Since the original release of the Sony RX100 back in 2012, the company has been pushing updates to the camera and releasing one new iteration every year. This means that as of today, we have had a total of 8 such releases: RX100, RX100 II, RX100 III, RX100 IV, RX100 V, RX100 VA, RX100 VI, and RX100 VII. Sporting a 1″ sensor and superb optics from Zeiss, these point and shoot cameras have been widely popular among photographers. And thanks to their compact size and low weight, the RX100 series cameras have been highly regarded as very capable, and yet pocket-able cameras that are perfect for such needs as travel photography.
Unfortunately, due to the number of the RX100 series cameras, their differences in pricing and features, it has become increasingly difficult for potential buyers to understand the main differences between these cameras. In this article, I will be comparing the key features and specifications of the RX100-series cameras, which will hopefully make it easier to see what has changed between all the releases we have seen so far.
Below are two tables that we put together for our readers, showing each iteration of the Sony RX100 cameras, along with their key specifications. We had to split the table to two because there was too much information to fit into a single table. Please note that we have marked the superior features in darker blue, while the key missing features are marked in light red.
Specification | Sony RX100 I | Sony RX100 II | Sony RX100 III | Sony RX100 IV |
---|---|---|---|---|
Announcement Date | 06/06/2012 | 06/27/2013 | 05/28/2014 | 06/10/2015 |
Sensor Type | CMOS | BSI CMOS | BSI CMOS | Stacked CMOS |
Sensor Resolution | 20.2 MP | 20.2 MP | 20.1 MP | 20.1 MP |
Sensor Size | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) |
Native ISO Range | 125-6400 | 160-12,800 | 125-12,800 | 125-12,800 |
Image Processor | Bionz | Bionz | Bionz X | Bionz X |
Phase Detection Autofocus | No | No | No | No |
Phase Detection Autofocus Points | N/A | N/A | N/A | N/A |
Real-time Tracking | N/A | N/A | N/A | N/A |
Real-time Eye AF | N/A | N/A | N/A | N/A |
Lens Focal Length | 10.4-37.1mm | 10.4-37.1mm | 8.8-25.7mm | 8.8-25.7mm |
Focal Length in 35mm Equiv | 28-100mm | 28-100mm | 24-70mm | 24-70mm |
Lens Aperture | f/1.8-f/4.9 | f/1.8-f/4.9 | f/1.8-f/2.8 | f/1.8-f/2.8 |
Optical Image Stabilization | Yes | Yes | Yes | Yes |
Integrated ND Filter | No | No | Yes | Yes |
Maximum Shutter Speed | 1/2000 sec | 1/2000 sec | 1/2000 sec | 1/32000 sec |
Startup Time | 2.8 sec | 2.8 sec | 2.0 sec | 2.0 sec |
Anti Distortion Shutter | No | No | No | Yes |
Auto ISO Min Shutter Speed | No | No | No | Yes |
EVF | N/A | Optional | 1.44 Million Dot EVF | 2.36 Million Dot EVF |
Flash Hotshoe | No | Yes | No | No |
Built-in Flash | Yes | Yes | Yes | Yes |
Continuous Shooting Speed | 10 fps | 10 fps | 10 fps | 16 fps |
Buffer Size | 13 JPEG / 13 RAW | 13 JPEG / 13 RAW | 48 JPEG / 26 RAW | 48 JPEG / 26 RAW |
Memory Card Slot | SD UHS-I | SD UHS-I | SD UHS-I | SD UHS-I |
LCD Screen | 3.0″ Fixed | 3.0″ Tilting, +90°/-40° | 3.0″ Tilting, +180°/-45° | 3.0″ Tilting, +180°/-45° |
LCD Touchscreen | No | No | No | No |
Video Recording | 1080p, up to 60 fps | 1080p, up to 60 fps | 1080p, up to 60 fps | 4K, up to 30 fps |
4K HDR Video Recording | No | No | No | No |
S-Log2/S-Gamut | No | No | No | Yes |
Slow Motion Video | N/A | N/A | Yes, Up to 120 fps | Yes, Up to 960 fps |
Slow Motion Video Duration | N/A | N/A | 29 min | 4 sec |
Built-in Intervalometer | No | No | No | No |
Built-in WiFi | No | Yes | Yes | Yes |
Microphone Port | No | No | No | No |
USB | 2.0, Charging | 2.0, Charging | 2.0, Charging | 2.0, Charging |
Battery Life (CIPA) | 330 shots | 350 shots | 320 shots | 280 shots |
Weight | 240g | 281g | 290g | 298g |
Size | 102×58×36mm | 102×58×38mm | 102×58×41mm | 102x58x41mm |
Price (as of 08/03/2019) | $368 | $598 | $648 | $898 |
Specification | Sony RX100 V | Sony RX100 VA | Sony RX100 VI | Sony RX100 VII |
---|---|---|---|---|
Announcement Date | 10/06/2016 | 07/13/2018 | 06/05/2018 | 07/25/2019 |
Sensor Type | Stacked CMOS | Stacked CMOS | Stacked CMOS | Stacked CMOS |
Sensor Resolution | 20.1 MP | 20.1 MP | 20.1 MP | 20.1 MP |
Sensor Size | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) | 13.2 x 8.8mm (1″) |
Native ISO Range | 125-12,800 | 125-12,800 | 125-12,800 | 125-12,800 |
Image Processor | Bionz X | Bionz X | Bionz X | Bionz X |
Phase Detection Autofocus | Yes | Yes | Yes | Yes |
Phase Detection Autofocus Points | 315 AF Points | 315 AF Points | 315 AF Points | 357 AF Points |
Real-time Tracking | N/A | N/A | N/A | Yes |
Real-time Eye AF | N/A | N/A | N/A | Yes |
Lens Focal Length | 8.8-25.7mm | 8.8-25.7mm | 8.8-74.0mm | 8.8-74.0mm |
Focal Length in 35mm Equiv | 24-70mm | 24-70mm | 24-200mm | 24-200mm |
Lens Aperture | f/1.8-f/2.8 | f/1.8-f/2.8 | f/2.8-f/4.5 | f/2.8-f/4.5 |
Optical Image Stabilization | Yes | Yes | Yes (up to 4 stops) | Yes (up to 4 stops) |
Integrated ND Filter | Yes | Yes | No | No |
Maximum Shutter Speed | 1/32000 sec | 1/32000 sec | 1/32000 sec | 1/32000 sec |
Startup Time | 2.0 sec | 2.0 sec | 2.0 sec | 2.0 sec |
Anti Distortion Shutter | Yes | Yes | Yes | Yes |
Auto ISO Min Shutter Speed | Yes | Yes | Yes | Yes |
EVF | 2.36 Million Dot EVF | 2.36 Million Dot EVF | 2.36 Million Dot EVF | 2.36 Million Dot EVF |
Flash Hotshoe | No | No | No | No |
Built-in Flash | Yes | Yes | Yes | Yes |
Continuous Shooting Speed | 24 fps | 24 fps | 24 fps | 20 fps (No Blackout) |
Buffer Size | 150 JPEG + RAW | 233 JPEG + RAW | 233 JPEG + RAW | 233 JPEG + RAW |
Memory Card Slot | SD UHS-I | SD UHS-I | SD UHS-I | SD UHS-I |
LCD Screen | 3.0″ Tilting, +180°/-45° | 3.0″ Tilting, +180°/-45° | 3.0″ Tilting, +180°/-90° | 3.0″ Tilting, +180°/-90° |
LCD Touchscreen | No | No | Yes | Yes |
Video Recording | 4K, up to 30 fps | 4K, up to 30 fps | 4K, up to 30 fps | 4K, up to 30 fps |
4K HDR Video Recording | No | No | Yes, with HLG (Hybrid Log-Gamma) | Yes, with HLG (Hybrid Log-Gamma) |
S-Log/S-Gamut | Yes | Yes | Yes | Yes |
Slow Motion Video | Yes, Up to 960 fps | Yes, Up to 960 fps | Yes, Up to 960 fps | Yes, Up to 960 fps |
Slow Motion Video Duration | 8 sec | 8 sec | 8 sec | 8 sec |
Built-in Intervalometer | No | No | No | Yes |
Built-in WiFi | Yes | Yes | Yes | Yes |
Microphone Port | No | No | No | Yes |
USB | 2.0, Charging | 2.0, Charging | 2.0, Charging | 2.0, Charging |
Battery Life (CIPA) | 220 shots | 220 shots | 240 shots | 260 shots |
Weight | 299g | 299g | 301g | 302g |
Size | 102x58x41mm | 102x58x41mm | 102x58x43mm | 102x58x43mm |
Price (as of 08/03/2019) | Discontinued | $998 | $1098 | $1198 |
As expected, the latest generation Sony RX100 series cameras are obviously going to have the richest feature-set and specifications compared to their predecessors. With a superior Stacked CMOS sensor capable of producing excellent images that surpass all the previous generation RX100 cameras, faster Bionz X processor capable of handling up to 20-24 fps shooting speed, 357 phase-detection autofocus points, 4K video recording at up to 30 fps (and now with 4K HDR on the RX100 VI and RX100 VII models), excellent OLED EVF and very respectable slow-motion video recording capability up to 960 fps, this is a point-and-shoot powerhouse.
The latest RX 100 VII packs a 24-200mm equivalent lens like its predecessor, offering better reach than older generation RX100 series cameras. Keep in mind, however, that this comes at the expense of slower maximum aperture – f/2.8-f/4.5 compared to f/1.8-f/2.8 seen on the previous III-VA models. Sony says that the new OIS is supposed to be excellent though (compensating up to 4 stops), so perhaps the camera won’t suffer as much in low-light conditions.
The newest Sony RX 100 VII is priced pretty high compared to its predecessors, especially the first three models that can still be bought today from B&H and other retailers. Which begs the question – is the latest and greatest really worth spending so much more money on? I guess it depends. If you really need more reach, faster and more accurate autofocus, ability to shoot 4K / 4K HDR / slow motion video, real-time tracking and Eye-AF features, the RX 100 VII might be worth the price premium.
However, if you are just looking for a solid point-and-shoot camera, I would say the previous generation models are worth looking into. The RX100 and RX100 II are obviously great bargains, but for a reason – they are a bit longer on the wide end (28mm vs 24mm is a huge difference in field of view), their image quality is not as great as on the latest models, they lack built-in viewfinders and their LCD screens are not as versatile. So keep all this in mind when deciding what route to take.
If you are wondering about the differences between the latest RX100 VII and its predecessor, the RX100 VI, it is important to know that most of the changes are internal (cosmetically and ergonomically, both cameras are nearly identical). The biggest change on the RX100 VII is improved phase-detection autofocus system that can take advantage of Sony’s superb Real-time Tracking and Real-time Eye AF that we have previously seen on high-end cameras like the Sony A9.
In addition, although the Sony RX100 VII drops its continuous shooting speed from 24 fps to 20 fps, it is able to record images blackout-free. The RX100 VII also gains seven-image bursts at up to 90 frames per second, something no other RX100-series camera is able to do. Another unique feature of the RX100 VII is a built-in microphone port to be able to connect external microphones when recording videos. Lastly, the RX100 VII gains the latest version of the Sony menu system, as well as a built-in intervalometer, so it is no longer compatible with Sony’s PlayMemories apps.
I have a Recsea underwater aluminum housing for the RX100 1 model. But the Rx100 camera has an error and wont work anymore. I am just wondering if anyone knows if the Recsea underwater housing for the original RX100 model from 2012 will still be suitable for the current Rx100 VII. Any assistance would be appreciated.
Are there several versions/generations of the RX 100 VA. I am looking to purchase one and in photos that I have seen online some appear to have a slight bump out hand grip on the camera operator’s right side as well as the Sony name on the bottom of the front of the camera while other VA models don’t have the hand grip (a smoother body shape) nor do they have Sony on the bottom front of the camera. Thank you
Thanks for a great article, I have the sony rx100 111 model, I bought the camera new and since I decided to go of travelling again I thought maybe a change was due, the old boy has never let me down and thrown many a great photo and yes photo not snap but after reading your article I think I’ll stay with what I know and understand, it’s taken many a year to fully understand how it works and for what it cost to maybe upgrade and get a bank loan to purchase and another degree to work her I believe the best thing is to stay put with what I know but thanks again great item and sorry sony not for me yet.
I’ve had my model M2 since 2013 and love it. I would like to get a newer model maybe a 5-6 but my favorite feature on mine is the water color-illustration picture effect which I use a lot. I can’t seem to find anywhere if this is still on the newer versions. Anybody know?
I had the Sony RX 100 I for some time. Lately, I have been trying to find ways to do some time lapse photos with the camera. I have a hard time to find a workable way to connect the camera to an external intervalometer via the UBS port. Any help from the group?
Nasim,
Thanks much for the RX-100 model comparison chart. Wow, here we see evolution in action, adding many “features” which do not materially increase the usefulness of the camera but do materially increase the price.
After I grew tired of carrying around my Nikon SLR and the 12 single focal length lenses (8 mm fisheye to 500 mirror) and film started getting expensive and scarce, I bought a small Nikon digital camera to bridge the gap until there appeared a Nikon body with a digital sensor that would take all my nifty lenses. It was very small and easy to use, but seriously deficient in many ways. After a series of upgrades I discovered the Sony RX-100 and it’s large sensor. Wow! That did it, At last I again had low light capability, and the bloody thing fit in my shirt pocket! Tough as well; if fell off the roof of my car traveling 25 mph and survived. Scuffed up? Yes, but working!
Although it took some hours to figure out how to turn off all the nanny stuff, my only serious complaint is I have found no way to turn off the damnable autofocus and set the camera to fixed focus at infinity. There is a bothersome shooting delay caused by the autofocus and if there is anything in the foreground it will be in focus instead of the desired “infinity” Bad design.
Other than that, thanks to your chart, I see no need to “upgrade” to a newer model.
Thanks much for the data. Big help!
what model did you actually buy ? To me, at current Oct 2020 prices on eBay from good sellers, the Model IV looked best. The original RX100 was one I tried way back then, but went with a Lumix LX7 instead.
To have good low light capabilities… or say good enough, you must go with a full frame sensor, or a larger, a medium format, certainly not with one having just 1″, this still today, in 2021.
nonsense
Great chart, thanks for that.
RX100M6 user for over a year and the big annoyance is video clip file naming always starting at C0001 with a fresh card. Plus of course with two M6 in the family I end up with a confusing collection of clips after a trip with many C0001 to sort through.
Digging in the M7 manual I discovered that the video clips can now be set to increment even after a fresh card is inserted plus an up to 37 character name can be added to the basic video file number. Not sure that is worth the big price difference to the M6 but I now know which model to buy if my M6 disappears.
Thank you so much for compiling such a great comparison on the Sony RX100 models. Your compilation just saved me hours of research!
Thank you for this informative article!
I want to buy a new Sony RX 100 mainly for doing underwater photography, I was told that the Model V is better than the newer models because the objective/lens doesn’t go out as far was with the newer models and therefore it is easier to find a underwater housing (I was thinking the Sony MPK-URX100A).
Do you any experiences with that?
Thank you in advance!
Max
you are correct, I have the Mk2 no issue with that lens movement, I assume some are a issue, the CWB is poor on sony, always take pics in raw.
Has there ever been another camera body that has had seven updates? I think not. One has to believe that although each model has had some deficiencies, Sony has shifted a huge amount of RX100s over the years. In my mind that’s because the RX100 had and has a unique level of high-quality finish for such a compact body. Other manufacturers have had similar sized models but none were so svelte and stylish that they could be slipped in a jean’s pocket or purse.
However, that compactness and all-metal finish is exactly why I could never imagine owning one. Despite the ingenious EVF mechanism and very useful zoom lenses, handling the RX100 is akin to owning a super-premium smartphone: you are constantly worried you will drop it and ruin the metal finish, not to mention the menus (!). If the RX100 were about 20% wider and taller (with or without a corresponding increase in sensor size), a small but useful grip could have been added, and a more sensible battery life achieved. This is essentially what Nikon proposed with the DL series two years ago, then decided not to proceed … doh!!!
You can buy a stick on rubber grip, helps a lot