Lost in all the recent excitement of the Nikon D5/Nikon D500/Canon 1DXMkII/Pentax K-1/Sony a6300 and Fuji X-Pro 2 announcements was Nikon announcement of their new DL “premium compact” camera line-up. The DL line-up consists of three models all sporting fixed lenses, 1.0” 20.8 megapixel sensors and the new EXPEED 6A processor. The Nikon DL18-50 ($850) with its 18-50mm equivalent lens is there to tempt the landscape and architecture shooters. Street ‘togs and all-rounders are offered the DL24-85 ($650) with a 24-85mm equivalent lens. For nature and wildlife buffs the DL24-500 ($1000) sports a 21x superzoom 24-500mm equivalent lens.
Perhaps the best-known hosting website for photographers is SmugMug, a platform that has been around since 2002. SmugMug acts as an online gallery space, letting you display your photos easily and – relatively – inexpensively. I have been using SmugMug exclusively for almost a year, and I have grown very familiar with its range of tools and capabilities. In general, I have been very impressed by SmugMug; for this review, I will cover some of its main uses and features, as well as the positives and negatives of using SmugMug to host your online gallery.
Nikon is bringing back its lens-only rebates in the USA again and this time we have some very nice options, including the Nikkor 20mm f/1.8G, 85mm f/1.8G, 18-35mm f/3.5-4.5G and 70-200mm f/4G VR lenses getting some nice discounts, with higher-end lenses like the 14-24mm f/2.8G ED and 70-200mm f/2.8G VR II getting $200 off. In addition to these lens-only rebates, Nikon also has the “Buy Together and Save” program going on, where you can get additional discounts when purchasing a camera body.
We are excited to announce our 2016 Colorado Fall Colors Workshops taking place in one of the most picturesque locations in the world, in the San Juan Mountains of Colorado! This is the workshop that we have been conducting every year for the past 5 years and we are happy to do it again this fall. Just like last year, we will have two different groups, one from September 23-26 and one from September 28-October 1, both spanning a total of 4 days. Get ready to learn a lot, shoot a lot and enjoy quality time with like-minded people that share your passion! The workshops are limited to a total of 10 spots per group and since it usually sells out within 24 hours, we would recommend to register as soon as possible!
UPDATE: Only 2 spots left!
Ricoh has just posted image samples from its upcoming Pentax K-1 DSLR (see our announcement post for details). Although all of the images were shot at ISO 100 and we are yet to see high ISO image samples, the 36 MP sensor on the K-1 seems to be very similar to that of the Nikon D810 in terms of image quality and color reproduction, which is superb. At $1800, the Pentax K-1 represents phenomenal value, not only because of the sensor alone, but also because of the different technologies packed into the camera body. The “Pixel Shift” capability, in particular, deserves a lot of attention, because the camera is capable of moving its sensor in order to capture all the colors that a typical Bayer sensor is incapable of capturing in a single shot. As a result, one can get results previously only possible when shooting with a medium format camera in terms of extreme detail. This kind of technology is disruptive, because it is innovation we have previously not seen from any full-frame camera.
A winter storm hit the Boston area sometime in February and when various weather channels called for a clear evening/night, I got thinking. I live close to Merrimack River and have tried photographing it several times before but so far not have not been satisfied with the resulting images. Sometime it is either an out of place tree limb that destroys visual harmony or distant apartments, houses or other man-made structures that compete for attention. I realized that if the storm started to clear 30-40 minutes prior to sunset, I might be in luck. A quick 4 pm peek outside the window signaled just that and I immediately rushed out with my camera bag. Since I already knew what I was after, and possibly needed to react quickly to changing light, I opted for a shoulder bag that contained a Nikon D610, along with 18-35mm f/3.5-4.5G and 24-120mm f/4 VR lenses.
While photographing famous landmarks and photo spots is usually a safe way to obtain a beautiful photograph, being able to scout and find own subject to photograph is a skill that many of us have to acquire at some point. Identifying good light, finding the right angle for proper framing and composition, pre-visualizing the end result and using the right tool for the job in order to create a unique and compelling image takes years of practice in the field. This is the area that many of us, including myself, struggle with the most. Despite the difficulties and the challenges, it is important to keep on advancing the “photographer’s eye”. Sometimes we look at a beautiful image and really like it, but have a hard time understanding exactly what in particular attracts us to it. Is it the beautiful light, the composition or the subject itself? An untrained eye often sees certain elements of an image, while neglecting to see other, equally important elements that make an image successful. Being able to see and visualize all the minute details in order to properly execute a photograph is something we all need to continuously work on, because those details really do matter. Personally, I find great help in “dissecting” a solid photograph, to try to understand what kind of thought process and work went into making it. During this process, I pay close attention to everything from light, framing, composition, colors, subject, area of focus and other details, so that I can apply that knowledge in the field. In this article, I would like to present a landscape image that I recently captured in Joshua Tree National Park and go through the process of unveiling everything that went into making this image.
Please note that the below article is compiled from some of the chapters from our upcoming eBook “Creative Landscape Photography” that Spencer Cox and I are currently working on. This will be our first eBook, specifically written on the subjects of Light, Vision and Composition when photographing landscapes.
Last month my wife and I spent a number of weeks in the eastern portion of South Carolina with Garden City Beach acting as our home base. In the summer the Grand Strand area of the state is a renowned ‘sun and sand’ destination. In February, with temperatures often hovering in the 35 to 55 degree Fahrenheit range many days (2-13 degrees Celsius) – sun and sand isn’t on most people’s minds! I spent some time at Murrells Inlet photographing pelicans and other birds, and my wife and I did some exploration south of Myrtle Beach during our stay.
Adobe Lightroom is a complex piece of software, and it includes countless features that are buried beneath the surface. In this article, I will cover four useful Develop options that aren’t obvious at first glance, ranging from precision cropping to local color adjustments. If you are a Lightroom guru, you certainly may use each of these already; however, for most Lightroom users, these features are somewhat difficult to find.
This week I have been heavily working on keeping our lens database up to date. With so many lens announcements coming out from different manufacturers, keeping the database current has been a challenge, since it takes quite a bit of time to add all the relevant information. Big thanks to everyone who has been sending feedback, requests and recommendations to improve our lens database. We want to make it the best and the most complete database in the world and everything we build today will be hugely beneficial for current and future readers of the site. This is why we need your help today! By letting us know about the missing lenses, errors and inconsistencies, you will be joining our efforts in compiling a great source of public information. But before that, let me first shed some light on some of the changes that we have made to the database.