You can tell by the photos of this book that it went through a lot of use in my hands. Back when I just started learning about wedding photography, I literally slept with this book left on my face. I figured it was only fair enough I added a review of Captured By The Light by David A. Ziser into the small stack of book reviews at Photography Life.
While Nasim is busy traveling, I am going to try to fill in for a few days and post some articles. Although there are a number of reasons why I have not been writing for PL for a while now, one of the main reasons has been simply lack of time! I hope our readers can forgive me for that, but going forward, I will do my best to show up a bit more often, since we need more female content here :) Anyway, since I get a lot of questions and requests from our readers regarding food photography (many of whom are novice photographers and food bloggers), I decided to do a quick review of Nicole S. Young’s book titled “Food Photography: From Snapshots to Great Shots” that I bought a few years back for my own personal use.
Better technique and appropriate gear can help you take better photos, but that will only take you so far. To reach the next level in this pursuit you need to become a student of photography.
A student of photography is somebody who dives into the pool of photo history, soaks in the images of the masters, and seeks out the best work and wisdom of his or her contemporaries. A good student realizes that observing the work of others is crucial to one’s own development as an artist, not to copy those he or she studies, but to discover his or her own eye. I’m a ruthless tech geek, soaking in as much info as I can about reciprocity failure, signal to noise ratios, circles of confusion and the like. But I spend just as much time pouring over photo books from the great photographers. The kind of books I’m talking about don’t have exposure metadata listed with the pictures. That isn’t important – only the emotional impact of the image counts. A good photo makes you wonder about the subject, not the exposure settings.