Just over a year after Nikon introduced the highly anticipated D500, the company announced an upgrade to its D7200 enthusiast-level DSLR in the form of the Nikon D7500. Nikon decided to skip the model numbers in-between and go directly to the D7500 for a good reason – the camera inherits a lot of the features of its bigger brother, so this naming convention makes sense. So in a way, the Nikon D7500 is a mini-D500. However, to make sure that the cameras do not compete with each other, Nikon not only made sure to keep some of the premium features just on the D500, but it also stripped out some of the features previously seen on the D7x00-series cameras. Let’s take a look at how the two cameras compare with each other in terms of features and specifications.
Now that the Nikon D7500 has been officially announced, it is a good time to see how it compares to its predecessor in terms of features and specifications. While Nikon definitely improved the D7500 on a number of different areas, whether it is the faster 8 fps continuous shooting, a larger buffer, better metering system or other ergonomic and firmware improvements, there are some definite drawbacks one needs to be aware of before deciding to upgrade. Let’s take a look at these changes in more detail and see how the two cameras tack up against each other.
Last night Nikon unveiled the new D7500 DSLR camera. The much anticipated update to the D7200 that was announced back in March of 2015 comes with a few updates that puts it close to the Nikon D500 in terms of features and speed – the same 20.9 MP APS-C sensor and EXPEED 5 processor, fast 8 fps continuous shooting (vs 6 fps on the D7200), a larger buffer that can accommodate up to 50 RAW images, the same 180K RGB metering sensor as on the D500 (although the AF system is still the good old 51-point Multi-CAM 3500DX II), a tilting touchscreen, a deeper and improved grip, Bluetooth + WiFi (SnapBridge), improved weather sealing and 4K video recording. In addition, the D7500 also gains some of the firmware functionality of the D500, such as “Auto AF Fine Tune” that allows to automatically calibrate focus on lenses. Overall, it looks like a very welcome update. Except for two disappointing blunders – Nikon dropped the second card slot and took away the ability to use a battery grip on the D7500.
As a busy photographer who travels quite a bit both within the USA and overseas, I have gone through many types of gear in my camera bag. While some of the gear and accessories are absolute necessities I will not leave my home without, others can be very useful in particular situations or when traveling to other countries. In this article, I would like to go over my top must-have gear for travel and discuss why you might consider including them in your arsenal in the future.
If you’re like me you probably seldom, if ever, use the small pop-up flash that is on your camera. I’ve had my Nikon 1 V3 for a couple of months now and it has become my dedicated birding and nature camera. My wife and I were recently on a very short vacation in British Columbia and I had an unexpected opportunity to photograph some hummingbirds. Unfortunately the feeders that the birds were frequenting were under permanent canopies that created very dark lighting conditions. After trying to shoot some very high ISO images without any success I decided to put the pop-up flash on my Nikon 1 V3 to the test. Since I had never used this pop-up flash before I shrugged and thought, “Well…either it will work or it won’t.”
Many photographers do not like waking up very early to take pictures at sunrise, preferring to sleep in and spend the energy to shoot during the day and at sunset instead. While photographing at sunset can yield stunning photographs, there are specific advantages to photographing at sunrise that are worth discussing. Let’s take a look at the topic of sunrise vs sunset in photography in more detail and see why you might be better off shooting early in the morning.
For the past few years now, the digital photography camera market has been on a steady decline. Some people blame it on smartphones taking over the big chunk of camera sales, while others have related other factors to the decreased camera sales. While we have written a number of articles on this topic, I personally don’t think that there is only one factor that can be singled out as the root cause – I believe there are a number of different factors contributing to the shrinking sales. One of such factors could be “Last Camera Syndrome”, which many photographers seem to be experiencing lately. With image sensors pretty much hitting the innovation wall, we have only seen camera manufacturers pushing more resolution and feature upgrades lately, which does not seem to sit well with potential buyers. And if we take a look at the entry-level cameras, they all seem to only contribute to the camera pollution, with nothing new and exciting, just refreshed model numbers for the sake of grabbing news headlines. We no longer see big leaps in image quality as we had previously seen in the past, with more photographers settling on one camera – their last camera.
Greece is one of those countries one must visit in their lifetime, thanks to its rich historic and cultural heritage, stunning landmarks and its natural beauty. Although there are many spots to check out in Greece, I will guide you through some of the most ancient and beautiful parts of this amazing country.
This is a quick review of the FotodioX Nikon F to Fujifilm G-mount adapter, which allows mounting Nikon G-type lenses on the new Fuji GFX 50S camera. While it is always ideal to use native lenses on any camera system, the idea of using a lens from a different camera system on a mirrorless camera can be appealing for a number of reasons. Aside from potential savings, one can take advantage of the mirrorless technology (see mirrorless vs DSLR for details) and use the ability to zoom in on a subject while framing to potentially yield a higher number of in-focus shots compared to a DSLR. In addition, lens adapters also open up opportunities to use specialty lenses that are not yet available for the system, which in the case of the new Fuji GFX 50S, is certainly worth looking into, since the system is very new and only three native mount lenses are available at the moment. While shooting with the Fuji GFX 50S, I wondered how well my Nikon lenses would do on the medium format camera, so I decided to give the FotodioX Nikon F to Fuji G-mount adapter a try.
It would have been titled Why Technical Stuff Doesn’t Matter but I figured this kind of fluff speaks for itself. A little embarrassed to be sharing my travel snapshots but we all need occasional reminders to stop reading and actually go out and shoot.