During a recent trip to the Myrtle Beach area of South Carolina I took the opportunity to try something new, and captured a number of images of brown pelicans. Although I’ve seen these birds a number of times in the past I never tried photographing them before, and as with any bird species there was a learning curve involved.
I’ve been continuing my field work for my hands-on review of the Nikon 1 V3 and spent some time capturing images of birds-in-flight at Grimsby Harbour. This has been a particularly severe winter and some of the Great Lakes have frozen over completely. This is only the fourth time in the past 40 years that this has happened. As you can see from the image below, Grimsby Harbour is frozen solid out past the lighthouse. This made for some interesting captures of birds-in-flight.
As a brief follow up to my Photographing Tundra Swans with Tamron 150-600 article, this piece features a small selection of bird-in-flight images taken along the Niagara River with a Nikon 1 V2 with the Nikon 1 CX 70-300 f/4.5-5.6 lens.
It is important that I state up front that I really struggled deciding to even write this article as the image quality is not up to the standard that I prefer to show to readers. Unfortunately trying to shoot white birds on greyish backgrounds accentuated the Nikon 1 system weaknesses and the lack of dynamic range is very apparent. I finally decided that since the images represent what can be expected under these particular shooting conditions that the images (hopefully) would still be of value to readers. As I stated in my review of the Nikon 1 CX 70-300 lens shooting birds in flight can be a challenge with the Nikon 1 system. People buying a super telephoto lens with the express intent of shooting primarily birds-in-flight are likely to be better served by using a DSLR combination. [Read more…]
It always amazes me how I can live in an area for so long and be completely unaware of some fascinating image subjects. Thanks to Ray Miller, a local Photography Life reader, I had the chance to photograph a small group of Tundra Swans in their winter migration home on the Niagara River in Ontario.
As a dedicated sports photographer, I look forward every year to fall. The American school year starts, plus horse polo season is just around the corner. So you can imagine my reaction when my wife announced that we would be taking a month long vacation in September; my heart damn near stopped. I looked sadly at my new D810, with the attached 70-200mm f/2.8G forlornly staring back at me. Football, Golf, Swimming and Volleyball seasons were just starting, and I would not be there. Instead I would be at the beach for the next month, with nary a chance to photograph any sports. So I packed up the D810, the D800E (with an attached 24-120 f/4), threw a 50 f/1.8 in the bag for good measure, grabbed a tripod, some memory cards, etc., and off to the beach we went. A felt like a fish out of water (or, since we would be at the beach, a bear chained to a stake). Just what would I take pictures of?
I had a chance to play with the new Canon 7D Mark II this past weekend and I wanted to provide a little bit of feedback regarding the performance of this speed monster. I received my copy of the camera earlier last week, along with the Canon EF 400mm f/5.6L lens, so that I could exclusively photograph wildlife with this setup. The Canon 7D Mark II is specifically targeted at sports and wildlife photographers, so I did not think it would make much sense to evaluate the camera for everyday photography needs. With the Canon 6D being in the same price range, it is a given that a full-frame camera would be much more desirable in terms of image quality for other photography needs.
Maybe my self-esteem was dipping that day or maybe I was just feeling like seeing how the little people lived. Whatever the reason I decided I needed to humiliate myself a bit so I decided to slap a third party lens on my Ferrari, er, I mean Nikon D4s. The choice – the Tamron 150-600mm f/5-6.3 VC USD. For the last 30 years I’d never shot anything but Nikon glass – no cheap third party lens would dirty up my cameras.
We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly birds. Bird photography is complex and very demanding in terms of gear when it comes to autofocus speed, accuracy and response time. While mirrorless cameras have become a superb choice for everyday photography, they are hard and sometimes impossible to use for photographing fast-moving subjects, like birds in flight. Most mirrorless systems today don’t even have fast telephoto lenses longer than 300mm. Hence, DSLR cameras are the default choice for wildlife photography today.
After my review of the Tamron 150-600mm VC telephoto zoom lens appeared here at Photography Life, a number of readers had questions on how that lens compared to the long telephoto zooms from Sigma. As luck would have it, I was able to borrow a recently purchased Sigma 150-500mm OS from a friend and this article captures some initial thoughts about photographing birds, including those in flight, with this lens.
Over the past week or so I’ve been out taking a lot of images to prepare for my upcoming review of the Tamron 150-600mm VC lens. At this point it looks like my review will be completed and up for Photography Life readers to see at the end of June.
In advance of the full review I thought another very short article with a few more sample images may be of interest. This article has some photos of cormorants taken at a large nesting colony that is located just off Eastport Drive adjacent to the Hamilton harbor in Ontario. This is a favorite photo site of many area bird photographers. In this area you can also find black-crowned night herons, a wide variety of gulls, the occasional swan, and if you scan for small, fast moving birds…you can also spot the odd kingfisher.