For our readers in the Northern Hemisphere, it’s that time of year again — days are hotter, nights are shorter, and the air is stuffier. With the changes in weather, two different creatures are beginning to emerge from their deep winter slumbers: the insect and the macro photographer. As macro photography grows more popular, a key question arises: what is the best way to light a bug’s picture?
Most people who enjoy taking images of birds will attest to the fact that it can be especially challenging to photograph hummingbirds. These little ‘pocket rockets’ dart around constantly and very seldom stay in one place long enough for us to find them in our viewfinders, let alone actually get an image. If you’re like me even being able to capture a decent image of a hummingbird on a feeder with its wings spread is an uncommon feat.
One of the worst feelings as a photographer is to realize that you have accidentally deleted one of your photos, and you have no way to recover it. Most photographers have horror stories about such situations — I once nearly lost all my photos from a trip to San Francisco — but it is often possible to recover deleted photos using special software. One such software is Stellar Phoenix Photo Recovery, which claims to be able to recover images from memory cards or hard drives, even after reformatting the drive or deleting an image.
As part of the field work for my review of the Nikon 1 V3 I took some images of birds in flight under rather harsh winter conditions earlier this year. While I did have some success with the Nikon 1 CX 70-300 f/4.5-5.6 zoom lens I wasn’t satisfied that I had given the lens a good test with this subject matter as my goal for the article was more to demonstrate the capability of the V3. I really wanted to try photographing some cormorants but by the time I purchased my copy of the Nikon 1 CX 70-300 in late 2014 most of the cormorants had already migrated south so I missed a good testing opportunity last year.
12-bit image files can store up to 68 billion different shades of color. 14-bit image files store up to 4 trillion shades. That’s an enormous difference, so shouldn’t we always choose 14-bit when shooting RAW? Here’s a landscape I snapped, then found out later I had shot it in 12-bit RAW. Better toss this one out, right?
F-Stop Gear holds a unique position in the world of backpacks. Whereas most other manufacturers produce either camera bags or hiking bags, F-Stop Gear aims to do both — they make hiking-style backpacks with swappable internal compartments for camera equipment. Just this morning, F-Stop Gear announced the addition of four new bags to their Mountain Series lineup: the Ajna, Tilopa, Sukha, and Shinn. These bags are sized at 40, 50, 70, and 80 liters, and they bring along some exciting changes from the old Mountain Series.
My name is Ori Cohen, I am a semi-serious photographer, and a computer science PhD student. Last year my wife and I traveled to Switzerland, so I packed a Sony NEX-7, a Sony 16mm f/2.8, a Minolta 24mm f/2.8 attached to an LA-EA4, and a Haida ND1000 filter.
Macro photographers tend to struggle with two crucial variables when lighting their subjects. First, high-magnification macro photography usually involves apertures between f/16 and f/32. To use an aperture this small, you need a high-powered flash — especially if you want to use a diffuser. The second major issue is that many macro photographers work with just one on-camera flash, meaning that the lighting can appear flat and dull, even when diffused. So, when Venus Optics announced their alien-looking KX800 dual flash, I was excited to see that they had put considerable effort into solving these two major problems.
It is the month of May and spring has finally taken over from winter in New England. With the woods turning green again, color has returned to the landscape. Most of the creeks and brooks that crisscross the region and give rise to hundreds of waterfalls are flowing reasonably well. Together this combination of silver and fluorescent (almost) green highlights the effervescence of spring and I, together with a friend, decided to explore this juxtaposition one weekend at a
Macro photography opens up tiny worlds that your eye could never see unaided. Now, scientists at the University of Houston have shown a way to make an 3-cent disposable macro lens that turns your smartphone into a moderately powerful microscope. These researchers have started a kickstarter project, and with more than 2 weeks to go they have already far exceeded their modest funding goal of $5000 !