Maybe you can teach an old dog new tricks. I hate camera straps, they seem to always be in the way and so more often than not, I end up ditching them. Instead, I end up carrying the camera by the body or by the tripod foot when using larger lenses. I should say, I used to hate straps, until I finally used a BlackRapid Sport and in this quick review we will discuss the advantages of this strap.
I thought I was perfectly happy using the standard hard plastic Nikon screen protector that came with my D800. It does what it’s supposed to do, right? It protects the screen from getting scratched without getting in the way of actually seeing the screen. Why mess with a good thing? That’s what I thought until I was given the opportunity to try out an Expert Shield Screen Protector.
This is an in-depth review of the Fuji XF 35mm f/1.4 prime lens, also known as “Fujinon XF 35mm f/1.4 R” that was released initially together with the Fuji X-Pro1 on September 21, 2011. Fuji specifically wanted to target professionals and enthusiasts with its X line, so it first introduced a professional-level mirrorless camera, the X-Pro1, along with three prime lenses: Fuji XF 18mm f/2, Fuji XF 35mm f/1.4 and Fuji XF 60mm f/2.4 Macro. And hence, being part of the Fuji X mirrorless interchangeable lens system launch, the Fuji 35mm f/1.4 played a big role in the success of the product line.
Let me start off this hands-on review of the Nikon 1 V2 with a reminder that no one camera can do everything that an owner may require. Regardless of the price paid, every piece of equipment comes with compromises. And, so it is with the Nikon 1 V2. I should also state upfront that I shoot more client videos with my Nikon gear than I do still photographs, so this review does contain a reasonable amount of evaluation from a video perspective.
We are back again at reviewing some of the lens classics and this time we have the Nikon NIKKOR-S Auto 50mm f/1.4 (Ai modified), which was first manufactured way back in 1962. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the second one that we are reviewing. Nikon has made so many different 50mm lenses its in 80 years of optical history, that the list of just 50mm lenses can get quite overwhelming. Many of us look at the modern 50mm primes without realizing that among all manufacturers, Nikon has the longest history of making these lenses. In fact, the very first Nikkor 5cm lens was made in 1937 specifically for Canon rangefinder cameras! And it is also worth pointing out that Nikon invented the very first 50mm f/1.4 lens after the World War II. This particular NIKKOR-S classic was designed for Nikon’s rangefinder cameras. Today, it is hard to find a converted version that works on modern DSLRs (mostly non-Ai versions), but you can snatch one for about $50 and get it converted for another $20-30. Or if you bought the new Nikon Df, you will be able to use this lens without having to convert it!
Thanks to your support, we will be publishing a lot more reviews of the old Nikkor classics that we either purchased on auction sites, or loaned from our readers. This is a review of a true classic, the Nikon NIKKOR-H Auto 28mm f/3.5 (Ai modified), which was manufactured way back in 1959. One of our readers, Joe Ridley, was kind enough to send a number of Nikkor classics, and this lens is the first one that we are reviewing. Please note that such reviews of classic lenses will be limited to one page, with a small number of image samples. Still, full lab measurements will be performed on each lens for thorough analysis and comparisons.
This is an review of the classic Nikon NIKKOR 50mm f/1.2 Ai-S by one of our readers, Christian Duguay from Montreal, Canada. A quick note from Nasim: while I was going through testing some of the older manual focus lenses (including the 50mm f/1.2 Ai-S), Christian contacted me via email and sent some of his thoughts on the lens. After a couple of emails back and forth, I requested him to write a review of the lens, so that we could share it with our readers. Christian accepted the challenge and we both agreed that it could be a good idea if we both worked on it – I would provide all optical test results, while he would write the text and provide sample images. So in a way, this is a collaborative effort between the two of us. Enjoy!
We’ve all seen the high speed photography shots of bullets piercing objects, water droplets or lightning strikes but maybe aside from lightning strikes, not all of us have had the opportunity to take photos like that. Many of us only get to admire other photographer’s work when it comes to ultra fast action shots like these. I recently got a chance to play with a multifunctional trigger that makes high speed photography easier and fun but also does more than just help with high speed photography. In this review of the Nero Trigger, we will look at some of its modes and how it performs.
This is an in-depth review of the Nikon D610, a very minor update that replaced the existing Nikon D600. Since full-frame DSLR cameras typically have a 2-3 year life cycle before they are refreshed with newer models, the D610 was an unusual update, as it replaced a camera that was only 13 months old – something that typically only happens with entry-level/consumer DSLRs. The thing is, the Nikon D610 is what the D600 should have been when it was initially launched. Plagued by a shutter mechanism issue which shred small particles from the shutter that fell directly onto the camera sensor (causing “dust bunnies” visible at small apertures), the Nikon D600 got a lot of negative press from its owners and camera reviewers. We were among the first ones to report the dust issue in our Nikon D600 review and later received many reports from our readers that confirmed the same issue. In a couple of months, the Internet was full of all kinds of examples of the same issue. Nikon ended up issuing a service advisory that categorized the behavior as “natural accumulation of dust” and suggested to try using the “Clean Image Sensor” feature of the camera, along with manual cleaning with a blower bulb. As a last resort, if those two options failed, Nikon recommended to consult with service centers to get the camera examined and serviced. Unfortunately, despite all the reported issues, service orders and returns from unhappy customers, Nikon never acknowledged the problem.
This is an in-depth review of the Sony NEX-7 mirrorless camera that was released on August 24, 2011, so this is obviously a long delayed review that I have not had a chance to publish due to time constraints. I decided to finish it up and get the review published before the highly anticipated full-frame Sony A7 and A7r are announced later this week. The Sony NEX-7 is considered to be the top of the line NEX-series camera, with the highest resolution 24 MP APS-C sensor, built-in OLED electronic viewfinder, tilt-screen, three dial interface and the highest price tag in the line. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Olympus OM-D E-M5, Canon EOS M and other Sony NEX cameras.