Have you ever wondered how to use the spot removal tool in Lightroom? Although we have covered it in depth in our Workflow and Post-Processing course, I thought it would be a good idea to share some detail about the specifics of the spot removal tool in a video. If you are just starting out in Lightroom, this will be a good introduction on how to use the spot removal tool, which keyboard shortcuts to use to access it and how to do basic customizations to make the tool fit your needs.
This is an in-depth review of the Fuji X-Pro2 mirrorless camera, an upgrade to the top-of-the-line X-Pro1 of the X-series cameras that was announced in January of 2016. It is hard to believe that it has been five years since Fuji first announced its mirrorless X system with the launch of the Fuji X-Pro1, along with the first three lenses. It was a pretty rough ride for Fuji, since the system looked very appealing and yet the initial feedback and reviews indicated that the camera was full of bugs and autofocus issues. But despite the negative reactions, Fuji did not give up, since it wanted to make the X system successful at all costs. Within a year, the X-Pro1 was transformed into a whole different camera – major firmware issues were taken care of and the AF system became much more polished and reliable. Fuji decided not to leave its original customers behind, letting them get the latest and greatest through “Kaizen” firmware upgrades. And although Fuji released a bunch of new X-series cameras, the X-Pro1 continued to receive firmware feature upgrades for another 4 years, something no other manufacturer has done in the past. That level of commitment did not go unnoticed by the photography community, creating a large and loyal Fuji fan base. After a long wait, Fuji finally revealed the much anticipated X-Pro2 that many photo enthusiasts and professionals have been waiting for. Last Christmas, an amazing gift from FujiFilm Italia gave me the opportunity to experience the Fuji X-Pro2. Since Nasim also had some thoughts to share with PL readers after using the camera for a few months, we decided to combine our efforts into a single review.
Without a doubt, the release of medium format cameras by both Fujifilm and Hasselblad have shaken up the photography industry and have sparked interest from many enthusiast and professional photographers, who are interested in moving up to medium format. While Hasselblad delivered the smallest and the lightest medium format camera ever made in the shape of the X1D-50c, Fuji definitely surprised many of us with the low (for medium format) price of the GFX 50S. With both cameras featuring similar Sony-made sensors with the same size and resolution, one might think that the two cameras compete directly with each other. However, once we look at some details and understand the real differences between the GFX 50S and X1D-50c, it becomes more apparent that the two cameras might have been created for completely different purposes and uses. I have been fortunate to have had my hands on these two cameras for the past few weeks and although I am planning to put the two cameras to real use very soon, I have already gathered some thoughts that I would like to share with our readers. Let’s take a look at the two medium format cameras in more detail and compare them side by side.
Don’t groan! I’ll try to be brief. I had some time to kill the other week so I decided to spend a couple of days of it in Vilnius, the capital city of Lithuania. I have no idea why I chose Vilnius; maybe I closed my eyes and landed my finger on a map of Europe. But it easily entertained a short trip. It’s a beautiful, if small, city with resplendent architecture from several periods and the colourful rendering typical of buildings in Central and Eastern Europe.
One of the key features that many high-end Nikon DSLRs hide in their menu system, is the ability to instantly zoom into an image at 100% zoom, or 1:1 magnification. This “one-click zoom feature” can be very useful when reviewing images on the rear LCD, as it saves you from having to press the zoom and the navigation buttons so many times in order to see whether the subject you are capturing is sharp or not – you simply press the center button (which is sometimes marked as “OK”) on the multi-selector and you instantly zoom to the area you focused at. Press it again and you go back to full view. If you shoot with a high resolution camera like the Nikon D810, it will save you a total of 9 zoom presses. Let’s take a look at how you can enable this awesome feature on your Nikon DSLR.
Fundamentally, landscape photography is about the landscape that you capture. Although your subject isn’t the only important part of a photo — light and composition are also crucial — it is the cornerstone of a successful image. Even the best photographers in the world need to capture interesting subjects, or their work won’t have any appeal. In the article below, I’ll cover some of the top tips to finding great subjects for landscape photography, from in-depth planning to scouting for locations.
How do you create clean compositions in a messy environment? It’s a problem every wedding photographer has as bridal prep rarely just means the bride. Bridesmaids, moms and grandmas could all be getting ready in the same location. This inevitably means, for want of a better word, a messy room. Make up brushes, hair dryers, spare clothes. You name it, it will be on the floor or on the work surfaces. So how do you overcome the detritus and create beautiful photographs? In this article, we will explore three tips and tricks that you can experiment with to create clean photographs and hide unsightly objects.
I am a nature photographer. The implication being that the bulk of my work concentrates on documenting and working with the natural world around me. Now one can make the claim that human beings are very much a natural part of the environment. But over time, our uniqueness as a species and our unique way of life has created a strong distinction between ourselves and the natural world which we inhabit (and so often destroy in the process). My work as a professional photographer means that I usually find myself far from civilization and in rather remote locations, working with subjects that are either natural landscapes or wildlife. Once in a while, I get the opportunity to visit places that are very much the embodiment of human society and history like the Mayan Pyramids in the Yucatan, ancient Greek cities in Greece, or Roman ruins in Turkey.
This is an in-depth review of the Fuji X-T2, a second generation mirrorless camera in its class that was announced in July of 2016 as a replacement of the X-T1. It has been a few years since the Fujifilm X-T1 shook the photography world when it was announced, thanks to its amazing ergonomics, superb autofocus system, great image quality and a strong line of lenses, making the X-T1 one of the most desirable mirrorless cameras on the market. It took two years for Fuji to bring out the much anticipated update in the form of the Fuji X-T2 and given the status of its predecessor, the expectations were very high, making it tough for Fuji to deliver something truly outstanding. With the X-Pro2 already out, many of us thought that there would be very few differences between the two. However, Fuji engineers did manage to pack many more features into the X-T2 to make it stand out from the X-Pro2, with 4K video, faster EVF, faster continuous shooting rate with a grip, dual UHS-II memory card slots and a slightly lower price, making it a truly appealing camera on its own. In this review of the Fuji X-T2, I will be taking a closer look at the camera, which I have been heavily using for the past 4 months. The X-T2 was not an easy camera to obtain and Fuji is still struggling with meeting the heavy demand, which speaks volumes about the positive perception of the camera by the photography community.
Four seasons is a marvelous gift of our planet to landscape photographers, at least in certain parts of the world. In the past, I preferred anything but winter. I always impatiently awaited fall colors, peaking around late October and beginning of November, or the lush green tones of mid-April. But in the past few years, I learned to love winter too. Well at least when there is snow and frost. Here are my tips on how to photograph snow in cold weather.