There must be something very rotten in the state of Denmark when Alpha Whiskey starts talking about gear. Have I completely lost my mind?! Did I give in to the Dark Side of The Force? What’s the matter with me? Joking aside, this isn’t as comprehensive a look at a camera as one of Nasim’s reviews. I’ve always had a tremendous appreciation for the Herculean effort he puts into his reviews; now that I’ve written this brief article about a camera myself that appreciation is infinite. And while our gear is secondary to our creativity, of course the latter benefits from the former; it’s just not something I usually spend my time worrying about.
Just like many other Nikon shooters, you might be wondering what Nikon has got up its sleeve when it comes to mirrorless. With so many manufacturers now competing in the mirrorless market, it is sorely disappointing to see Nikon being stuck with its 1″ CX sensor mirrorless offering, which despite its many strengths, is far from gaining popularity among enthusiasts and professionals. Unfortunately, for some manufacturers like Samsung, jumping into the mirrorless bandwagon has been challenging to say the least. Despite very strong offerings like the Samsung NX1, the company has not been able to gain a solid market share to stay afloat and its “mirrorless experiment” seems to be coming to an end, with the company’s announcements to discontinue sales of its products in a number of countries. In fact, based on these events, the future of Samsung’s NX line does not look good at all. But there is hope – today’s rumors indicate that Nikon is doing something completely unexpected, which is buying the Samsung NX mirrorless technology. According to Mirrorless Rumors, Nikon has already acquired the technology and the official announcement will be revealed in January of 2016, at the CES.
We have been asking folks at JPEGmini to give our readers a heavy discount and our request has been fulfilled! Today only, starting at around 9 PM Eastern Time, B&H will be hosting a mega sale on the Deal Zone for JPEGmini Pro. The software will be heavily discounted from its $149 price to only $59.99! That’s a killer price for this software package that will optimize your JPEG image library and compress it without losing quality. I have written extensively about JPEGmini at PL and you can see my original JPEGmini Pro Review, along with the last two posts on how JPEGmini can help in reducing your storage needs.
B&H has two killer deals available today for DxO OpticsPro 10 Elite Edition ($99.50) and X-Rite ColorChecker Passport ($49), which have been heavily discounted by 50% (both deals expire tonight). I have never seen these packages priced with such a heavy discount, so it is a good opportunity to grab both before the price goes back to normal.
While the holiday season is usually one of joyous times spent with family and friends, it can also serve as a time for remembrance and deeply felt love. This is the case for my neighbours, Uby and Cindy Paul.
Over the past couple of weeks I’ve had the opportunity to do some testing with the 1 Nikon 10-100mm f/4-5.6 lens. This is one of the few 1 Nikon lenses that I’ve never used before and I was intrigued to find out how it would perform. I thought readers may enjoy seeing a few sample images taken with this lens, mounted on a Nikon 1 V2. The 1 Nikon 10-100 is a fairly small, compact lens as you can see in the photo below.
A killer Black Friday-only deal from our friends at B&H Photo Video today only (ends in 6 hours!) – a brand new Apple 15.4″ MacBook Pro with Retina for $1,599 with free shipping. That’s a whopping $700 discount on a high-end laptop. This thing is a beast, because it comes with a 2.5 Ghz Core i7 CPU, 16 GB of RAM, 512 GB of PCIe-Based Flash Storage and NVIDIA GeForce GT 750M GPU. It will easily handle pretty much anything you throw at it and it will run both Lightroom and Photoshop smoothly. Definitely a great deal we highly recommend!
Starting from today until December 1, 2015, we have all the products on sale. The Sensor Gel Stick (both versions) is discounted by 10%, while the Sticky Paper is discounted to $9.99. The biggest sale is on our Level 1 Photography Basics – it has been discounted to $99 ($149 regular price) and the USB version is $20 more.
Since the early days of film, panoramic photography has been synonymous with landscape and architectural images, and sometimes with other genres like street and wildlife photography. By combining two horizontal frames of film, typically 120 medium format, some film cameras actually shot panorama photographs by design. Most of these cameras emerged in the latter half of the twentieth century, bringing the panoramic format to the public eye. The panorama had existed long before this time, of course, but its popularity has only grown — and with good reason. Panoramas are fun and dramatic, and their subtleties are just as important in today’s mostly-digital age as they were during the heyday of film. In this article, I will discuss some of the important but less-common benefits of taking panorama images, as well as sharing a set of my photographs from Iceland in the classic 6×17 aspect ratio. If you are new to panoramas, you might enjoy reading our general panorama tutorial first.
Although Tamron pioneered the release of the first 150-600mm lens, Sigma followed suit by releasing two versions of lenses with exactly the same focal length and aperture ranges. The smaller and lighter version, the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary (the one we are reviewing today), targets the same market as the Tamron 150-600mm f/5-6.3 Di VC USD, while the much larger and heavier “Sport” version is something unique to Sigma, with no other equivalent competing offers from any other manufacturer. Being able to reach 600mm without spending a lot of money has been a big dream of many wildlife photographers on a budget, because anything close to the 600mm range typically translates to a very large expense – as much as $12K for the latest generation 600mm f/4 lenses. While the current 150-600mm lenses cannot offer the maximum aperture of f/4, they give a huge focal range to work with, which can be particularly useful when photographing subjects at varying distances. As many 600mm prime lens owners know, shooting with long glass is not an easy task due to both weight and atmospheric haze concerns. Such lenses can be quite limiting when the action is close, such as when photographing bears in Alaska, or taking pictures on an African safari. For such occasions, many pros love the 200-400mm f/4 lenses, because they give that flexibility to shoot action at both close and long distances. However, the high cost and the weight concerns are still there, making such lenses prohibitive for budget-conscious enthusiasts and pros who prefer shooting hand-held. And that’s when the 150-600mm lenses come to the rescue, offering great performance in a lightweight and relatively low-budget package. At just over $1K and a total weight of 1930 grams (4.25 pounds), the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary is a very attractive lens for sports and wildlife photographers. In this review, we will be taking a closer look at this lens and compare it to the Tamron 150-600mm lens that we previously reviewed and loved.