As a dedicated sports photographer, I look forward every year to fall. The American school year starts, plus horse polo season is just around the corner. So you can imagine my reaction when my wife announced that we would be taking a month long vacation in September; my heart damn near stopped. I looked sadly at my new D810, with the attached 70-200mm f/2.8G forlornly staring back at me. Football, Golf, Swimming and Volleyball seasons were just starting, and I would not be there. Instead I would be at the beach for the next month, with nary a chance to photograph any sports. So I packed up the D810, the D800E (with an attached 24-120 f/4), threw a 50 f/1.8 in the bag for good measure, grabbed a tripod, some memory cards, etc., and off to the beach we went. A felt like a fish out of water (or, since we would be at the beach, a bear chained to a stake). Just what would I take pictures of?
I had a chance to play with the new Canon 7D Mark II this past weekend and I wanted to provide a little bit of feedback regarding the performance of this speed monster. I received my copy of the camera earlier last week, along with the Canon EF 400mm f/5.6L lens, so that I could exclusively photograph wildlife with this setup. The Canon 7D Mark II is specifically targeted at sports and wildlife photographers, so I did not think it would make much sense to evaluate the camera for everyday photography needs. With the Canon 6D being in the same price range, it is a given that a full-frame camera would be much more desirable in terms of image quality for other photography needs.
Just when my wallet was getting over the hangover from buying a D810, along comes the Nikon D750, a 24mp full frame DSLR with an improved AF-system and 30 percent faster burst rate than the D810. Both are great attributes for the wildlife shooter. Moreover, the D750 sports a new 24mp sensor that’s touted as even better than that in the D600 and D610. I always liked the files my D600 cranked out – could the D750 files look just as yummy and have even less noise? I told myself not to touch the D750, that nothing good could from having a fling while still on my D810 honeymoon, but the D750 was so light and sleek and I was oh so weak…
Maybe my self-esteem was dipping that day or maybe I was just feeling like seeing how the little people lived. Whatever the reason I decided I needed to humiliate myself a bit so I decided to slap a third party lens on my Ferrari, er, I mean Nikon D4s. The choice – the Tamron 150-600mm f/5-6.3 VC USD. For the last 30 years I’d never shot anything but Nikon glass – no cheap third party lens would dirty up my cameras.
We are continuing our coverage of the Nikon D810 and today we want to talk about the capability of the D810 to photograph wildlife, particularly birds. Bird photography is complex and very demanding in terms of gear when it comes to autofocus speed, accuracy and response time. While mirrorless cameras have become a superb choice for everyday photography, they are hard and sometimes impossible to use for photographing fast-moving subjects, like birds in flight. Most mirrorless systems today don’t even have fast telephoto lenses longer than 300mm. Hence, DSLR cameras are the default choice for wildlife photography today.
After my review of the Tamron 150-600mm VC telephoto zoom lens appeared here at Photography Life, a number of readers had questions on how that lens compared to the long telephoto zooms from Sigma. As luck would have it, I was able to borrow a recently purchased Sigma 150-500mm OS from a friend and this article captures some initial thoughts about photographing birds, including those in flight, with this lens.
Over the past week or so I’ve been out taking a lot of images to prepare for my upcoming review of the Tamron 150-600mm VC lens. At this point it looks like my review will be completed and up for Photography Life readers to see at the end of June.
In advance of the full review I thought another very short article with a few more sample images may be of interest. This article has some photos of cormorants taken at a large nesting colony that is located just off Eastport Drive adjacent to the Hamilton harbor in Ontario. This is a favorite photo site of many area bird photographers. In this area you can also find black-crowned night herons, a wide variety of gulls, the occasional swan, and if you scan for small, fast moving birds…you can also spot the odd kingfisher.
Many Nikon owners have been chomping at the bit waiting for the F-Mount version of the new Tamron 150-600mm f/5.6-6.3 VC zoom lens to be available. I recently borrowed a review sample from Tamron’s Canadian distributor. In advance of my full review, I thought that Photography Life readers would like to see some sample images of birds in flight. My full review of this lens will appear later in June or early July.
For the past 8 months or so I have been shooting a lot of static and perched birds with a Nikon 1 V2, FT-1 adapter, my Nikkor 70-200 f/4 VR lens and TC-17E II teleconverter. This set-up gives me an equivalent field-of-view of 918mm @ a rather slow f/6.7. Even though the teleconverter does cause some loss of sharpness I’ve been happy with the results as you can see from the sample below.
My D7000, Nikkor 500mm and I have had some wonderful times together – the shots of a Peregrine chick jumping off the ledge for the first time, the yoga-stretching Osprey that made Audubon’s Top 100, and who can forget the Night Heron flying past with a baby alligator in it’s mouth. But like all relationships, it seemed the initial pizazz was fading. I began to notice how she had trouble staying focused and got noisy when I pushed an issue. Furthermore, with 190,000 clicks under her belt, well, let’s just say her shutter curtains were starting to droop a bit. It was time to move on, but don’t get me wrong, we’ll always be friends. Now I hate to admit it, but I’d been having an online affair with the new Nikkor 800mm for almost a year – I’d link over to her B&H page and run my finger gently around her buy now button. Oh how we teased each other… Then one day we went all the way.