While Nikon’s 200-400mm had its faults (namely lack of sharpness when photographing distant subjects), it was the perfect lens to take on an African Safari or to a sports game. With fast autofocus, a constant aperture and good sharpness all packaged into a zoom lens, the Nikon lens was perfect for situations which required versatility and the ability to change focal lengths, while still maintaining high image quality. Nikon’s monopoly on professional grade super telephoto zooms would thankfully change in 2011 when Canon announced the development of its own 200-400mm f/4 lens which was also going to be the first telephoto lens of its kind to utilize a built-in teleconverter.
There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
This is an in-depth review of the Canon EOS M camera that came out on July 23, 2012, the first mirrorless interchangeable-lens camera from Canon. Along with the EOS M, Canon also announced the first two lenses for the new “EF-M” mount: Canon EF-M 18-55mm f/3.5-5.6 IS STM and Canon EF-M 22mm f/2 STM. Among major camera manufacturers, Canon was the last to enter the mirrorless market. Aside from Panasonic and Olympus sharing the same Micro Four Thirds sensor and Nikon going with a smaller “CX” sensor, all other manufacturers chose large APS-C sized sensors (Samsung, Sony, Fuji and Pentax), each with its own proprietary lens mount. With the introduction of the EOS M system, Canon has officially joined the APS-C club. Instead of developing a new sensor format, Canon chose to reuse the same 18 MP sensor from the EOS Rebel 650D / T4i DSLR camera. Canon also released an EF-M to EF / EF-S adapter for mounting existing and future DSLR lenses on the EOS M, with full compatibility with all lens functions such as autofocus and image stabilization. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including Nikon 1, Sony NEX series and Olympus OM-D E-M5.
This is an in-depth review of the new Canon 5D Mark III, a highly anticipated DSLR update to the Canon 5D Mark II that was released back in 2008. Built on the success of the 5D Mark II and featuring the most advanced autofocus system Canon has released to date from its EOS-1D X line, the Canon 5D Mark III is a rather promising upgrade to the 5D line. With an enhanced image sensor with ISO 100 to 25,600 native ISO range, fully weather-sealed camera body, 6 fps burst shooting speed and dual card support, the 5D Mark III seems to target all kinds of photography – from landscapes and fashion to sports and wildlife photography. In this review, I will not only provide detailed information about the camera, but will also compare it to the older Canon 5D Mark II, the Nikon D3s and the new Nikon D800.