It is hard to visit any photography website without noticing extensive fanfare being paid to the mirrorless camera niche. Some tout it as the savior of the mid-to-high end camera market. Others have dubbed it the “DSLR killer.” A number of prominent photographers have created videos and articles articulating how mirrorless innovations caused them to shed pounds from their bag and reintroduce them to the joy of photography. And why shouldn’t they? The market for traditional point-and-shoot cameras is in a free fall as smartphones increase in usage, quality, and capabilities. Traditional DSLR sales continue to fall as well. The industry certainly needs something to cheer about. And of course, photography websites need something to write about.
One question I get asked a lot by other photographers or workshop participants, is the type of reader I prefer to use when traveling or when using a laptop. Over the years, I have tried many different types of readers and I have had my share of dead readers, bent pins, unreadable cards and other problems. After trying out the Lexar Professional USB 3.0 Dual-Slot Reader when it just came out, I have been very pleased with its performance. It turned out to be the best memory card reader I have had to date not just because of its amazing performance, but also because it has a solid build and the cable easily detaches from the back of the reader, making it an amazing travel companion.
We previously invited our readers to visit Colorado and join Russ Burden and me August 22-28, 2015 on Russ’ Goats and Gods Tour of Garden of the Gods and Mount Evans. As we indicated in that post, one day will be spent at Garden of the Gods photographing the beautiful red rock formations typical of the American Southwest.
Drone photography is an exploding market, and with good reason — an aerial perspective opens opportunities in nearly every field of photography. Despite the amazing potential of drone photography, though, it is surprisingly hard to find a kit that works well for high-quality stills. Drones built for larger mirrorless cameras or DSLRs are often unreasonably expensive and frustratingly large, forcing many photographers to compromise on image quality. With this problem in mind, 3D Robotics designed the X8+ drone, a customizable and affordable platform that is capable of carrying a large-sensor camera with ease.
Back in April, Adobe introduced the sixth version of Adobe Photoshop Lightroom, which came with a number of new features, as highlighted in our Lightroom 6 announcement article. Since then, Adobe updated the software once with a relatively large release in mid-June, which was the first sub-version release for both CC (2015.1) and standalone (6.1). I have been using Lightroom 6 rather heavily for my work and I have found a few bugs and performance issues, which I would like to share with our readers. If you have identified other bugs or performance problems, please let us know in the comments section below!
Today is a big day in the photography world, because a rather serious competitor to Adobe Photoshop has been launched – Affinity Photo. We have written about Affinity Photo in the past and our readers really enjoyed the teaser and provided a lot of feedback and commentary about this software. Well, it is finally out today and you can already get it from the Mac Store. Sadly, Affinity Photo is currently only available for Mac, but the developers are promising to work on a PC version soon.
As you might have noticed, our site is back to the normal commenting system – I got rid of Disqus. After giving Disqus a try for a few months, I realized that it was only creating more hassles than doing anything useful. My intention with the Disqus platform was to reduce server load and to increase engagement, but it created too many issues that I constantly had to battle with. Although Disqus was supposed to be better at keeping spammers away, a lot of spam made it through and I got tired of having to clean it up on a daily basis. In addition, our writers did not get proper notifications when comments were posted unless they subscribed to each article, which was creating even more headaches. And lastly, Disqus went all berserk on the site after I enabled additional caching – some of our readers reported that they were getting logged in under other accounts and all kind of other strange things were happening.
In addition to the high-end 500mm and 600mm super telephoto lenses, Nikon also announced the AF-S DX Nikkor 16-80mm f/2.8-4E ED VR, a high-quality lens designed specifically for smaller APS-C / DX cameras. I have not had a chance to post this announcement due to my busy travel schedule earlier this week, but thought it would be important to post it at PL, since it is a pretty interesting announcement. The Nikkor 16-85mm f/3.5-5.6G ED VR has been a pretty popular lens for DX cameras for many years now, but after the release of high-resolution 24 MP cameras, the lens has been showing its age, with fairly average sharpness, particularly in the corners. The new 16-80mm f/2.8-4E has a completely new optical formula, designed to outperform the 16-85mm in every way.
I am back from the mountains, after spending a couple of days testing the new Canon 5DS DSLR (see all 5DS / 5DS R related articles here) and waiting for the 5DS R to arrive. Both cameras, without a doubt, are highly anticipated by Canon shooters (and not only) and for a reason – with their insane 50.6 MP of resolution, these cameras will definitely satisfy any DSLR shooter’s resolution lust. These are the cameras that many Canon landscape, architecture, fashion and macro photographers have been waiting for, in response to Nikon’s and Sony’s high resolution cameras. Armed with Canon’s highly acclaimed EF 24-70mm f/2.8L II and the new EF 11-24mm f/4L lenses, I wanted to capture a few scenic areas of the San Juan Mountains of Colorado and see how the 5DS would perform with these lenses.