After writing my recent article Birds-in-Flight Images with Nikon 1 V3, it occurred to me how helpful using DxO OpticsPro 10 was in processing the RAW files for the article, and specifically the DxO Smart Lighting function. The DxO Smart Lighting function is designed to adjust the dynamic range in an image. This brief article shows a quick example of the impact of using DxO Smart Lighting. Let’s start with an out-of-camera jpeg of an image that I did not use in my recent V3 article.
Antarctica…. a place I never thought I would visit. A place on the bottom side of Earth where few people go. Most of my friends, when they learned I would be taking this trip, asked: “why Antarctica? What’s to see besides penguins, seals and ice?” For me and most photography friends of mine, Antarctica is on our bucket list. Not just for the photographic opportunities, but for the natural beauty all around that cannot be described by any word other than awesome. My partner in this adventure was my 34 year old, world traveler daughter. We are both amateur photographers, me more amateur than her. This was an extraordinary father-daughter bonding trip.
I’ve been continuing my field work for my hands-on review of the Nikon 1 V3 and spent some time capturing images of birds-in-flight at Grimsby Harbour. This has been a particularly severe winter and some of the Great Lakes have frozen over completely. This is only the fourth time in the past 40 years that this has happened. As you can see from the image below, Grimsby Harbour is frozen solid out past the lighthouse. This made for some interesting captures of birds-in-flight.
In my dream life, I would be a fashion and documentary photographer, but until that happens, I’m a barista. Every day I show up to work, serve the same customers, make the same drinks, hit the same cash button on the register, wipe the same tables and bake the same pastries. It can get a little mundane after two years. Everyone has to work, pay the bills, put in your due time so you can play later, right? This was my thought process for years. I always thought I would need to work a full-time job in order to support my true passion, creating images. But in reality, why can’t the two go hand-in-hand?
My experience with shoulder bags has not exactly been great up to this point. As much as I liked the idea of carrying equipment in a shoulder bag, that convenience of quick access, I’ve not found one that would serve the part flawlessly before. There was always something not quite right – it’s either too square or too wide, the strap – too narrow or likes to play heart-stopping jokes on you.
You probably saw the next bit coming. You may even think it to be a cliché of sorts. But, yes, I found the shoulder bag I was looking for. I absolutely adore the Seven. Whenever I use it, I am constantly fascinated by all the things it does just right. Almost as if people who actually do photography came up with the design! So I will go on and say the following: if you need a medium-sized shoulder bag for daily use, just go and buy this. Need a smaller one? Get the Retrospective 5. Need a larger one? Get the Ten or Twenty. It’s great, and I can’t see someone not liking it for all the things it does well.
As you know, Photography Life is all about sharing knowledge with our readers. Every day we work hard on bringing you the best content, whether it is in the forms of photography articles, tips, in-depth reviews or news. Because many of our readers are as passionate as we are in sharing their knowledge, they often share articles with us in the form of Guest Posts, the best of which we often feature on the site. While I was working on publishing yet another excellent guest post the other day, I came up with an idea to inspire more of our readers to write here at PL. We would like to invite our dear readers in participating in a knowledge sharing contest, in which we will reward every writer when their article is posted on the site. If your article is published, we will reward you with a $50 gift card from B&H, Adorama, Amazon or any other store of your choice as a token of appreciation, or if you prefer to be paid instead, we will transfer the sum to your PayPal account. This way, you are rewarded for your contribution even if you do not win the ultimate prize (see below for details). We will not limit your contributions, so you could submit as many articles as you would like and get paid for the work. Sounds exciting? Then read on!
Someone at Sony must be finally realizing cameras don’t make a system. As numerous and capable (crippled RAW format notwithstanding) the A7-series cameras are, the real pull of any system is the lens lineup. And so the Japanese manufacturer has announced four new FE lenses for full-frame mirrorless cameras. It is very much worth noting that just one of the lenses is a superzoom with a disappointingly slow aperture of f/6.3 at the long end – the other three are prime lenses of 28mm, 35mm and 90mm focal lengths. On top of that, Sony has also introduced two new lens converters, one for wider angle of view, the other – for fisheye effect. Let’s take a closer look at the new products.
When one thinks of landscape photography, one more often than not imagines dramatic, sweeping grand landscape scenes, which are almost exclusively taken with ultra wide-angle lenses. While these scenes can be quite stunning (and beautiful… and a lot of fun to shoot!), it is nice to make use of the drastically different perspective afforded by a telephoto lens. A telephoto lens, as you may know, is used to capture frame-filling images of faraway subject matter. This is because it has a much narrower angle of view than a wide-angle lens. While a wide-angle lens exaggerates differences in both the size of and the distance between near and far objects, a telephoto lens effectively reduces those differences. This means that a telephoto lens causes a close object to appear more similar in size relative to a further away object, even if the closer object would actually appear larger in person, and it means that a telephoto lens can cause the apparent distance between near and far objects to appear smaller, which creates a nice compression effect.
The D7200 is currently Nikon’s best DX camera for shooting action, but how does it compare to Canon’s speed demon, the 7D Mark II in features and specifications? The Nikon D7200 comes with a 24.2 MP sensor, 6 fps continuous shooting speed, 51-point AF system, 2x SD card slots and built-in Wi-Fi, whereas the 7D Mark II has a slightly smaller sensor with 20.2 MP of resolution, impressive 10 fps continuous shooting speed, 65-point all cross-type AF system, 1x CF + 1x SD card slots and a pro-quality build / ergonomics. Both have their strengths and weaknesses, but which one of these would be more suitable for capturing fast action? In this comparison, we will go over both feature and specification differences between the two cameras. Please keep in mind that this comparison is purely based on preliminary data. Further details and comparisons will be provided in our upcoming Nikon D7200 review later this year.
Some of our readers might be interested in seeing how the newly announced Nikon D7200 compares to its predecessor, the D7100 in terms of features and specifications. With a faster processor, improved AF system, much larger buffer, Wi-Fi and a few other tweaks, the D7200 is currently Nikon’s best DX camera for capturing fast action such as sports and wildlife photography. Although the D7100 is still an amazing camera, many found its buffer to be underwhelming for continuous shooting, as it sported a fairly small buffer that accommodated even less images than the first generation Nikon D7000. In this comparison, I will first go into specifications, then talk about specific features that differentiate the two cameras. Please keep in mind that this comparison is purely based on specifications. Further details, our impressions, ISO comparisons and other useful information will be provided in our upcoming Nikon D7200 Review later this year.