Without question there is a skill component in photography. Understanding our gear, lighting, composition and post processing are all important ingredients when creating images. Photography captures specific moments in time and on occasion it can be extremely helpful when Lady Luck is on our side. Most of us can remember particular instances when we just happened to be at the right place at the right time to capture an image. Maybe it was the expression on a child’s face. A rainbow. Or perhaps one of those sunsets that can simply take our breath away. On occasion Lady Luck has ridden shotgun with me, sometimes when capturing nature images.
Zoom lenses are convenient, as everyone knows. I’d imagine that the vast majority of us started our photography with a simple 18-55 kit lens – […]
Astrophotography is a hobby rapidly gaining popularity thanks to the fast advancing CMOS sensor technology. Over a decade ago, the light recording material employed in […]
If there was a 100 MP DSLR announced tomorrow, I would pre-order it, then spend many sleepless nights waiting for it to arrive. I’d suffer […]
Lately, I’ve noticed a trend of stories popping up about a lucky break from a friend, a relative, a previous connection, and those lucky breaks launching a career. There’s absolutely nothing wrong with that (I am kind of jealous!), but I also notice how people keep asking for a story of how work and perseverance paid off instead. As a shy introvert with cheap gear, I thought my story might be something worth sharing with other Photography Life readers – I’ve relied entirely on my work to get where I am today.
If there was a 100 MP DSLR announced tomorrow, I would pre-order it, then spend many sleepless nights waiting for it to arrive. I’d suffer nightmares where Imatest monsters would kick Zeiss Otus’s around and laugh at their feeble attempts at keeping up with my high resolution camera. It would get even worse when I put a second mortgage on my house so I could afford the new supercomputer to crunch those images. I’d pace the halls of my house, past my favorite matted and framed 24”x36” lens chart prints, while wondering if I needed a car with a bigger trunk that could carry enough CF cards for a day’s shooting.
This review is for three Impact Muslin Backgrounds and an Impact Background Support System. I have always loved backdrops and how they can convert any space into a studio. By setting up a studio backdrop, you can create a whole new feel for a shoot and they are versatile and easy to use. I chose to set these up in my living room and home office space, but if you are tight for space in your home, a garage makes a perfect studio as well.
Each year camera manufacturers are pushing the limits of sensor technology and the latest trend has been to increase sensor resolution to numbers that were considered unfathomable before. With full-frame cameras reaching 50 megapixels (MP) and medium format cameras pushing beyond 80 MP, we now know that the megapixel race won’t stop there and we will most likely be seeing cameras with even more resolution in the future. But the big question remains – how much resolution does one truly need today? Is 12 MP too little? Is 50 MP too much? While it is a subject that can be open to endless debates, I have been working on a methodology to determine the ideal megapixel range for one’s needs. In this article, I will share what I came up with and it will hopefully serve as a good guide for our readers in deciding how to address the megapixel quench. I highly recommend to read my camera resolution explained article as a pre-requisite to understand the relationship of resolution to printing, cropping, display size and to understand such terms as down-sampling in more detail.
Here is something I am very proud to say: although our forums are only starting to grow, one particular section really took off, and it’s the Critique Section. As of the time of writing, it has the most topics and the most replies, too, which makes me immensely happy. Why? Because it means that, as interested as our readers are in all the camera, lens and megapixel discussions, in the end, you actually do use your equipment for its intended purpose and not for bragging rights. You are photographers, and not people who own cameras. And if our team at Photography Life has helped anyone in any way however slightly, it is a true honour. The fact how brilliant a lot of our readers are – I can’t speak for our whole team, but I often feel humbled – makes me even more proud.
A side note: the images in this article were submitted to the Critique Section by our readers. Yep. You are that awesome, and I am that staggered.
One of our readers was kind enough to send a link to a YouTube video from NASA’s Solar Dynamics Obervatory (SDO), which has been capturing images of the whole sun 24 hours a day for the last 5 years. After putting together image sequences into a time-lapse, NASA created a stunning video that is absolutely worth watching. If you visit NASA’s official website, you can click on the Related Media link and see many more videos and images from SDO, which are all as amazing as the below video:
Although the megapixel race has been going on since digital cameras had been invented, the last few years in particular have seen a huge increase in resolution – we have seen everything from 41 megapixel camera phones to now 50.6 megapixel full-frame DSLR cameras. It seems like we have already reached the theoretical maximum for handling noise at high ISOs with the current generation sensor technology, so the manufacturers are now focusing their efforts in packing more resolution, while keeping sensor sizes the same in order to lure more customers to upgrade to the latest and greatest. In this article, I will try to explain some basic terminology in regards to resolution and hopefully help our readers in understanding camera resolution better.
I enjoy taking panoramic images of landscapes, cityscapes, street art or any other time when the view exceeds the frame. While an increasing number of cameras (particularly smartphones) are offering an in-camera panoramic mode, individual images and good stitching software is essential for high quality images.
For the next 13 days, Nikon will again offer lens-only rebates as it has previously done in the past. This is pretty exciting news for many Nikon shooters that already own Nikon cameras and are only interested in buying lenses – many of our readers have been waiting for such a rebate for a while now. In addition to these lens rebates, Nikon is also simultaneously running its “Buy Together and Save” rebate program, where additional savings are provided if you buy one of the Nikon DSLRs. Let’s take a look at these savings in more detail.