We are very excited to announce the release of our second video course, Level 1: Workflow and Post-Processing. After months of hard work and many sleepless nights, we were finally able to wrap the course up and make it available for purchase. After receiving a lot of positive feedback on our first video, we decided to take it up a level and deliver something we are truly proud of. The result is a 14-hour educational course that will surely satisfy your hunger for photography knowledge for quite a while. In this course, we pick it up right where we left off last time; from the moment you insert your memory card into your computer, all the way to the image export process. We go over each step of the photography workflow process, provide detailed information on different post-processing tools available on the market today (along with the overview of the most popular ones), and give you in-depth coverage of Adobe Photoshop Lightroom. In addition to the above, you will also learn how to properly organize your images and your Lightroom catalogs, find out about computer hardware required for post-processing, and even learn how to properly backup and export your images. To make it easy for you to follow the course, we are providing all relevant raw images, so that you can try all the tools we teach you to use. Without a doubt, this is one of the most detailed and complete courses you will find on both workflow and post-processing!
One of my favourite times to photograph garden plants and flowers is first thing in the morning after a fresh rain. All of the colours and textures seem richer after the rain dapples them with water droplets.
I’ve been quite busy with client work lately and I decided that I needed a break. So, today I headed out to photograph birds-in-flight with my Nikon 1 J5. As most folks know, this camera does not have a viewfinder, so I used four, thick elastic bands to attach my Zacuto Z-Finder to the rear of the J5. It ended up being reasonably snug against the back of the camera. While not particularly elegant looking, it did get the job done.
Now no one’s ever going to accuse me of being a motorhead any more than they could accuse me of being a gearhead. Cars don’t provoke a tachycardic enthusiasm from me in the same way as other subjects do. But there happened to be a car show at a summer festival nearby yesterday so I ambled along with my camera to see the display. I was certainly tempted by the beautiful lines, form and colour of classic car anatomy.
Most of you are probably already familiar with the different tools that are available to use while editing your images in post-processing software. I’m referring to the various brushes and filters that can be found in Lightroom, Capture One Pro and other similar programs. Well, did you know that in addition to using these tools to adjust things like exposure and saturation, you can also use them to add a bit of color to your images? In this post I’ll show you a few of my favorite ways to use these tools along with some subtle additions of color, which will make your image editing a bit more colorful. Keep in mind… I’m a Lightroom user, so I can’t promise that these techniques are available in all post-processing software.
This is the tenth post in our “How Was This Picture Taken” series, and this one features a photograph I took at Great Sand Dunes National Park in Colorado. Since this is the tenth installment in our series, and because we have a number of exciting projects coming up, we’d like to do something a bit special this time:
The reader with the closest answer will receive a free copy of the eBook that Nasim and I are writing: “Creative Landscape Photography: Light, Vision, and Composition.”
Yellowstone National Park. That is really all one needs to say to get the message across. What could very well be the most photographed National Park in the world needs no introductions. Yellowstone harbors all of the elements that make the “West” of the United States such a compelling area for photographers. It’s combination of landscapes, geothermal activity and wildlife is a photographers dream. And yet, for a place with so many splendors, you would think I would not get so many questions on how and when to photograph massive park.
The past few months I have fallen victim to a creative slump, a rut, a lack of enthusiasm around my photography. Call it what you want, I felt uninspired. Although I love nature and bird photography, I found myself struggling to make time to get out and shoot. We live on the gulf coast of southern Mississippi. There is an abundance of wonderful birdlife, beautiful sunsets and unique cypress swamps full of wildlife begging to be photographed. When I did get out, I found I was not very motivated to download my images, let alone take the time to process them. I needed a change. What I really needed was a challenge. I decided to try something I had heard of, but have never tried before, in the hopes that it would relight my photographic passion.
I can still remember buying my first camera, a Nikkormat, back in 1974. Since then every camera I ever owned had a viewfinder of some sort built into it. The prospect of ever owning a camera that didn’t have a viewfinder was so foreign to me that I simply dismissed buying the Nikon 1 J5 out-of-hand. Well, the combination of the delay in an updated V-Series body and the lure of improved image quality of the J5’s 20.8MP BSI sensor finally got to me and I bought one a little over a month ago. Within a week of buying the first one, I bought a second J5. What I discovered was that overcoming my ‘no viewfinder’ concerns was a lot easier than I thought it would be.
A lot has changed in the world of computer storage in the past decade. Traditional spinning hard disk drives (HDD) have been outperformed by insanely fast and now affordable Solid State Drives (SSD). And now we have insanely faster flash memory technology already available for the consumer market in the shape of Non-Volatile Memory Express (NVMe), which is manufactured in a number of different interfaces / form factors, including M.2. Many photographers, including myself, experienced a huge boost in performance for post-processing large resolution files when switching from a hard drive to an SSD, but now that the faster flash memory is becoming more common, one might be wondering about the benefits of this new storage compared to both HDD and SSD drives. We have already published a detailed article on building a computer for photography based on the latest generation Intel Skylake architecture, where we recommended to get the new generation motherboards with built-in M.2 slots for flash storage. Having built a similar computer myself for my post-processing and video editing needs, I thought it would be useful to share just how much faster the new storage is compared to both HDD and SSD drives, since I use all three in my large full tower setup.