With the release of the Nikon D850, one might be wondering how the Canon 5D Mark IV would compare to it side-by-side in terms of specifications, since both compete directly with one another. The Canon 5D Mark IV was announced almost exactly a year earlier in August of 2016, so it is a fairly recent release that will most likely not be updated for at least several more years. Now please keep in mind that such camera comparisons do not take into account lenses, accessories and other systems differences, so I ask that our readers take such comparisons with a grain of salt. It would be foolish to change systems every time a better camera comes out, because manufacturers like Nikon and Canon are known to leapfrog each other every few years!
It is a well-known fact that there are some rather serious diseases that plague photographers out there. While we have all heard of the Gear Acquisition Syndrome and other photography addictions, it is time to expand the photography jargon to include the many types of photographers we deal with today. Some of these have been around for years, while others have been recently bred in the darkest corners of the Internet. Without further ado, let’s get down to it!
Earlier today Canon unveiled the much anticipated Canon 6D Mark II, which offers a number of incremental updates over its predecessor. The new 6D Mark II comes with a slightly higher resolution 26.2 MP full-frame sensor featuring Dual Pixel AF and its image processor has been also bumped up to DIGIC 7. But the more exciting news has to do with the autofocus system – the 6D Mark II comes with a powerful 45-point all-cross-type AF system, which is significantly better than the 11-point center cross-type AF system found on its predecessor. With a native ISO range of 100-40000, a 7560-pixel RGB+IR metering sensor, a tilting LCD screen, continuous shooting speed of 6.5 fps and an MSRP of $1,999, the 6D Mark II is aimed as a great all-around camera for Canon shooters.
In this article, we will go over what exposure compensation is on a digital camera and how you can take advantage of it to make adjustments to your exposure when shooting in camera modes such as aperture priority, shutter priority, program mode and other scene modes of your camera. Every modern camera today has a built-in capability to adjust exposure settings in order to make it easier to properly expose images. In simple terms, the idea is to be able to control the brightness of an image, so that it does not end up looking too bright or too dark. To be able to do this, one has to use the Exposure Compensation feature, which is typically provided either as a dedicated button on a camera, or as a dial that one can move from positive exposure compensation to negative. Let’s take a look at how you can utilize this great feature on your camera and take a full control of your exposure.
Fujifilm has just announced yet another set of “Kaizen” firmware updates that will soon be available for the Fuji X-T2 and Fuji X-Pro2 cameras. This is a major firmware upgrade release consisting of a total of 33 (!) updates and new features, which is very exciting. It is nice to be able to go back to a camera and discover new things you can do with it – almost creates a feeling of owning something entirely new. After seeing the announcement (the details of which are provided at the end of the article), I thought about other camera manufacturers and what they could learn from Fuji.
We have so many different camera systems available today, that it is getting tougher and tougher to choose between them, especially for those who are just starting out. With mirrorless systems on the rise and advancing at a much faster pace than DSLRs in terms of technology, one might wonder which mirrorless systems are worth a serious consideration. In this article, I want to go over the different mirrorless systems and give my subjective take on each system, stating which ones are the best and the worst, by my order of preference. All of the information presented in the article is based on not only my personal observation and experience, but also the feedback I have been gathering from other sources, including our PL readers.
With the arrival of the much-anticipated Canon 5D Mark IV, many photographers might be either moving up to, or upgrading their existing Canon 5D-line cameras to this latest and greatest tool. The 5D line has always been Canon’s stronghold for most types of photography, particularly because of its amazing low-light performance, reliable autofocus, superb ergonomics, solid build and overall stability, making it a preferred DSLR among most professionals. Due to the numerous buttons and the sophisticated menu system of the camera, understanding the functionality of the camera can be rather overwhelming for even intermediate-level photographers. To help guide our readers through these features and menus, we decided to share the settings our team has been using on the camera during the past 2 months while testing out the camera. Please keep in mind that the below information is provided as a guide for those that struggle with the camera. While this particular configuration has been working great for our needs, it does not mean that it is the only way to properly setup and configure the camera.
Camera shake can be a real hassle and pain when shooing off a tripod. Sometimes camera shake can be completely eliminated with a couple of simple steps and other times, it can be quite painful and sometimes even impossible to deal with. How does one reduce camera shake? Are remote shutter releases helpful in reducing camera shake? Is it possible to eliminate it completely? Since I see this issue so often in the field, I decided to write a detailed article that specifically addresses how one can reduce camera shake when shooting on a tripod.
Many photographers often compare the Nikon D810 and the Canon 5D Mark IV DSLR cameras side by side in terms of specifications, since both sport high-resolution sensors and have comparable features. I have personally tested both of these cameras and found them to be excellent in their own ways, so if you are trying to decide which one to get, you certainly would not go wrong with either option. Instead of pondering about brand choices, you should just stick with whatever glass you already own – the grass always looks greener on the other side! If you are still curious about differences between these high-end cameras, then keep on reading…
Canon’s newest 5D Mark IV camera has a lot of exciting specifications — the fast frame rate and 4K video capabilities, for example — but there is more to this camera than what first meets the eye. One new feature buried in Canon’s promotional material is a technology called Dual Pixel RAW. This isn’t something that we have seen before, but it seems like it could be one of the most interesting features of this new camera. So, what is Dual-Pixel RAW?