With each new release, Lightroom requires specific changes to the database, also known as a “catalog”, that must be carried out in an upgrade process before the newer version of the software can be used. While the process of upgrading the actual software is pretty straightforward, there are some important steps one needs to take to make sure that the Lightroom catalogs are upgraded successfully. If you are scared about upgrading and have not done it in the past, this guide might assist you in this process. The good news is, Adobe allows keeping both the newer and the older versions of Lightroom on the same machine, which means that you can continue to use your old Lightroom catalog if anything goes wrong. Once you are fully satisfied with the upgrade, you can then remove the old version of Lightroom, along with the old versions of catalogs. In this article, I will guide you through the process of upgrading Lightroom to the latest version.
Although we have already published a detailed review of the JPEGmini Pro software a while ago, a number of readers have reached out to me, asking how to effectively use the software, specifically when extracting images for clients from Lightroom. I have now been using JPEGmini for over a year and both Lola and I have been extracting images from Lightroom in a specific way to get the highest quality JPEG images to our clients, while retaining the smallest file size possible. Previously, we would extract everything at particular resolutions (typically 2048 for smaller JPEGs and full size for print) using 100% JPEG compression for the full sized images for the best possible quality, but extracting hundreds and sometimes even thousands of images turned out to be a headache when it came to storage and file transmission. With JPEGmini, we were able to continue delivering the best images to our clients, with a much smaller footprint. This resulted in both time and cost savings in the long run for us, as we did not have to deal with time-consuming uploads and large USB drives. In this article, I will show how both Lola and I we have been utilizing JPEGmini as part of our Lightroom workflow.
Ever since I started using Lightroom back in 2007, I have been keeping a backup of every single version on my computer, making sure that I had the latest version of that particular release. With the very first version of Lightroom having a few issues and not having 64-bit architecture support, I ended up deleting it, so the first release of Lightroom I actually preserved was Lightroom 2 (the latest build of that release was Lightroom 2.7). The next stable build I preserved was Lightroom 3.6. From there, it was Lightroom 4.4 that I used the most before Adobe released Lightroom 5. With the release of LR 5, Adobe introduced Lightroom CC, which was the first cloud version of Lightroom. From there, Lightroom CC 2014 was rolled out, which was equivalent to version 5.4 of LR standalone. The big release was Lightroom 6 (CC 2015), which is the most current version, the latest release being Lightroom 6.6.1, or Lightroom CC 2015.6.1 if you use the cloud version of the software. So what do you do when you have all these versions of the software? Well, I installed them all on my Windows 10 PC and decided to give them all a try and see how much Adobe has been improving the performance of the software over the years. The results are quite interesting to say the least!
You must forgive that this is merely the thought process of a hobbyist, rather than a tutorial from an expert. In a world awash with blinding, over-saturated colour photos, plenty has been written on this subject in response, but I felt it might help some readers (especially those just starting out in photography) to elaborate on my decision-making process and reasons for rendering or shooting an image in black and white (B+W). Your rationales may be different, of course, but by articulating mine it might help an understanding of what makes black and white images so appealing.
Post-processing is an unavoidable, inseparable part of professional photography today, be it photojournalism or fashion photography. Because of that, choosing the right software tool for post-processing your work efficiently is as important as having the right camera and lens combination for the job. It is no surprise that demand for such flexible and powerful software is met with some serious contenders. One of such contenders comes courtesy of Adobe, a software development company best known for its powerful graphics tool Photoshop. Nowadays Photoshop is widely used by photographers (hence the term “to photoshop” applied to almost any sort of image editing), but it is not intended strictly for photographers – it has a much broader user appeal. For photographers, Adobe has developed a somewhat different piece of software called Adobe Photoshop Lightroom. As the name suggests, Photoshop blood runs in the family, but Lightroom is vastly different from its bigger brother. In this article, I will explain what Adobe Photoshop Lightroom is and why it’s such a great choice for aspiring photographers.
Almost every function in Lightroom has a specified keyboard shortcut for quicker access. Using keyboard shortcuts is a great way to speed up your post-processing significantly, but memorizing all of them can be quite tough. You can view these Module-specific keyboard shortcuts by selecting “<…> Module Shortcuts…” from the Help menu at any time, or by hitting Ctrl + / on your keyboard. Mind you, as many as there are of the shortcuts listed in this table (shown for the Develop Module below), there’s actually more of them. You can find all the Lightroom 4 shortcuts in Adobe’s Help page for both Mac and Windows, while Lightroom 5 shortcut list should be available shortly.
In every Mastering Lightroom series article, I mention certain strengths of this, in my opinion, superb piece of software. Only every now and then do I find something small to complain about, as I have in my “How to Manage Presets” article. I strongly believe Lightroom offers more or less everything needed to process a well captured image and offers plenty of powerful yet simple photographic tools. However, as our readers have wisely noticed in the comments section of my “How to Use the Spot Removal Tool” article, on rare occasions these tools may not be powerful enough. Here comes another strength of my favorite photo processing application – flexibility. You can use other programs to do what Lightroom can’t, and then go back with the processed image to its familiar and simple environment. In this Mastering Lightroom series article, I will show you how to use external editors with examples provided using the most popular and capable you can buy – Adobe’s own Photoshop.
Lightroom is a very flexible image management and processing software, but apart from powerful tools and settings to enhance your photographs, it also offers features that help you during the actual process of photographing. Have you ever felt that, even with the constant resolution and physical size growth, camera LCD screens just aren’t big enough for comfortable image viewing in the field? Luckily, Lightroom offers a way to import photographs and review them as you shoot. This function, called Tethered Capture, is especially useful for studio photographers who don’t tend to move about too much. It can be equally useful for landscape photographers, too. In this Mastering Lightroom series article, I will explain how to tether your camera. This allows you to import images directly into the Lightroom 4 environment for quick and comfortable revision as you photograph.
Lightroom has quite a few great features on offer for photographers. With the introduction of Lightroom 4, Adobe added two more modules to the already existing five – Map and Book. In this short and simple Mastering Lightroom series tutorial I will show you how to geotag your photographs in Lightroom using the map module.