I have been using ACDSee Pro for many years, because I found it to be pretty convenient to use for viewing different image formats. It has great built-in tools for viewing EXIF / exposure data and customizing exactly what I want to view, which is great. Although I have switched to FastRawViewer for fast viewing of RAW files and culling images, ACDSee can be a great tool for reviewing other images and graphics – it can literally open any image format out there. We have previously published a detailed review of ACDSee Pro 8 and although we found it to be quite messy and cumbersome for photo editing when compared to Lightroom, ACDSee still worked out great as a general purpose image viewer. However, since we published the review, I have been very annoyed by all the pop-ups and ACDSee’s attempts to lure me into upgrading to their Ultimate version (which started out at around $70+, then eventually came down to $40), showing up way too often, sometimes several times a day! And now I am getting pop-ups for the new upcoming version 9 of the software, as seen below:
It seems so long ago I opened an image on a computer for the first time. It was last century, in fact. And, as strange a thing this may be to remember, it is because opening that first image was the first thing I ever did with a computer (an old four-eight-six running Windows 95 for those who know what that means). Strangely enough, I don’t remember the image itself, not even vaguely. What I do remember is the software that was used to do it – it was ACDSee. I remember it from eighteen years ago – this lightweight, snappy, simple, functional image viewer with some mild editing capability.
Oh, how things have changed. ACDSee Pro 8 is not an image viewer, you see. And the editing capability is anything but mild, even by today’s standards. With a few caveats, the Pro 8 is a full-on Lightroom alternative, and that fact puts a lot of pressure on it. Let’s see if it can stand its ground, shall we?
Due to popular demand, we are starting our new series of articles on commercial wedding photography. Since I have been helping out my wife with her wedding business, being a second shooter during weddings and engagement sessions, I have been writing down some helpful tips, which I am planning to provide on Photography Life. These tips range from very basic things like preparing for the wedding day, to complex setups involving specific situations, like setting up flashes indoors. Our first wedding photography tip is about properly synchronizing time on cameras when working with second shooters and assistants. If you have been commercially photographing weddings, you might have already been frustrated to see photographs from multiple cameras get mixed up when you import them to an Aperture or Lightroom catalog. It is not pleasant to see ceremony images mixed with images from the dance floor and it is certainly not fun to try to go through hundreds, if not thousands of photos and sort through them one by one. Gladly, there are workarounds to situations where it had already happened, which I will share with you in this article. First things first, let’s talk about the proper way to synchronize time between multiple cameras.