F-Stop Gear holds a unique position in the world of backpacks. Whereas most other manufacturers produce either camera bags or hiking bags, F-Stop Gear aims to do both — they make hiking-style backpacks with swappable internal compartments for camera equipment. Just this morning, F-Stop Gear announced the addition of four new bags to their Mountain Series lineup: the Ajna, Tilopa, Sukha, and Shinn. These bags are sized at 40, 50, 70, and 80 liters, and they bring along some exciting changes from the old Mountain Series.
My name is Ori Cohen, I am a semi-serious photographer, and a computer science PhD student. Last year my wife and I traveled to Switzerland, so I packed a Sony NEX-7, a Sony 16mm f/2.8, a Minolta 24mm f/2.8 attached to an LA-EA4, and a Haida ND1000 filter.
Macro photographers tend to struggle with two crucial variables when lighting their subjects. First, high-magnification macro photography usually involves apertures between f/16 and f/32. To use an aperture this small, you need a high-powered flash — especially if you want to use a diffuser. The second major issue is that many macro photographers work with just one on-camera flash, meaning that the lighting can appear flat and dull, even when diffused. So, when Venus Optics announced their alien-looking KX800 dual flash, I was excited to see that they had put considerable effort into solving these two major problems.
It is the month of May and spring has finally taken over from winter in New England. With the woods turning green again, color has returned to the landscape. Most of the creeks and brooks that crisscross the region and give rise to hundreds of waterfalls are flowing reasonably well. Together this combination of silver and fluorescent (almost) green highlights the effervescence of spring and I, together with a friend, decided to explore this juxtaposition one weekend at a
Macro photography opens up tiny worlds that your eye could never see unaided. Now, scientists at the University of Houston have shown a way to make an 3-cent disposable macro lens that turns your smartphone into a moderately powerful microscope. These researchers have started a kickstarter project, and with more than 2 weeks to go they have already far exceeded their modest funding goal of $5000 !
Although I have only been here for two days and I am now on my way back to Jordan to join my family, I had no idea that Sri Lanka is such a beautiful country! We drove 800 kilometers, saw the craziest roads and drivers (those mean bus drivers!), met some wonderful people and ate the tastiest exotic fruits. What an experience – I already cannot wait to come back! Here is a photo of a waterfall that I captured along the way when driving towards Nuwara Eliya:
If you’ve ever bought Zeiss lenses in new condition, there is a very high chance that you’ve bought them at standard MSRP pricing. That’s because Zeiss lenses rarely ever go on sale – I think the most I have seen to date was $100 off during holiday season and only on specific, usually over-stocked items. So when I found out that Zeiss is currently offering up to $300 in instant rebates on all of its ZF.2 lenses for both Nikon and Canon, I had to let our readers know.
Just after Fuji announced its first weather-sealed wide angle lens, the XF 16mm f/1.4 R WR last month, the company has announced yet another killer lens to its arsenal, the Fujinon 90mm f/2 R LM WR. With its 135mm equivalent field of view in 35mm and a wide aperture of f/2, the lens is aimed primarily at portrait photographers who love being able to keep their subjects isolated from the background without introducing any kind of distortion to subjects’ faces. Thanks to a pretty complex optical formula comprised of 11 elements (3 of which are of extra-low dispersion / ED type) in 8 groups, a sturdy weather-sealed construction and the new Quad Linear Motor for faster autofocus, the lens will, without a doubt, be a solid performer. And at its $950 MSRP price tag, it will be a great addition for photographers who are already in love with lenses like the XF 56mm f/1.2.
Without a doubt, Fuji’s X-T1 has been a huge success for the company and for a good reason – the camera is outstanding in many ways, as I have pointed out in my in-depth review of the camera. I have been a proud owner of the X-T1 for over a year and the camera continues to amaze me, especially after Fuji’s constant firmware refreshes, which make it better each time (and it is supposed to get even better with the upcoming 4.0 firmware). But at its current MSRP price of $1300, the X-T1 is not a cheap camera to own. Which is why Fuji decided to release a smaller brother of the X-T1, the Fuji X-T10. With the same superb 16 MP APS-C X-Trans sensor, 3″ tilting LCD, 8 fps continuous shooting, 2.36 Million dot OLED electronic viewfinder, advanced autofocus system, built-in flash and similarly beautiful design, the X-T10 offers quite a bit for its $800 price tag.
Panasonic has released the Lumix DMC-G7 mid-range mirrorless camera with 4K video and stills recording capability (up to 30 fps). In addition to the improved autofocus performance when compared to its predecessor, the G7 now comes with a higher-resolution OLED viewfinder with 2,360k dots, up to 8 fps shooting speed, built-in WiFi, UHS-II SDXC/SDHC memory card support and a fully articulated high resolution 3″ LCD screen with 1,040k dots. At $799.99 MSRP, the Panasonic Lumix DMC-G7 will be one of the most affordable 4K-capable cameras on the market when it is released in June of this year.