I have been shooting the night sky since my grandfather gave me my first 35mm SLR in junior high. Today’s digital SLRs allow us to shoot amazing things that I could only dream of a couple decades ago! Below are some tips and suggestions that I teach at night photography workshops for shooting the Milky Way.
Read this in-depth review of the Nikon 400mm f/2.8E FL ED VR lens with detailed information, specifications, image samples and comparisons to other Nikkor super telephoto lenses
An in-depth review of the Nikon Coolpix P900 point and shoot camera with sample images, high ISO tests and detailed real-life analysis
Review of the Really Right Stuff BH-55 full size ballhead by Nasim Mansurov with sample images and comparisons to other tripod heads.
If you become a student of street photography, the curriculum is littered with advice and maxims on what defines and makes a “good” street photograph; […]
Hello, my name is Rick Keller. I am an amateur photographer who lives in San Diego, CA, one of many readers of Photography Life, and […]
Zoom lenses are convenient, as everyone knows. I’d imagine that the vast majority of us started our photography with a simple 18-55 kit lens – I know I did, and I used it to take some of my favorite photos. However, it never seemed like a good fit for my style of photography. My first prime lens was the Nikon 105mm f/2.8G VR macro, a truly fantastic lens. At the time, I had never attempted macro photography. It is no exaggeration to say that the 105mm macro opened new worlds for me, and its sharpness was unbelievable. I had discovered the magical world of prime lenses.
Astrophotography is a hobby rapidly gaining popularity thanks to the fast advancing CMOS sensor technology. Over a decade ago, the light recording material employed in astrophotography was primarily chemical emulsion. Its low sensitivity makes it very hard to record the weak signal from deep space. In addition, the lack of real-time feedback is a huge source of frustration for beginners. Operational errors such as out-of-focus can only be realized after several nights of hard work after the film is developed. In the mid 90s, the advent of cooled CCD cameras provided solutions to both the sensitivity and real-time feedback problems. However, their high prices and miserably small sensor areas limited their uses to only a few kinds of astrophotography and to very enthusiastic astrophotographers. While CCDs revolutionized astronomical research, this technology has never really changed the landscape of amateur astrophotography. The true turning point took place in 2002. After Fujifilm announced its FinePix S2Pro DSLR and showcased amazing astronomical pictures taken by this camera, people started to seriously explore DSLRs for astrophotography. DSLRs can provide real-time feedback, which is very important for beginners. They have sensitivities not much worse than CCDs, and DSLRs with large sensors (APS-C) are quite affordable nowadays. Today’s landscape in astrophotography is shaped by a series of CMOS-based DSLRs from Canon, but DSLRs and mirrorless cameras based on Sony sensors are gaining popularity very quickly.
It’s been bugging me that I only have a handful of decent insect photos, despite owning a macro lens primarily for that purpose. When they weren’t flying or running away from me, they were biting me, and when I tried the pop-them-in-the-fridge-to-cool-them-down trick – well, let’s just say Mr. Tarantula is still napping. I felt awful about that and vowed never to ice down a critter again unless it was a penguin with heat stroke. Still I’ve been seeing tons of great bug photos lately and it rekindled my interest. If I could just dial in the lighting, maybe I could start nailing some great macro wildlife shots.
The Nikon D7200 has been announced, but full resolution image samples are not yet available at NikonUSA or Nikon Imaging. Below are the images I was able to find through Nikon Japan. At this time there are only 5 full-resolution image samples available, but I will update this article if I find more this week. Sadly, all images below were captured at ISO 100 and there are no high ISO samples to look at yet. Nikon Asia and other regional sites do have more sample images, but none of them are at full size.
As many may have expected, Nikon has just extended the lens-only and camera rebates all the way to March 28th. And it is a good thing, too, as it gives more time for customers to get the lenses they’ve always wanted without having to purchase a camera body as well. But if you are looking for a new DSLR, the bundles are also available.
You may remember how we were thoroughly impressed with the Profoto B1 off-camera flash. Its manageable weight, ease of use and dependability were among the largest strong-points, and made the product itself very tempting, even when compared to products from other highly-regarded manufacturers, such as Elinchrom. Now, Profoto has announced a successor (or perhaps a counterpart) to the B1. As good as the “older” system is, even on paper the B2 sounds fantastic.
It has been two years since Nikon announced the D7100 and today the company announced its replacement, the Nikon D7200. A number of things have changed / improved from the D7100, most notably: improved 51-point AF system with -3 EV sensitivity, built-in Wi-Fi with NFC, faster EXPEED 4 processor, larger buffer capacity, improved battery life and a slightly modified 24.2 MP APS-C sensor with a larger native ISO range of 100 – 25,600. Looks like Nikon finally addressed the buffer concern with this release, giving a three times larger buffer that can fit 18 14-bit RAW files compared to the D7100. The sensor on the D7200 is probably a tweaked version of the excellent sensor from the D5300 (made by Sony), which should provide pretty clean images at high ISOs. The camera retains the price of its predecessor at $1,199 MSRP. Looks like it is a great update to the already excellent D7100, which we have previously reviewed and praised for its superb performance. Judging by its build / ergonomics and the same continuous shooting speed of 6 fps, the D7200 won’t directly compete with the Canon 7D Mark II, which still leaves room for the potential release of the D400 later this year.
This short article has a selection of sample images taken hand-held with the Nikon 1 V3 and Nikon 1 CX 70-300 lens at Bird Kingdom in Niagara Falls Canada. While I was intending on doing a full review of the Nikon 1 V3 a number of time sensitive client video projects have recently emerged. Unfortunately that means I will not be able to proceed with my planned full review any time soon. Instead I’ll provide a few initial impressions of this camera along with some sample images.
We have just received information from our partners B&H Photo Video and Adorama that Canon is significantly dropping prices on both 5D Mark III and 6D cameras. It is hard to say whether these price drops are coming as a result of the Japanese Yen depreciation, or perhaps Canon is planning to release replacements to these cameras soon and wants to clean off the shelves before new products hit the market. Either way, these are great prices on great cameras. We have previously reviewed both Canon 5D Mark III and Canon 6D and found them to be quite solid. So if you are invested in Canon glass and accessories and need to replace that aging 5D or 5D Mark II, or want to move up to full-frame from an APS-C camera, this might be a good opportunity to do so. At $2,499 for the Canon 5D Mark III ($300 price drop and $300 instant rebate) and $1,399 for the Canon 6D, these are the lowest prices on the two cameras we have seen to date.