It is a fact that as content creators, we are always in need for more storage. Thanks to all the latest and greatest cameras on the market that offer incredible detail with their high resolution sensors, we find ourselves constantly reassessing our storage requirements. Old computers are getting too slow to handle all the media and data we have to deal with, while storage solutions that used to be good enough a few years back do not seem to cut it anymore. Our clients have become technology-savvy and they are now demanding to see high resolution media files to deliver exceptional experience to their viewers, so we have to keep up. While building a fast computer for photography needs is definitely not for everyone, one does not have to go through the same process when assessing storage needs. Since there are a number of great, low-cost storage solutions out there that do a phenomenal job and provide excellent connectivity options, I have been in favor of such arrays instead of running a beefy tower computer. One such array that I recently have been introduced to, is the QNAP TVS-882T. In this review, I will provide detailed information about the TVS-882T and compare it to my Synology DS1815+ that I have been running for the past few years, along with the latest DS1817+ that I will be thoroughly testing soon.
Any photographer who has ever lost some of their photos will tell you how important it is to have a good backup system. For your best photos, you should have three or more copies, located in at least two different physical locations at all times. You absolutely shouldn’t have any of your photos located in just a single spot, or you’re asking for trouble. But how do these recommendations apply when you’re traveling, particularly if you’re out in the middle of nowhere and don’t have access to your normal backup equipment? In this article, I’ll cover some ways to back up your photos in a secure way no matter where you are.
One of the easiest ways to substantially improve the image quality of your daytime cityscapes is to use a circular polarizing filter. Putting a polarizing filter on your lens is like wearing a pair of polarized sunglasses over your eyes; the polarized glass blocks random light waves from passing through, creating a clearer image. Randomized light tends to be lower quality than direct light. As such, a polarizing filter will help ensure that only the sharpest, most colorful light hits your image sensor.
There are some popular conditions for landscape photography that every photographer already knows: sunrise and sunset, storm clouds, fog, and so on. But one that doesn’t get mentioned very often is the light produced by a full moon on a clear night. The subtleties of moonlight aren’t always visible to the naked eye, but long exposure photography can lift the curtain. The results may have hints of familiarity, but they also have unique characteristics that make them stand out from typical, daytime photos. Photographing landscapes under the full moon (also referred to as “moonscapes”) is a process with its own set of challenges, so I will explore it in more detail in this article, and hopefully provide some tips for those who are interested in trying it out.
Once the good weather breaks, from the late spring through to the fall, many small towns in Ontario hold festivals. Quite often displays of antique and custom cars are featured at these types of events and represent great opportunities for photographing automotive details. This past weekend the town of Smithville held its annual PoultryFest, which I had the opportunity to attend. The day started out with bright, sun-filled skies…a significant change from the torrential rains that had hit much of Southern Ontario on Friday. The heavy rains caused quite a bit of flooding in the areas north of Toronto and resulted in many owners of custom cars changing their display plans and bringing their vehicles to Smithville instead.
In the past, hardware calibration feature was limited to premium wide-gamut models from companies like NEC or Eizo. Those models offer wide gamut, great uniformity and advanced calibration features…but at a fairly high price. Affordable wide gamut solutions with hardware calibration started in 2013 with Dell and after that other companies like LG, BenQ and Samsung begun to offer “similar” products with more or less success. It is important to point out that LG and Samsung wide gamut models cannot be properly calibrated internally with the i1Display Pro colorimeter using their software and the same applies to some BenQ models like SW2700PT and its Palette Master Elements software. The main issue with those models is that they bundle an outdated X-Rite SDK (Software Development Kit) in their software without GB-LED support, which is the current main* (see the footnote at the end of the article below) LED wide gamut backlight technology. Hence, their software won’t get accurate readings, which in turn leads to inaccurate calibration. The BenQ PG2401PT and its Palette Master software, on the other hand, come with proper GB-LED support.
We are happy to announce a big change to the way we handle and process email subscriptions for our readers. As of today, we have completely switched to a new system and migrated away from two previous email subscription systems, which will hopefully alleviate all the frustrations our readers have had with our newsletters. While we have been relying on free email delivery services from Google and WordPress for the past few years, they have proven to be very limited in terms of delivery and customization options. One service in particular would send an email as soon as content was posted, so if we posted several articles within a short period of time, it would result in practical spamming of the mailboxes of our readers. Going forward, we will no longer have these issues, as emails will only be delivered once, no matter how many times we post content on a given day. In addition, we have made it easy to both subscribe and unsubscribe from our email newsletter, so we are hoping that you will take a moment to try this new service out.
It was the last Saturday of May and it was already time to go. After spending more than a week in the Fiordland National Park, walking around this New Zealand’s jewel, and a few days in Invercargill waiting for the weather forecast to get better, it was now or never. The forecast predicted a splendid weather until the following Monday, perfect to finish the 3 days of trekking on the Rakiura Track, one of the 9 Great Walks of New Zealand.
This post is the last in a three-part series dedicated to teaching sports photography at all levels of competency. In part one I covered the basics for photographers who are just getting started. Part two was geared towards intermediate amateurs who have mastered the basics and want to gain additional competency to bring their images to the next level. This part is for advanced amateurs looking to enhance their existing skills and create professional-looking images.
On Father’s Day morning we had some very unsettled weather move through our area which brought with it some extremely strong winds. I couldn’t help but grab my camera and go out for a birds-in-flight practice session as I knew the very high winds would create ideal conditions for me. So, I headed out to Eastport Drive by Hamilton Harbour with my Nikon 1 V3 and 1 Nikon CX 70-300mm f/4.5-5.6 VR zoom lens to capture some practice images of birds-in-flight.