There are only so many locations around me that I have deemed worthy of visiting, of spending time to find a composition. With this in mind, I am left with a choice: travel multiple hours away, or simply revisit locations multiple times a year. Quitting is never an option. Even though I do travel hours away at times – such as when I went camping in Western Pennsylvania or when I went out to Wyoming – I am more often inclined to travel short distances, spending the entire day exploring the same location. Why would a person do this, besides saving for gas?
I was reluctant to post on this site again but I suppose it’s a way of bringing these places to more people. Anyone with an aversion to colour should probably look away. Somewhere I had wanted to visit for some time, the famous Plitvice Lakes in Croatia were awash with vibrant autumnal hues reflected in crystal clear emerald waters. My friend and fellow photographer, Parrish, and myself both had the idea to plan and execute this excursion and happily it proceeded flawlessly.
When photographing a solar eclipse, there are a few very important considerations you have to keep in mind to avoid damage to your camera equipment or to your eyes. In this article, we will take a closer look at where you should physically be at the time of totality, what equipment you should have on hand, what safety precautions to take before, during and after the solar eclipse, and what framing and composition aspects to consider. Keep in mind that totality might only last a couple of minutes, so if you are not fully prepared, you might miss the opportunity to photograph this rare phenomenon.
Although we are still a few weeks away from the big holiday sales in the USA, a number of camera manufacturers have already started their instant rebate programs. Nikon has started their popular instant lens rebate program, while Fuji has gone big on their GFX medium format sales, offering rebates up to $1,000 when bundling the GFX 50S with a lens, or up to $550 per lens when buying GF lenses individually. Fuji is also offering some X-series deals on lenses, but they are not as attractive as the ones we had previously seen in the past. Lastly, Olympus is offering a great rebate program as well, with instant rebates up to $200 on their gear such as the Olympus OM-D E-M1 Mark II and other popular lenses. Below are some of the best deals we recommend to our readers.
Perhaps one of the most anticipated camera releases of 2017 has been the D810 successor, the Nikon D850. Nikon’s high resolution camera body shook up the industry once again, this time with a strong punch, making the Nikon D850 the most versatile DSLR on the market. Thanks to its 45.7 MP sensor with a native ISO sensitivity range of 64-25,600, upgraded 153-point autofocus system, advanced 181,000-pixel RGB metering system, 7 fps continuous shooting speed that can be bumped up to 9 fps with a battery grip, a fully weather sealed construction and a bunch of other hardware and software upgrades, Nikon managed to pull out a camera that can satisfy every photography need – from landscapes and architecture, to sports and wildlife. In this review, I will be assessing the camera from many different angles and comparing to its predecessor, as well as its primary competition.
Note: This is an ongoing review that will be going through a lot of changes and additions over the period of the next few weeks. I decided to consolidate all the information related to the camera into a single review, rather than piecemeal it to many different articles. Expect to see a lot more content – every time I publish new information, I will be bumping up the review to the front page of the site. Also, I am currently working on uploading a few images for the review. More images will be posted very soon!
Having just spent almost two weeks conducting a workshop in Jordan, I wanted to share a few images that I was able to capture during this incredible trip. We spent a total of 11 days touring and photographing this stunning country and although I have not yet had a chance to properly edit most of my images, I was able to go through a number of them using my portable laptop that I have been carrying around when traveling. Right after the workshop, I decided to tour Turkey for a week and explore both Istanbul and Cappadocia for future photographic opportunities, which is why I have not been able to post anything on the website. I will be posting images from Turkey after I get back home and catch up with some work. In the meantime, I hope you enjoy a photographic tour of Jordan!
These past couple weeks have been a roller coaster for photography software. For some companies, the past couple years have been a roller coaster, too — Nik software in particular. In May of 2017, Google (which had owned Nik software since 2012) announced they were ceasing new developments on the program. No new features, bug fixes, or guaranteed support for updated operating systems. That happened just a couple months after making the software completely free. Justifiably, Google’s decision to end developments disappointed many photographers who relied on the software, and who happily would have paid for further updates. Today, though, there is some cautiously good news: DxO, the company behind DxO OpticsPro (which — also as of today — is now called DxO PhotoLab), announced that they bought Nik from Google. On top of that, they announced the development of a new version of the Nik Collection planned for mid-2018. If you use Nik software as part of your workflow, what does this mean for you?
Following Adobe’s announcement of two new versions of Lightroom, there has been some confusion about the exact purpose of each one. Many photographers on Adobe’s subscription plan are looking forward to using the new version of Lightroom and gaining the most recent feature set. But, which one is the new version? The two new options are called “Lightroom Classic” and “Lightroom CC,” and they’re quite different from one another. In fact, I suspect that many photographers won’t even use Lightroom CC at all, and they’ll stick entirely to Lightroom Classic. Below, I’ll outline the differences between the two.
Four years is a long time in the digital realm. In the past four years, new products, services, and software have uprooted many parts of the old world and put something new in its place. It also is enough time — as many people suspected, but wasn’t confirmed until today — for a company to break a promise. I’m talking about Adobe, with their new release of two separate versions of Lightroom: a split “Lightroom CC” and “Lightroom Classic CC.” Both of them are subscription only, which runs counter to Adobe’s own words during the release of Lightroom 5: “Future versions of Lightroom will be made available via traditional perpetual licenses indefinitely” (source). Although it helps to define indefinitely just to be sure — dictionary.com says “ Below, I’ll dive into some new features in these Lightroom releases. I’ll also provide some suggestions if, like me, you are against the idea of monthly payments in order to access a catalog-based editing software (which makes you keep paying if you want the ability to re-edit your old photos).
In this in-depth field review, we are going to have a look at the new Nikon wide-angle DX lens Nikkor 10-20mm f/4.5 – f/5.6 AF-P ED VR, which was launched in June 2017. This lens was announced among two other professional wide-angle lenses (FX Nikkor Fisheye 8-15mm and FX Prime Nikkor 28mm f/1.4). While those bigger brothers raised a lot of expectation for full-frame shooters, the plastic entry level 10-20mm DX lens hardly caused any excitement. In this review I will show that this lens deserves the attention of both amateur and semi-professional photographers.