Every advanced and professional photographer today absolutely needs to learn how to use exposure in photography. When you first start taking pictures, you might be confused by the countless buttons and menu options on your camera. However, there is no excuse for using a bad in-camera exposure. By understanding how to expose an image properly, you will be able to capture photographs of the ideal brightness, including high levels of detail in both the shadows and highlight areas. This article explains…
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New Sony Compatibility for Nine Sigma Art Lenses
Along with the two new Art lenses that Sigma just announced, they also introduced something that will make Sony users especially happy: native compatibility for nine prime lenses from Sigma’s Art lineup, including the two new lenses and seven older designs. Sony is really pushing things forward with their efforts to offer a large native lens lineup, and, with the excellent quality of Sigma’s Art lenses, this is an excellent step to take!
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Sigma Announces Two New Art Lenses
The CP+ Camera and Photo Imaging Show starts Thursday, which means it is announcement time across the photography world. Next on the list of new products is Sigma, and they’re debuting some very interesting gear – chief among them, two new lenses for Canon, Nikon, and now Sony mounts (more on that in another article). Introducing the Sigma 70mm f/2.8 Macro Art and the Sigma 105mm f/1.4 Art! The macro lens is Sigma’s first Art macro lens, going up to 1:1 (life-size)…
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Sony Announces the a7 III: Fully Featured at $2000
Sony just announced the newest camera in their a7 series: the a7 III. It has a 24.2 megapixel backside-illuminated sensor, a 693-point autofocus system, and the longest battery life of any Sony full-frame mirrorless camera. The rest of the specifications, which we will cover below, are equally impressive – especially considering the launch price of just $1998.
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Sigma 24mm f/1.4 DG HSM Art Review
This is an in-depth review of the Sigma 24mm f/1.4 DG HSM Art lens that was announced in February of 2015. Being a professional-grade wide-angle lens, the Sigma 24mm f/1.4 Art was made to challenge similar offerings from both Nikon and Canon, but at a much lower price point. Previously, Sigma had a lot of success with its Art-series lenses such as the 35mm f/1.4 Art, so it made sense that the company would continue to make similar class lenses…
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Lightroom Classic vs Alien Skin Exposure X3
In the coming weeks, we are planning to review many Lightroom alternatives at Photography Life and figure out which ones are potential replacements. The first on our list is Alien Skin Exposure X3. This software, originally a film simulation plugin for Lightroom and Photoshop, has grown to a standalone software that mimics Lightroom’s post-processing and organization options in many ways. This article covers the differences and similarities between Adobe Lightroom CC Classic and Alien Skin Exposure X3, including which one…
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Nikon 18-55mm f/3.5-5.6G DX VR AF-P Review
In this in-depth field review, we are going to have a look at the Nikkor 18-55mm f/3.5-5.6G AF-P VR, the latest Nikon basic DX standard kit lens launched in September of 2016. It is an all-plastic lens featuring the newest stepping motor, which focuses faster and quieter than the traditional silent wave motor used on most standard Nikon lenses. The optical design features two aspherical elements for better sharpness and chromatic aberration control.
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Life is More Interesting with BAGS
There’s something about photography that can cause it to become deeply intertwined with our lives. Of course some folks are professional photographers and their image-creating skills, as well as their ability to market those skills, are fundamental contributors to their economic well-being. For many other people who’s livelihood does not depend on earning a living from their images, photography is still an integral part of their lives. The simple fact is that life is far more interesting with BAGS, and…
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Canon EF 200-400mm f/4L IS USM Extender 1.4x Review
This is an in-depth review of the Canon EF 200-400mm f/4L IS USM with a built-in 1.4x extender, a telephoto zoom lens targeted at enthusiast and professional action photographers. For many years, Canon users shooting serious wildlife and sports photography had come to accept that the only telephoto lenses on offer by Canon that achieved top of the line performance were their prime lenses. At the time, the only Canon zoom lens in the telephoto range was the Canon EF…
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What Makes a Good Photo?
The simplest question in photography is also the most complex: What makes a good photo? It isn’t enough to say that a good photo comes from its lighting, composition, subject, and so on; this question has a deeper answer. Good images – as different as they may be from one another – all stem from the same roots: The photographer has a strong goal for the photo, then expresses that goal in the most effective possible way.
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Fuji XF 56mm f/1.2 R Review
This is an in-depth review of the Fujifilm XF 56mm f/1.2 R lens made for Fuji’s line of X-Series cameras. This short telephoto lens (85mm full-frame equivalent) was released in February of 2014 and quickly became known as one of the best prime portrait lenses on the market, mirrorless or otherwise. This lens is not to be confused with Fuji’s other 56mm, the XF 56mm f/1.2 R APD. The APD version incorporates a controllable apodizing filter into its design, for…
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Lightroom 6.14 vs CC 7.1 vs 7.2 Performance Comparison
Adobe Lightroom is known to be a disappointingly slow post-processing tool, especially when it comes to basic operations such as importing, preview generation and image culling, as well as more advanced operations that involve using features such as spot healing. Adobe’s development team is aware of these issues and the company says that it is committed in delivering updates that will make Lightroom faster. The latest version of Lightroom Classic CC 7.2 has been delivered a couple of days ago…
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Fuji X-H1 vs X-T2
The Fujifilm X-H1 is the top of the line camera in Fuji’s X-series line-up. But before its release, the Fuji X-T2 was arguably the most feature-rich choice and certainly a popular mirrorless cameras among many enthusiast and professional photographers. As a current or prospective X-T2 owner, or potentially as someone interested in the new Fuji X-H1, you might be wondering how it compares to the X-T2 in terms of features, ergonomics and specifications. We have put together this X-H1 and…
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Fuji X-H1 Announcement
Today Fujifilm unveiled yet another line in the X-series mirrorless cameras, the Fuji X-H1. This is a significant release for the company, because the X-H1 is the first Fuji camera to feature a 5-axis in-body image stabilization (IBIS), something many Fuji photographers have been waiting for. Fuji has long been criticized for not incorporating IBIS into its camera bodies to take advantage of its lenses that do not have optical image stabilization, so the company responded with a camera that…
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Fuji GFX 50S Firmware 3.00 Announcement
One of the most amazing things about Fuji as a company, is their commitment to photographers who invest in their systems. Each time Fuji makes a camera announcement, it also goes back and adds some features to some of its existing cameras. A number of cameras have been previously improved with the “Kaizen” philosophy and I have seen cameras completely transform thanks to continuous firmware updates. Last year, after having a chance to test and review the GFX 50S, I…
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How to Photograph Airplanes
Aviation photography is definitely more challenging and creative than one might think at first glance. But it’s one of the most rewarding and simply fun type of shooting I do. Basically, there are two kinds of airplane photographers: those with airfield/aircraft access (airport workers, pilots, commercial photographers etc) and those without (all the rest of us). This is for all of us peering through a fence or piece of dingy airport glass at those exciting flying machines and trying to…
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Why You Should Try Shooting in Manual Mode
This essay is for amateurs who have been shooting a while and feel the desire to push the envelope by going to manual mode. For those who are dedicated auto shooters and never want to change, I respect and endorse your choice, and wish you all the good shooting in the world. But this essay is not for you, so you need not read any further. Why go manual mode? Well, there are some very good reasons to do so.…
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How to Cull Your Images Faster with FastRawViewer
As you might already know, Lightroom is extremely slow when it comes to image culling. Although Adobe updated Lightroom CC to be able to fetch embedded JPEG previews from RAW files for the sole purpose of speeding up image culling, the process is still painfully slow when going through many images. In addition, looking at the embedded JPEG previews from the camera is far from ideal due to the fact that JPEG images do not contain enough information to be…
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Sigma 14-24mm f/2.8 Announced
Early today, Sigma officially announced a new 14-24mm f/2.8 lens, the most recent in a string of wide-angle Art lenses from the company. While there has been no price released at this point, it is reasonable to hope that this lens will offer the high-quality performance that Sigma’s Art lineup is known for, yet still retain a lower price than something like the Nikon 14-24mm f/2.8. Keep reading for more details about the new lens, including some of our initial…
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Fuji XF 100-400mm f/4.5-5.6 R LM OIS WR Review
This is an in-depth review of Fujifilm’s XF 100-400mm f/4.5-5.6 R LM OIS WR Lens. The lens was released in early 2016 and is Fuji’s longest focal length lens and only super-telephoto zoom in its lens lineup at this time. At the moment, the lens holds a couple of records, being the heaviest at 1375g and the most expensive at $1899 among all Fujifilm X-mount lenses.
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