9 Rapid-Fire Landscape Photography Tips

There are so many little tips and tricks I like to use in landscape photography to make my life easier, and I’ve included nine of the most important in the article and video below. I’m focusing especially on composition, but there are some post-processing and camera-related tips as well. My hope is that some of these techniques are new to you, and that you find them valuable for your own work.

First up, the video:

And below is a modified script that covers all nine points in detail:

Flip Your Photos Horizontally

The first time is my favorite one: flip your photos horizontally, and then flip them back.

Why would you do that? Quite simply, it lets you see your photos with a new eye.

I can’t demonstrate this by showing you my own photos, because you haven’t been looking at them for hours on end. Here, though, are a few famous images flipped horizontally. The longer you’ve looked at them before, the more unusual these mirror images will look:

Now take your own photos – your best photos – and flip them horizontally, too. I guarantee that you will see them in a different light. Countless times, this trick has helped me straighten landscape photos that are crooked, crop them to make my message stronger, or even change the elements that I brighten and darken to emphasize in the photo.

Bookend Your Panoramas

The second tip is just something that makes your life easier as a photographer and saves time. If you ever take panoramas or HDR photos in the field, you should do something called bookending your photos. This just means at the beginning of your panorama, take a photo of your hand. Then do everything like normal, finish the panorama, and take another photo of your hand.

The reason is simple. When you’re sorting through your photos later, it can be a huge waste of time to figure out where one panorama ends and the next begins. If you bookend your photos, you never have to think about it. You know exactly where each one starts.

Wait for Patterns

The natural world is filled with patterns. If you miss a good photo – the right moment passes you by – there is an extremely high chance that you’ll have a second opportunity to get the shot. It might take fifteen minutes. It might not happen until tomorrow. But almost everything in nature repeats itself: light, weather, and moving subjects like waves in the ocean.

I once spent an amazing sunrise doing photography from the top of a hill. Right after I left, a rainbow appeared where I had been shooting. It faded before I could capture a photo, but I went back to the same spot, and thirty minutes later, another one appeared. I got the shot below because I waited around for the pattern to happen again.

Embrace the Refining Process

One of my main methods of taking landscape photos is something I call the refining process.

Your time in the field is your best chance to fix any problems, so use it wisely. I’m not just talking about reviewing your photo to double-check sharpness; I’m talking about composition. Take the time to analyze the composition you just got. There is almost always something that can be fixed. Find it and fix it while you can.

Unify the Message of Your Photo

To take the strongest possible photos, it’s important that as many elements as possible in an image add to your message.

For example, if you have dark, high-contrast lighting with an intense subject, your entire photo is unified. But that won’t always be the case. Take a look at the photo below:

By all normal standards, the subject is interesting, and the light is beautiful. But somehow this photo just doesn’t work. Why not? It doesn’t send a unified message.

The lighting is gentle; it’s trying to convey a peaceful scene. The composition doesn’t have that much movement to it. But the subject is chaotic, and the water is moving quickly around it. These two messages are complete opposites.

So, I waited around for the light to get more dramatic, and I composed this next photo with more movement:

Now the entire photo is unified. It’s a much stronger image. So, always keep in mind your subject, light, and composition. They should all be on the same page.

Ask Yourself Questions

It’s important to compose every photo for its own merits – to make as many conscious decisions as possible in service of your emotional message.

This tip gets into the nitty-gritty details of why a photo succeeds: it makes the viewer feel a certain emotion. That’s something you can accomplish either by being really lucky or being deliberate – and if you’re going the deliberate route, questions are the best tool in your kit.

To convey the right emotion, should your photo be balanced or imbalanced? Should you zoom in and isolate a detail or go for a wide-angle lens? What about the photo’s emotions – are they unified as much as possible? If not, what can you do to change things? The more decisions you make consciously rather than accidentally, the more refined your photo is likely to be.

Move Your Feet

Too often, I see photographers set up their tripod at eye level and stay in exactly the same place as the landscape changes around them. But the best photos don’t always happen so easily. Instead, it’s important to experiment with different angles and different foregrounds. Climb on top of things, put your camera on the ground, and don’t settle for the “default” composition of a scene. In short, just move around.

Know Your Camera

Even in landscape photography, this is an important tip: Know your camera by heart. Sometimes, a couple of seconds can be the difference between a missed opportunity and a portfolio image. In cases like that, it helps to know how to operate your camera practically blindfolded: every dial, every button, every menu item that you use.

I recommend creating a custom menu of your most common settings, too. Almost every camera today lets you do this.

When you know your camera as well as possible, you’ll have more success, especially in difficult conditions. And difficult conditions can make for some of the best photos.

Be Diligent about Which Photos You Display

Let’s say that you made 1000 smoothies, and you only ever let people taste the ten best. They’d think that every smoothie you make is amazing.

In landscape photography, the same thing holds true. Even Ansel Adams said that one successful photo a month is a good crop. So, don’t feel pressured into showing as many photos as possible. Instead, put a lot of care into the work you display. A couple of bad photos can drag down the quality of an amazing portfolio.

Conclusion

And that covers it! Hopefully, you enjoyed this article and video.

If you just want an even number, a tenth tip is to keep practicing, having fun, and learning. It’s why we make content like this, and I hope you’ve gotten something out of the information above. (If so, you can subscribe to our YouTube channel here.)