Technically, the article is supposed to be called “Nikon Speedlight Comparison”, because Nikon calls their flash units “Speedlights”. This article is written as an introduction to the current and older line of Nikon Speedlights, specifically the Nikon SB-300, SB-400, SB-500, SB-600, SB-700, SB-800, SB-900, SB-910 and SB-5000. In addition to some basic information on each Speedlight, I will provide a comparison chart on the bottom of this article as well, to make it simpler for our readers to understand the differences.
So you want to get your flash off camera? If you want to improve your flash lit portraits you need to get your flash off the camera. A great way to start is to use Nikon’s own CLS (Creative Lighting System). Since a lot of people will own one of the Nikon Speedlights, getting it off camera and triggered remotely is a very straightforward and relatively inexpensive task. In this article, we will explore the basics of Nikon’s Creative Lighting System and set things up to photograph an image like this:
Some photographers oppose the idea of using flash or light modifiers. Sometimes because it does not suit their style, sometimes because they do not feel comfortable using flash in first place. While we as photographers often love the feel of soft, natural light, knowing how to utilize artificial light can be of tremendous value in low-light environments. Not to mention that such knowledge and being ready to overcome challenging tasks in pretty much any environment can boost confidence and give peace of mind when working in the field. In this article, I would like to go over situations when flash should be used and how it can work to our advantage. I divided this article into indoor and outdoor photography to make it easy for everyone to follow. Please feel free to add your use cases in the comments section below. Please note that I am not going over the basics of flash photography here – the article assumes that you understand the relationship of flash with ISO, Shutter Speed and Aperture.
Creative studio photography can be both challenging and rewarding. In the beginning, when we just start taking the first baby steps to improve our photography skills, we always start out by utilizing available light. It does not take very long for most people to figure out that it can be extremely difficult to create beautiful photographs in low light environments, especially indoors. Naturally, we start looking for answers on how to get around the low light problem and we end up buying faster lenses and better cameras. Only to find out later that even better and more expensive camera gear cannot properly capture a badly-lit scene. The last resort then becomes flash photography – a subject that scares the heck out of many photographers out there.
If you have been in a situation where you had a Christmas tree behind your subject and you could not take a good portrait, correctly exposing both the subject and the Christmas tree, then don’t be surprised – you are not the only person having such challenges. Many photographers have a tough time with correctly exposing images indoors, especially when dealing with a very dim room with bright objects in the background. That’s the biggest problem with photographing the Christmas tree – most people like to turn off or dim their main lights and only keep the Christmas tree lights on. With such a low amount of light in the room, all kinds of problems arise for photographers: images come out blurry, portraits are too dark or images have a flat, point and shoot look to them when photographed with a flash. The biggest annoyance and frustration, is when flash lights up the room and makes the Christmas tree lights disappear, as if they are not even on! What is the best way to deal with these problems? How should you take pictures with the Christmas tree? In this article, I will do my best to explain what you need to do to take great family photos during holidays.
I have already shown you how to take pictures with your pop-up flash and use it as a commander to trigger other remote units. A detailed Nikon Speedlight Comparison has also been posted for those who are looking into buying a flash. This time, I want to show you how you can create some amazing portraits indoors, using a Nikon Speedlight in an off-camera configuration with an umbrella.
If you have a DSLR, you have three ways to trigger flash units wirelessly: via infrared, radio or a hybrid method that involves both infrared and radio signals. While all three options can be used for triggering off-camera flashes, they all have advantages and disadvantages for indoors and outdoors use. The infrared system works very similarly to your TV remote at home – if you are not in direct line of sight or there is an object in between, the signal will not reach the destination. On the other hand, manufacturers are able to use infrared to its limits, pushing the most amount of features through it and supporting a variety of shooting applications. Unlike infrared, the radio signal has no line of sight limitations, but comes at a rather high cost, with its own set of problems. The hybrid system simply takes the infrared signal from the commander, converts it over to radio and then converts it back to infrared on slave units. Let’s analyze these advantages and disadvantages in more detail.
Whether you are shooting with an entry-level or a professional Nikon DSLR, speedlights are a great way to improve your indoors photography. While fast lenses and high ISO levels certainly help to take pictures in low-light environments, they often do not work well for photographing people indoors. In low-light situations, cameras have a tough time acquiring correct focus, motion often results in too much blur and bright backgrounds can ruin the subject’s face and emotions. Speedlights are versatile tools that are designed to overcome these problems and deliver sharp, blur-free and noise-free images with beautifully exposed subjects.
When it comes to choosing flash units for Nikon cameras, there are plenty of great choices available on the market – from cheap flashes with limited functionality for beginners, to advanced speedlights with complex features for demanding professionals. Choosing the right flash can be an overwhelming task for beginners, especially for those who are just getting into flash photography. In this article, I will go through different options (both low-budget and high-demand) that are available today and provide my recommendations.
Instead of creating another post, I updated the “How to get the best out of your pop-up flash” article to include plenty of information and a new video on Nikon’s Commander Mode on semi-pro and pro-level Nikon camera bodies. Information on how to set up the built-in pop-up camera flash to be a commander, as well as configuring Nikon speedlights (SB-600, SB-700, SB-800 and SB-900) is also included.