Earlier today Nikon published a few high-resolution image samples from the new Nikon D850. While the original files are monstrous in size (up to 25 MB in full 45.7 MP JPEG), I went ahead and ran them through JPEGMini Pro to make them a bit more manageable to see and download, especially for those who are on slower Internet connection. The high resolution images from the Nikon D850 look stunning and this time Nikon did a good job with selecting solid image samples! Don’t forget to right click the images, select “Save Target As” and save these images into your computer for the best viewing experience.
Now that the Nikon D850 has been officially announced, it is time to take a closer look at the camera’s features. Nikon has introduced a number of great features with the D850 that we have never seen on other Nikon DSLR before, so I thought it would be a good idea to write a separate article that highlights these in detail. The Nikon D850 combines the power of a high-speed camera with a high-resolution sensor and in many ways represents something many Nikon shooters have been asking for – a true Nikon D700 replacement. Let’s see what the D850 has to offer and why you might want to consider moving up to it.
Back in July, Nikon teased us with its “development announcement” of the upcoming D850 camera. Aside from a teaser video and some hints here and there about what to expect from the upcoming DSLR, Nikon gave no other information, so we had no clue what to expect in terms of specifications. Today, the company has finally revealed the upcoming high-resolution monster, the Nikon D850. And I have to say, this is without a doubt Nikon’s most technologically advanced cameras to date. First of all, Nikon was able to cram quite a few pixels into the full-frame sensor – 45.7 million of them to be exact. However, that’s not the impressive part, since we have already seen a full-frame sensor with even more resolution. What’s truly impressive, is that Nikon has been able to deliver this resolution at a whopping 7 frames per second (fps), which is one heck of a lot of data to push through any camera! Autofocus-wise, the Nikon D850 gains the same powerful AF system from the Nikon D5 (with a total of 153 autofocus points) and with the added power of a battery back, it is possible to even get to 9 fps, which makes the camera a versatile choice for all kinds of photography – from landscapes and macro to sports and wildlife. In addition, Nikon has also made the D850 an attractive choice for movie makers, because it can deliver 4K video shooting without any cropping. Couple all this with a few extra features and functions that we have never seen on any Nikon camera before, and the D850 looks like an absolute monster. Let’s take a look at what the camera has to offer in more detail!
I am currently traveling in Wyoming with a couple of friends and we are on our way home, after an unsuccessful attempt to stay in Yellowstone National Park – it turned out to be a complete zoo, even a couple of days after the total eclipse. I don’t know what we were thinking! Considering how many people have come from all over the world to see the eclipse, it was only natural that many of them would want to go and see the Teton / Yellowstone area. My backup plan was to go north to Montana, but pretty much the whole state is burning at the moment and the smoke is all over Wyoming as well. In the meantime, I wanted to share a few images of the total solar eclipse that my friends and I captured on August 21st. I am planning to write a more detailed article with more information, but meanwhile, I hope you enjoy these images!
Many photographers have an interest in close-up photography but may find it hard to justify the cost of adding a dedicated macro lens to their existing interchangeable lens camera kit. They may decide to use extension tubes instead. The objective of this article is to demonstrate how extension tubes can be used with a range of different lenses to photograph the same type of subject matter. In this case, I used a combination of two extension tubes (10mm and 21mm) and five different lenses to capture close-up images of bees.
No matter what digital camera you shoot with nowadays, you must have some kind of storage where your media is going to be saved to. While some devices like phones and tablets often come with some built-in memory, you will often find yourself looking for ways to expand that storage by using memory cards or other external storage accessories. And if you shoot with a dedicated digital camera, you will find that it does not offer any kind of storage and you will need to buy at least one memory card in order to be able to store captured images. That’s how a quest for selecting the best memory card begins. Unfortunately, choosing and buying memory cards can be a very frustrating experience, because there are so many different types of memory cards out there with so many different classes and price points, that it can become a very frustrating experience, especially for a beginner. In this article, we will explore memory cards in detail and give you everything you need to know about them.
When you go through camera menu options, you might come across a number of different options that are related to the way your RAW images are saved. One of those options is typically the type of compression that is applied to RAW files. There are several reasons why camera manufacturers provide RAW file compression options, but the most basic one is to save space. Let’s take a look at file compression options and explore differences between compressed, uncompressed and lossless compressed RAW files in more detail.
Something I noticed recently made me stop and think for a moment, since, if true, it means that the modern era of photography is an especially noteworthy time: With very few exceptions, there are no scenes or subjects that are impossible to capture with today’s technology. Nearly everything you come across, from nighttime landscapes to microscopic insects, can be photographed with high levels of precision and image quality, so long as you know what you’re doing (and you pack along the right equipment). That’s a powerful fact — so, how can you make the most of it?
One of the most frequently asked questions I often get at Photography Life, is related to post-processing images. Specifically, our readers want to find out how they can make their images look good without spending too much time post-processing them. After-all, not everyone has the skills or the patience to learn how to use the many different tools in different software packages like Lightroom and Photoshop. I thought of things that I normally do to my images when I want to make quick edits and came up with a few steps that I consistently apply to all of my images. In this article, I will provide these steps, so that you can quickly make changes to your images and make them look good without having to go through a lot of learning. I will highlight the steps using Lightroom and Photoshop, but you should be able to imitate similar steps using other post-processing software as well.
Both Hasselblad and Fuji got quite a bit of buzz in 2016 when they introduced the first mirrorless medium format cameras. The Hasselblad X1D-50c stole the show with its beautiful design, compact build and leaf shutter lenses, whereas the GFX 50S got Fuji fans excited with its functional camera body, modular EVF, tiltable LCD screen and a lower price point. Both cameras compete head to head when it comes to image quality, since they feature a very similar 44x33mm sensor, which is why I will be bringing them up quite a bit for side-by-side comparisons in this Fuji GFX 50S review. I have now been shooting with the GFX 50S for approximately six months, so the experience that I am sharing with our readers is based on quite a bit of field work, including international travel.