My name is Ajit Menon and I am a hobbyist photographer from New York City. I started shooting seriously in the summer of 2012 when I procured the Nikon D800. The shift from casual amateur to serious hobbyist is itself an interesting story; however this article is focused more on a subtle shift in focus over the last couple of months and beginning to shoot both with a camera I was (until now) too snobbish to accept and also more casual subject matter which I found hard to fit into my (perceived) style of photography.
Read this in-depth review of the Fuji XF 16-55mm f/2.8 R LM WR lens with detailed information, specifications, image samples and comparisons to other X series lenses
Exposing to the right, or “ETTR,” is an approach to photography that is as helpful as it is controversial. On one hand, exposing to the […]
One of the biggest complaints the Sony full-frame mirrorless system has been receiving, is lack of good lens choices. With the launch of the Sony […]
In my recent essay on visualization, I discussed the historical and modern day significance of this concept in photography as well as the role that […]
Read this in-depth review of the Nikon 400mm f/2.8E FL ED VR lens with detailed information, specifications, image samples and comparisons to other Nikkor super telephoto lenses
When I’m not scratching ever upwards toward the pinnacle of the high-stakes editorial bird photography world I find it helps my bottom line to prostitute myself as an HPLS. It’s not a pretty job, but imagine how ugly the world would appear if it weren’t for the services of us Human Powered Light Stands. When were not schlepping monolights, downloading memory cards, witnessing model releases, or checking to make sure the model’s sports bra isn’t wrinkled, we’re usually found holding the Venerable Shiny Disk.
Our friends at B&H have just let us know that our readers will be getting an exclusive deal for DxO OpticsPro 10 Elite Edition for the next 3 days. Normally priced at $199, the software will be discounted to $129, so it is a pretty good deal saving you $70 on this DVD. Aside from the powerful RAW and JPEG processing engine for optical corrections built in OpticsPro, the Elite edition includes PRIME Denoising Technology, ClearView Haze Reduction, Anti-Moire tool, ICC Profile Management, Multiple Outputs, Presets and a total of 3 software activations.
After writing my recent article Birds-in-Flight Images with Nikon 1 V3, it occurred to me how helpful using DxO OpticsPro 10 was in processing the RAW files for the article, and specifically the DxO Smart Lighting function. The DxO Smart Lighting function is designed to adjust the dynamic range in an image. This brief article shows a quick example of the impact of using DxO Smart Lighting. Let’s start with an out-of-camera jpeg of an image that I did not use in my recent V3 article.
Antarctica…. a place I never thought I would visit. A place on the bottom side of Earth where few people go. Most of my friends, when they learned I would be taking this trip, asked: “why Antarctica? What’s to see besides penguins, seals and ice?” For me and most photography friends of mine, Antarctica is on our bucket list. Not just for the photographic opportunities, but for the natural beauty all around that cannot be described by any word other than awesome. My partner in this adventure was my 34 year old, world traveler daughter. We are both amateur photographers, me more amateur than her. This was an extraordinary father-daughter bonding trip.
I’ve been continuing my field work for my hands-on review of the Nikon 1 V3 and spent some time capturing images of birds-in-flight at Grimsby Harbour. This has been a particularly severe winter and some of the Great Lakes have frozen over completely. This is only the fourth time in the past 40 years that this has happened. As you can see from the image below, Grimsby Harbour is frozen solid out past the lighthouse. This made for some interesting captures of birds-in-flight.
In my dream life, I would be a fashion and documentary photographer, but until that happens, I’m a barista. Every day I show up to work, serve the same customers, make the same drinks, hit the same cash button on the register, wipe the same tables and bake the same pastries. It can get a little mundane after two years. Everyone has to work, pay the bills, put in your due time so you can play later, right? This was my thought process for years. I always thought I would need to work a full-time job in order to support my true passion, creating images. But in reality, why can’t the two go hand-in-hand?
My experience with shoulder bags has not exactly been great up to this point. As much as I liked the idea of carrying equipment in a shoulder bag, that convenience of quick access, I’ve not found one that would serve the part flawlessly before. There was always something not quite right – it’s either too square or too wide, the strap – too narrow or likes to play heart-stopping jokes on you.
You probably saw the next bit coming. You may even think it to be a cliché of sorts. But, yes, I found the shoulder bag I was looking for. I absolutely adore the Seven. Whenever I use it, I am constantly fascinated by all the things it does just right. Almost as if people who actually do photography came up with the design! So I will go on and say the following: if you need a medium-sized shoulder bag for daily use, just go and buy this. Need a smaller one? Get the Retrospective 5. Need a larger one? Get the Ten or Twenty. It’s great, and I can’t see someone not liking it for all the things it does well.
As you know, Photography Life is all about sharing knowledge with our readers. Every day we work hard on bringing you the best content, whether it is in the forms of photography articles, tips, in-depth reviews or news. Because many of our readers are as passionate as we are in sharing their knowledge, they often share articles with us in the form of Guest Posts, the best of which we often feature on the site. While I was working on publishing yet another excellent guest post the other day, I came up with an idea to inspire more of our readers to write here at PL. We would like to invite our dear readers in participating in a knowledge sharing contest, in which we will reward every writer when their article is posted on the site. If your article is published, we will reward you with a $50 gift card from B&H, Adorama, Amazon or any other store of your choice as a token of appreciation, or if you prefer to be paid instead, we will transfer the sum to your PayPal account. This way, you are rewarded for your contribution even if you do not win the ultimate prize (see below for details). We will not limit your contributions, so you could submit as many articles as you would like and get paid for the work. Sounds exciting? Then read on!
Someone at Sony must be finally realizing cameras don’t make a system. As numerous and capable (crippled RAW format notwithstanding) the A7-series cameras are, the real pull of any system is the lens lineup. And so the Japanese manufacturer has announced four new FE lenses for full-frame mirrorless cameras. It is very much worth noting that just one of the lenses is a superzoom with a disappointingly slow aperture of f/6.3 at the long end – the other three are prime lenses of 28mm, 35mm and 90mm focal lengths. On top of that, Sony has also introduced two new lens converters, one for wider angle of view, the other – for fisheye effect. Let’s take a closer look at the new products.