Many photographers have an interest in close-up photography but may find it hard to justify the cost of adding a dedicated macro lens to their existing interchangeable lens camera kit. They may decide to use extension tubes instead. The objective of this article is to demonstrate how extension tubes can be used with a range of different lenses to photograph the same type of subject matter. In this case, I used a combination of two extension tubes (10mm and 21mm) and five different lenses to capture close-up images of bees.
No matter what digital camera you shoot with nowadays, you must have some kind of storage where your media is going to be saved to. While some devices like phones and tablets often come with some built-in memory, you will often find yourself looking for ways to expand that storage by using memory cards or other external storage accessories. And if you shoot with a dedicated digital camera, you will find that it does not offer any kind of storage and you will need to buy at least one memory card in order to be able to store captured images. That’s how a quest for selecting the best memory card begins. Unfortunately, choosing and buying memory cards can be a very frustrating experience, because there are so many different types of memory cards out there with so many different classes and price points, that it can become a very frustrating experience, especially for a beginner. In this article, we will explore memory cards in detail and give you everything you need to know about them.
When you go through camera menu options, you might come across a number of different options that are related to the way your RAW images are saved. One of those options is typically the type of compression that is applied to RAW files. There are several reasons why camera manufacturers provide RAW file compression options, but the most basic one is to save space. Let’s take a look at file compression options and explore differences between compressed, uncompressed and lossless compressed RAW files in more detail.
Something I noticed recently made me stop and think for a moment, since, if true, it means that the modern era of photography is an especially noteworthy time: With very few exceptions, there are no scenes or subjects that are impossible to capture with today’s technology. Nearly everything you come across, from nighttime landscapes to microscopic insects, can be photographed with high levels of precision and image quality, so long as you know what you’re doing (and you pack along the right equipment). That’s a powerful fact — so, how can you make the most of it?
One of the most frequently asked questions I often get at Photography Life, is related to post-processing images. Specifically, our readers want to find out how they can make their images look good without spending too much time post-processing them. After-all, not everyone has the skills or the patience to learn how to use the many different tools in different software packages like Lightroom and Photoshop. I thought of things that I normally do to my images when I want to make quick edits and came up with a few steps that I consistently apply to all of my images. In this article, I will provide these steps, so that you can quickly make changes to your images and make them look good without having to go through a lot of learning. I will highlight the steps using Lightroom and Photoshop, but you should be able to imitate similar steps using other post-processing software as well.
Both Hasselblad and Fuji got quite a bit of buzz in 2016 when they introduced the first mirrorless medium format cameras. The Hasselblad X1D-50c stole the show with its beautiful design, compact build and leaf shutter lenses, whereas the GFX 50S got Fuji fans excited with its functional camera body, modular EVF, tiltable LCD screen and a lower price point. Both cameras compete head to head when it comes to image quality, since they feature a very similar 44x33mm sensor, which is why I will be bringing them up quite a bit for side-by-side comparisons in this Fuji GFX 50S review. I have now been shooting with the GFX 50S for approximately six months, so the experience that I am sharing with our readers is based on quite a bit of field work, including international travel.
The forest floor gave way to a small black pond which was by now almost indistinguishable from the muddy trail which led to its bank. Towering over the basin of the pond were the Ceiba trees, like obscure shadows that were closing a casket over the ground below. Every now and then an opening in the forest canopy revealed a night sky which had grown far more compelling since we first set out at dusk. La Selva was rich with sounds; there were howls and croaks from the forest’s diverse denizens and this abundance was further accompanied by the voracious buzzing of the local mosquitoes who were gorging themselves at our expense.
In this article, I will try to give you a few tips on how to photograph the Matterhorn in Zermatt, Switzerland. Moreover, I will also add a few pieces of advice on how to plan a trip to Zermatt. Matterhorn, located in south Switzerland on the border with Italy, is one of the most famous European Alps peaks. It towers to 4,478 meters above the sea level and is marked by its sharp pyramid shape. Its pronounced shape has always attracted many tourists and photographers. How shall you plan your trip to Zermatt and where to go to get nice Matterhorn photographs and not leave with your wallet ruined?
It is a well-known fact that there are some rather serious diseases that plague photographers out there. While we have all heard of the Gear Acquisition Syndrome and other photography addictions, it is time to expand the photography jargon to include the many types of photographers we deal with today. Some of these have been around for years, while others have been recently bred in the darkest corners of the Internet. Without further ado, let’s get down to it!
It’s common to think that most professional photographers, or all professional photographers, shoot in manual mode, for the simple reason that it offers the greatest possible control over a photo. Why would you leave your camera to make important decisions without your input? However, as valuable as manual mode is, you may not need to use it 100% of the time — even as an advanced photographer. In this article, I’ll explain semi-automatic modes and cover some cases where they can be the quickest option available, without sacrificing any control over your settings.