Have you ever had a surreal experience when you’ve walked through a doorway and once on the other side you’ve entered into a strange, foreign land where people speak in tongues, and you feel completely lost and helpless?
The subject of sensor crop factors and equivalence has become rather controversial between photographers, sparking heated debates on photography sites and forums. So much has been posted on this topic, that it almost feels redundant to write about it again. Sadly, with all the great and not-so-great information out there on equivalence, many photographers are only left more puzzled and confused. Thanks to so many different formats available today, including 1″/CX, Micro Four Thirds, APS-C, 35mm/Full Frame, Medium Format (in different sizes), photographers are comparing these systems by calculating their equivalent focal lengths, apertures, depth of field, camera to subject distances, hyperfocal distances and other technical jargon, to prove the inferiority or the superiority of one system over another. In this article, I want to bring up some of these points and express my subjective opinion on the matter. Recognizing that this topic is one of the never-ending debates with strong arguments from all sides, I do realize that some of our readers may disagree with my statements and arguments. So if you do disagree with what I say, please provide your opinion in a civilized manner in the comments section below.
We all have our strengths and weaknesses, as well as ways to deal with the latter. And it is only natural for us to sort of… drift towards our strengths. Hold on to them, practice as often as we can and, by doing so, get even better at them. And so, before I inevitably talk about close-up portraits (which I am not very good at), I thought I’d first discuss much more loosely composed photography (which, though far from having mastered, I dare say I am rather better at).
My word. This is such a relief to write about.
This is a review of the Think Tank Airport Roller Derby rolling camera bag. When I first saw that Think Tank had released a new 4 wheel camera bag, I was immediately curious. I had been using the Airport 4-Sight since it first came out and was very happy with it, but had filled it with as much gear as could fit in it and simply needed more room. The Roller Derby is a larger bag that looks like it has a few improvements over the 4-Sight. Could it become my new camera bag?
We’re pleased to have one of Arizona’s top professional photographers, Dawn Kish, share her experience field testing two waterproof DSLR housings on a Grand Canyon raft adventure. Dawn is not only a regular shooter for magazines such as National Geographic Adventure and Arizona Highways, but a former river guide as well. For a quick one-minute video review of these two housings in action, scroll to the bottom of this post. For the more detailed analysis, read on.
When I submitted my photos of Acadia National Park as a guest submission on Photography Life, I was amazed at the response, especially on the fact that the majority of photos were shot using a Nikon F100 with Fuji Velvia 50. Nasim contacted me to do an article on film considerations for landscape photography as a follow up. So this is my stab at it.
Sony is very, very serious about the full-frame mirrorless cameras and would seem they plans no break for the competition. The Japanese giant has just announced a replacement for the first and (currently) cheapest full-frame compact system camera, the A7. Dubbed the A7 II, it brings, more than anything, refinement to what is essentially the same core feature set. Mind you, so far it has only been announced in Japan. It is still interesting to see where the manufacturer is going with all the full-frame offerings.
I will be honest, I am not a fan of Adobe as a company. I never liked their business model: their practice of gobbling up competition (sometimes out of fear), their Creative Cloud extortion and their sleazy management that only cares about their next quarter revenues. But most of all, I never liked Adobe’s poor software development practices. In my past tech life, Adobe products were always a big pain due to numerous security holes and huge, frequent updates. In fact, Adobe has been notoriously bad with releasing poorly tested software with too many security holes. In 2011, Adobe dominated Kaspersky Lab’s top ten PC vulnerabilities list, with “extremely critical” security vulnerabilities that allowed attackers to gain access to computer systems and execute arbitrary code. These security vulnerabilities spanned several Adobe products, which most PCs had at the time and even today: Adobe Reader and Adobe Flash Player. No wonder Apple did not want to support flash in its iOS (which thankfully resulted in the slow demise of the Adobe Flash), since Flash was a very badly written, resource intensive platform to begin with. Although Steve Jobs mostly blamed Adobe Flash for being a PC-era platform, two of the biggest reasons why Flash support was excluded from iOS were in fact related to security and stability concerns.
If you have been waiting for Adobe to release full RAW support for the new Nikon D750 (see our detailed Nikon D750 review), for the new Canon 7D Mark II (see our first impressions preview), or for a number of other new cameras from Fuji, Leica, Olympus, Panasonic, Pentax, Samsung and Sony, you will be happy to know that Adobe has just delivered the final production version of Lightroom 5.7 and Camera RAW 8.7 that not only provide the RAW support, but also come with a huge list of newly supported lenses. Along with these updates, Adobe also delivered some updates to the Synced Collections in Lightroom, integrated a utility to import images from Apple Aperture and Apple iPhoto Libraries, enabled support for HiDPI displays in ACR 8.7 and provided a number of bug fixes for both Lightroom and ACR. For those who like to shoot tethered, both the Nikon D4s and the D810 are now fully supported. Another huge news is for Nikon D810 owners – the color profiles have now been finally fixed, so you will not see any banding issues when using Nikon camera profiles anymore!