Four seasons is a marvelous gift of our planet to landscape photographers, at least in certain parts of the world. In the past, I preferred anything but winter. I always impatiently awaited fall colors, peaking around late October and beginning of November, or the lush green tones of mid-April. But in the past few years, I learned to love winter too. Well at least when there is snow and frost. Here are my tips on how to photograph snow in cold weather.
If you find yourself editing photos but have a hard time deciding between different looks for a particular image, creating a snapshot in Lightroom is a great way to quickly switch between different image edits. Additionally, snapshots are also a great way to preserve a particular image edit even if you decide to completely change an image. Many people don’t know how to create a snapshot in Lightroom or even know that the feature exists, so I created a video to give you an idea of what they’re all about.
There are two kinds of photographers. Those who admit they crop, and those who claim they don’t. The latter are glistening bastions of photographic purity whose souls glow at a constant Zone 10. They graciously lecture us heathens on the evils of cropping and try to exorcise the post-processing devils from our souls. They abhor us croppers, whom they consider inferior photographers – low down scum worse than fixer stains or a piece of grit in a bulk loader. They realize that cropping leads to even more sinful behavior, such as high speed bursts and shamelessly shooting above base ISO. I could go on, but they’ll pick up where I left off in the comments section. For us sinners, why not explore the process of cropping images in Lightroom and understand why it is done in the first place?
Our friends at LibRaw just informed us that they will be giving our readers an exclusive 25% off on all products and bundles, which includes our favorite FastRawViewer software (FRV). This means that for a limited time (until March 31, 2017), you will be able to buy this amazing image culling software at $14.99. We would also like to ask our readers to provide some feedback on FRV and let us know what improvements they would like to see in the future versions.
We are happy to announce a rather significant update to the Photography Life design, which is focused on delivering a much cleaner user experience optimized for both both desktop and mobile use. We got rid of the large headers and the enormous slider on the front page and re-tweaked every part of the website to look very polished and distraction-free. A lot of the older content has been updated with more up-to-date information and we will be continuing our efforts in making sure that all the content stays relevant on the site, whether you are looking at articles published 5 years ago or today.
This post is the first of a three-part series dedicated to teaching sports photography at all levels of competency. In part one I will cover the basics for photographers who are just getting started. Part two will focus on gaining competency for those who have mastered the basics. The final part will be geared towards serious amateurs looking to build a portfolio.
A polarizing filter is one of the most essential tools in a landscape photographer’s bag. It is typically the first filter landscape photographers buy to instantly improve their pictures by adding vividness and contrast to them. In this article, we will go through detailed information on polarizing filters, what they do, why they are important and why you should consider using them for your landscape photography.
Have you ever wondered how to use the radial filter in Lightroom? Although we have covered it in depth in our Workflow and Post-Processing course, I thought it would be a good idea to share some detail about the specifics of the radial filter in a video. If you are just starting out in Lightroom, this will be a good introduction on how to use the radial filter, which keyboard shortcuts to use to access it and how to do basic customizations to make the tool fit your needs.
We are once again excited to announce our upcoming workshops later this year and this time we have a few surprises! In addition to the regularly conducted Colorado Fall Colors Workshops, we are adding two more workshops – Jordan Photography Workshop and Death Valley National Park Workshop! Please read below for the full schedule of these workshops and if you would like to participate, please sign up sooner than later, since they fill up pretty quickly.
As the wheels of the land rover cracked across the dry crust of the Namibian soil I gazed across the plains ahead. It was July in Namibia and the dry season was in full swing. Arriving from the lush Zambezi river my thoughts were filled with the verdant wetland smell of damp bush and water reeds, Etosha, as I was to discover, is an altogether different beast. Approaching the centrepiece of the park one sees a vast salt pan surrounded by grasslands covered in bone-white sand. The closer you come to the centre the farther you can see on all sides, beyond the painted pale shrubbery into the smoky veil of the veld. Etosha does not rise before you, it expands.