I’ve always wanted a small camera backpack that gave me easy, quick access to my camera gear. I’ve owned camera backpacks in the past, but they were bigger (and heavier) and I had to take them off of my back in order to get my gear out. When I got a chance to review the Ruggard Triumph 45 Sling Bag, I took it, hoping I could find a nice bag that I could carry around town with me for more casual photography.
This is an in-depth review of the Fujifilm X-T1, a weather-proof mirrorless interchangeable-lens camera from Fuji that was announced on January 28, 2014. Previously known for its popular X-Pro, X-E and X-M lines, the new “T” line is specifically made to be “tough”. With its all magnesium-alloy body, sealed buttons and compartments, the X-T1 is Fuji’s first attempt at a fully weather-sealed mirrorless camera. Although Fuji’s recent cameras have been quite popular, it had nothing to offer against the OM-D E-M1 and OM-D E-M5 Micro Four Thirds mirrorless cameras from Olympus. With the latter two offering weather sealing, in-body image stabilization (IBIS) and a whole slew of lenses to choose from, Fuji wanted the X-T1 to offer similar features at a competitive price. With a larger APS-C sensor and a huge, high-resolution electronic viewfinder (EVF), the X-T1 was also meant to appeal a bigger audience from professionals and enthusiasts that want a lighter and more compact setup than their DSLRs.
Let’s face it. Flashes are expensive. Wouldn’t it be great if you could purchase a new flash and only spend half of what a new flash typically costs? I’m a Nikon shooter and already have two SB-800s, but another flash can sure come in handy when shooting with off-camera flash at a wedding reception. When I got the Bolt VX-710N, that’s exactly what I had in mind for it, but I decided to go ahead and try it as an on-camera flash as well.
About a year ago, I reviewed an Impact background (Impact reversible muslin background). Out of curiosity, I decided to grab another one. This time instead of one that was reversible, I chose the Impact Crushed Muslin Background in Grey Mist. What’s the difference you might ask? Let’s just see…
Sometimes when I travel or just have a portrait session in town, I don’t want to bring all of my camera gear with me. At times like this, I’ve always thought it would be really nice to have a smaller bag I could bring along and leave my big bag at home. Enter this shoulder bag from Ruggard… big enough to hold a body and a few lenses but not so big that it becomes just as heavy as my normal camera bag.
Many years ago I bought a Nikon 55mm macro lens. This was an older, manual focus lens. It came with an older extension tube that did not communicate with the camera, meaning that any lens that was attached to it lost all communication with the camera, meaning it also became a manual focus lens. Worse yet, newer Nikon AF-S lenses that do not have an aperture ring weren’t usable at any aperture besides completely stopped down.
If you do photography in a studio, you probably have a few shot bags laying around. This very small shot bag has a variety of uses.
I never thought that I would be reviewing an Apple Mac Pro, since I have never owned a Mac and was always a PC user. In fact, the last time I really handled a Mac was about 14 years ago, when I worked as an IT tech at the University of Colorado, servicing campus computers. Since then, aside from occasional encounters at local stores or friend’s houses, I have been keeping myself away from Macs. Although I have nothing against Apple in general, there were a number of reasons why I kept myself on the PC platform. The first and the biggest reason was personal preference – having been “PC-savvy” for many years, building computers and providing support for them (whether it was for my family, friends or work), I was pretty content with what I had and never really had much interest in Macs. Second, having spent the majority of my adult life working for various companies and organizations, I took part in building PC and server networks based on the Microsoft OS platform, as Macs have just not been very popular in the corporate world. Lastly, cost was also an issue – for the price of a Mac, I could easily build a PC or buy one at half the cost.
This is an in-depth review of the Sigma 50mm f/1.4 DG HSM Art prime lens that was announced on January 6, 2014 for Sigma SA, Canon EF, Nikon F and Sony A mounts. Ever since Sigma announced its new “Art” lens line, it has been releasing superb new lenses and updates. The Sigma 35mm f/1.4 DG HSM Art received the highest praise from us at Photography Life, especially after we compared it to the Nikon 35mm f/1.4G and other 35mm lenses in our extensive review. So when I first found out that Sigma had plans to update its existing Sigma 50mm f/1.4 EX DG HSM, I got really excited, since I knew that the new Art-series lens would not disappoint. It has been too long since both Nikon and Canon updated their 50mm f/1.4 primes. In the case with Nikon, its newer 50mm f/1.8G yields better sharpness than the bigger and heavier 50mm f/1.4G. In short, the Nikkor 50mm f/1.4G is just not good enough for modern high resolution sensors and its performance at maximum aperture is rather disappointing (and the Canon 50mm f/1.4 is quite similar in that regard). The Sigma 50mm f/1.4 Art announcement was very timely, because it hits a sweet spot between the sub-par 50mm f/1.4 Nikon and Canon lenses, and the exotic manual focus Zeiss Otus 55mm f/1.4.