The Olympus OM-D E-M5 mirrorless camera was released on February 7, 2012 right before the CP+ Camera and Photo Imaging show in Japan. Along with the camera, Olympus also released two lenses for the Micro Four Thirds mount – the 75mm f/1.8 and the 60mm f/2.8 Macro. The E-M5 generated a lot of buzz among the photography community when it was released, because of its impressive specifications, compact weather sealed body and a beautiful retro style design – all to satisfy the demanding needs of the enthusiast and professional crowd. Within a relatively short period of time, the camera became a huge success, thanks to raving reviews from respected photographers. I did not pay much attention to the E-M5 at the time, because I was too busy with the Nikon D800/D800E announcements and tests. However, I really wanted to check it out sometime later, after all the dust settles. Summer and Fall were very busy seasons for me professionally, so I had to postpone my plans even more. The camera finally arrived in mid November, along with a bunch of other mirrorless cameras from Sony, Nikon and Canon. It only took me a week with the E-M5 to realize that it was exactly the camera I had been longing for.
Zoom lenses are convenient, as everyone knows. I’d imagine that the vast majority of us started our photography with a simple 18-55 kit lens – […]
Astrophotography is a hobby rapidly gaining popularity thanks to the fast advancing CMOS sensor technology. Over a decade ago, the light recording material employed in […]
If there was a 100 MP DSLR announced tomorrow, I would pre-order it, then spend many sleepless nights waiting for it to arrive. I’d suffer […]
As all previous versions of Adobe’s popular photography management and post-processing software, Lightroom 4 offers catalog system. Such a choice has both positives and negatives. One of the positives is non-destructive editing, which basically means the original image file remains intact no matter what you do to it within Lightroom environment (you can, however, delete the file entirely if you wish so). A side result is a very useful feature called Virtual Copies. In this Mastering Lightroom series article, I will explain how to use Virtual Copies. By the end of the tutorial you will learn how to copy, delete and compare them, as well as see different situations when creating a Virtual Copy can be very useful.
Field Curvature, also known as “curvature of field” or “Petzval field curvature”, is a common optical problem that causes a flat object to appear sharp only in a certain part(s) of the frame, instead of being uniformly sharp across the frame. This happens due to the curved nature of optical elements, which project the image in a curved manner, rather than flat. And since all digital camera sensors are flat, they cannot capture the entire image in perfect focus, as shown in the below illustration:
This is an in-depth review of the Sony NEX-6 mirrorless camera that was released on September 12, 2012 during the Photokina event, along with three lenses for NEX cameras: Sony 10-18mm f/4, Sony 16-50mm f/3.5-5.6 and Sony 35mm f/1.8. Just like the Sony NEX-5R that we reviewed last year, the NEX-6 also comes with WiFi capability and the new hybrid autofocus system, offering both phase and contrast detect for quicker focus acquisition and accuracy. The camera is the first from the NEX series that offers a real PASM control dial, along with an ISO standard hot shoe for triggering on and off-camera flash. In this review, I will go over the features and capabilities of the camera and compare it to other mirrorless options, including the Nikon 1 J2, Olympus OM-D E-M5, Canon EOS M and other Sony NEX series cameras.
If you don’t get out to take photos when it’s raining or snowing, then you are missing some great opportunities! In this review of the Think Tank Hydrophobia 300-600 v2.0, I will go over the features of this protective cover, talk about its use and how it helps me capture unique photographs of wildlife in the most difficult weather conditions.
Nikon received quite a backlash when it released the MB-D12 battery grip and priced it at a whopping $616. While Nikon users have long been willing to pay a premium for genuine Nikon products, it was pretty clear that a good percentage of D800 customers were not going to bite at the MB-D12 price.
Some manufacturers seem to fail to understand what photographers of this day seek in a compact, digital package (I’m talking to you, Nikon), some choose a safe and dependable bet. Add a couple of manufacturers who don’t really know what they are doing, and you have a whole bunch of cameras which are often good, but a little… predictable? Yes, that seems to be the word. Happily, there are those who strike a certain balance between innovative technology and character to stand out from the crowd. On the expensive side, we have Leica. On the less expensive side, we have Fujifilm, which has been steeling thunder for the last whole year at the very least. Now, if there are two cameras in 2013 our team is most intrigued by, it’s the recently announced Fujifilm X100S and X20. So for those of you who feel one of these is the right tool for you, read on for the pre-order links.
We may be a bit late to publish this particular announcement, but it did take some time to comprehend what Nikon has done, or, to be precise, hasn’t done. Along with the USA availability of their D5200 DSLR camera, they have also introduced two new Nikon 1 cameras and lenses. Firstly, there’s the J3, which is a successor to the J2, which was announced less than half a year ago (click here for our review). If, previously, the J-series were thought to be entry-level Nikon 1 offerings, such positioning has changed with the introduction of a lower-end S1 camera. The two lenses are 6.7-13mm F3.5-5.6 VR wide-angle zoom (18-35mm equivalent) and 10-100mm F4-5.6 VR super-zoom (27-270mm equivalent).
The Vello Screen Protector for the Nikon D800, at $24.95, is an attractive alternative to the Nikon BM-12 protector, which sells for $16.95. At first glance, I wondered why a third party was offering a product that was priced higher than the Nikon equivalent. I soon realized why.
Along with X100S, Fujifilm has also announced a new high-end compact camera. Replacing the very popular and attractively styled in recent Fujifilm X-series fashion, Fujifilm X10, the new camera retains all of predecessors’ strengths and gains a few more. With what X20 has to offer, it should end up as a very nice little camera for those who want a camera for simple occasions but with the usual flexibility of higher-end gear.